Theaters Paris

The theatre of the Marais began in the th century. At the time, the Marais is already a fashionable neighborhood and popular actors look for a place where they could represent themselves. It is then that the "marsh of the Marais" is formed in the room of the palm game street Old-du-Temple. This is where Corneille's first "Le Cid" will be played in January 1637. After a few years of success, the theatre took fire in 1644 and was completely renovated. The troupe no longer met the same success and it was only at the end of the th, with a renovation and the parts of Beaumarchais, that the theatre regained its lustre of yesteryear. Today, this place, which is located in Volta Street, lives with modern pieces. Since 2009 the theatre of the Marais is managed by Sébastien Autret, Charles Petit and Quentin Paulhiac. The great story continues…

Since the 1980s, this small, 50-seat theater, which in the 1950s premiered plays by audacious authors such as Genet and/or foreigners, has been presenting shows by young talent - authors, actors, directors, companies. Since 2002, we've been offering training workshops that provide conditional access to the Guichet Montparnasse stage. This venue also offers shows for young audiences.

Three rooms - four hundred and eighteen, two hundred and thirty and one hundred and thirty-four places - are the theatre located in the famous and green Cité internationale universitaire, which hosts foreign students. There are theatre and dance exhibits, as well as new circus and puppet shows, visual and video arts exhibitions, as well as concerts. Conferences, meetings, internships, open rehearsals, readings are open to spectators and professionals alike. The origin of the theatre dates back to 1968. Have gone on for four decades: Jérôme Savary, Bread and Rosetta, Victor Garcia, Antoine Vitez, Jean-Marie Paw…

Since 1980, the Italian Comedy has been established in a former commissariat. A nearby boutique has been attached to expand the entrance hall. This room of a hundred seats exclusively from the pieces of Italian, Classical and Contemporary authors, many of which have never been presented in France. His founders are actress Hélène Lestrade and director Attilio Maggiulli, former student of the Piccolo Teatro of Milan past the Comédie-Française and the Sun Theatre of Ariane Clown. He is a specialist in the Commedia dell'arte, who founded the Teatrino Italiano from Montparnasse in 1974 on rue du Maine. Pantomimes, texts by Ovid, Goldoni, Machiavelli, Casanova, Malaparte, Gramci, Pavese or Pasolini were mounted here in French. In addition, a school of Italian commedia issues courses and organizes courses in this unique place.

The company was created by the Railway Henri Dumay in the 1940 s. At the Valhubert theatre, located in Paris-Austerlitz station, it has set up many classic and contemporary pieces. What it continues to do, always linked to the world of rail via the comité d'etablissement SNCF de Paris Rive Gauche. The team moved from 2002 to 2008 in a former sports complex on the Rue du Chevaleret. As the latter was promised to destroy, acrobats returned their luggage to the Nap Theatre - 300 seats. We are not born under the sign of travel for nothing! In 2009, after a two-year renovation, Espace Flute reopened its doors. It retains its primary vocation with the presentation of quality performances.

It's a superb Italian-style theatre with 730 seats. The Théâtre de la Madeleine has a remarkable elegance. It was built in 1924 on the site of a horse-riding arena. Sacha Guitry staged many plays here in the 1930s and 1940s, including "N'écoutez pas, Mesdames", as did André Roussin in later decades. The acting couple Simone Valère and Jean Desailly have directed the company. In recent years, Audrey Tautou, Eddy Mitchell, and Roschdy Zem have enjoyed great success.

For a long time, the Parisians had this theatre of nine hundred and ninety places under the name of Eldorado. It is also known as a first room built here in 1858. It is a luxury coffee shop where you can sing, dance and drink, as well as just, but where you can also watch small pieces and pantomime or dance numbers. This was created in 1868 a poem by Jean-Baptiste Clément entitled Le Temps des Des. After being put in music by Antoine Renard, we know what fate he will know. Many artists go to Eldorado as a beginner before they go back to their features: Paulus, Yvette Guilbert, Mistinguett, Mayol, Polar, Dranem, Maurice Chevalier. In 1918, establishments of the Maori'conc'type went out of fashion, so Eldorado went to Music Hall. There are magazines, as well as vaudevilles and operettas. A Yiddish theatre will then implement it before the room is demolished, then rebuilt in 1933 to become a cinema of two thousand places. The room will keep its aesthetics 1930. In 1971, Eldorado returned to the Live Show. In 1994, Maurice Molina, the new boss of the sites, began a renovation of the site. It was the Rebaptisera theatre in 2000. The program is eclectic from Goldoni to Knight and Laspales. Note: Classic mornings are offered in this room by L'Ecla Theatre.

A long-standing address for artists'magazines, the Ten Hour Theatre today presents some man shows and loud comedies. At the location of this 1890 th place hall, there was first a cabaret of arts inaugurated in. He took his current name in 1925 under the direction of Roger Ferréol. He borrowed him from a Tirade tirade - in Les Linottes - referring to the fortune enjoyed by a theatre if he presented gay shows at 10 a. m. With artists such as Martini, Noël-Noël, Dalio, Saint-Granier, Jean Rigaux, Marguerite Moreno, Jeanne Fusier-Irm, he succeeded in creating a loyal audience. From the 1950 s, new talents are emerging: Oleo, Jean Breton, Jean Poiret, Michel Serrault, Anne-Marie Carrière, Thierry Le Luron… In the early 1980 s, the Ten Hour Theatre was directed towards theatre, notably under the direction of Michel Galabru and his son. You can see it by Mom or give me your linen, I make a machine, Didier Bénureau and Muriel Robin. He was the sponsor of the place when Michel Joyeau and Michel Miletti took their head in 1990 - in partnership with Just for Laughs since 2007. Laughter and song are in the spotlight. In the first category come to work Elie and Dieudonné, Franck Dubosc, Patrick Bosso, Stéphane Guillon, the Jamel Comedy Club… And in the second: Juliette, Marie-Paule Belle, Guy Montagné, Hervé Vilard, Nicole Croisille…

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Located next door to the Folies Bergère, the Théâtre Trévise is one of Paris's top addresses for laughter. And it's the freedom of tone that characterises this theatre. The stage is open to young talent, as well as world music and dance. Some are nervous, others promising, and even some future greats perform here. Jamel Debbouze, Eric et Ramzy and many others have performed at Le Trévise. The stage is open to artists who want to join the Festival international d'expression artistique libre et désordonnée.

The Bout was created by the company Les Cousins d'Arnolphe, which had the project to give the café-theatre the letters of nobility it deserves, to prove that it is a full theatrical discipline, a formidable way to address the essential issues of life. Their performances have travelled through the halls of Paris and elsewhere, with the support of Sylvie Joly, Yves Lecoq, Philippe Bouvard or Catherine Lachens, patron of the Café-Theatre school who sits at the End. The site opened in 1999. With 50 seats, the Bout Square room features mainly one man shows and the creations of the house troupe. In addition, there are open scene evenings and children's shows. In 2007, a second room was opened. Named The Round Round, it is specialised in the stand-up. Here is a little Bout with great ambitions!

This beautiful green area is located in the Bois de Boulogne, in the heart of the Domaine de Pré Catelan. From May to October, there are classic pieces on a lawn that can accommodate four hundred people. The theatre is in the heart of the Shakespeare Garden. The classics that often come back to honour: Les Scapin de Schemer de Molière, Jules Caesar of William Shakespeare, Volpone of Ben Jonson, The Tour de'd'Alexandre Dumas… Perfect for a sweet summer evening!

The theatre's name refers to a former venue located nearby, at 50 rue de Malte. Opened in 1866, it disappeared in 1967 after having been one of Paris's leading music-hall venues. It hosts concerts of chanson, rock, world music and jazz, as well as musicals, magic shows and comedy. It can accommodate 500 to 800 people and is housed in a building dating from 1911. At the time of writing, several shows are on offer, including the musical "Holidays", a tribute to Madonna.

There are two auditoriums, one seating 102, the other 64. The programme is varied: theatre, musicals and many shows for young audiences. We're located in the cellars of a former coaching inn. The venue was originally opened to contemporary theatre by a troupe of five actors led by Régis Santon in the 1970s. José Valverde succeeded him until 1987, then Alida Latessa in 1995. It was she who created the second venue, dedicated to song. The ensemble offers a rich programme.

This is one of the most dynamic addresses in Parisian public theater. Just a stone's throw from Place Gambetta, a high glass façade opens onto two auditoriums - one seating 780 and the other 184 - set in an environment reminiscent of an ocean liner, with its gangways and walkways. From contemporary creations to dance, the program is renowned for its quality.

Since November 2013, the Mouffetard Theatre is home to the puppet theatre in Paris, thus becoming the first room exclusively dedicated to this discipline in Paris. Led by Isabelle Bertola, this 236-seat theatre defends and promotes contemporary forms of puppet theatre with a wide audience. A place of commitment for a resolutely innovative theatre!

A real place for the arts! As well as programming shows for all ages in this pretty space in the heart of the ^11th arrondissement, A la Folie Théâtre offers theatre workshops for children, teenagers, adults, and seniors. You don't need to be an experienced actor: here, you'll learn to perform on stage in a friendly atmosphere, with particular attention paid to teaching methods, enriched by the experience of our teachers.

Opened in 1896, the Théâtre de l'Athénée Louis-Jouvet is a listed historic monument renowned for its exceptional acoustics, and one of the finest Italian-style theatres in Paris. It's known for its spirit of laboratory work, its taste for strong artistic encounters and creation, and its desire to open up to a wide audience. In 2021, Olivier Poubelle, Olivier Mantei and Bernard Le Masson became owners of the theatre, with Olivier Poubelle taking over management.

First of all, you'll be seduced by the appearance of this theatre on a boulevard with a lot of land. And inside, in this Italian room of 630 places, the charm continues. The theatre des Batignolles was opened in 1838. He became the Theatre of the Arts in 1907 and then took the name of his new director in 1940. A playwright and journalist, Jacques Hébertot already directed the Théâtre-Elysées theatre from 1920 to 1924. In 1946, during a large renovation of the theatre, the staircase ramps installed on the sides of the building and the letters H appeared throughout the site. Other notable productions: The two-head Eagle, from Jean Cocteau with Edwige Feuillère and Jean Marais, Les Juste, by Albert Camus, with Serge Reggiani, Green Queen, Maurice Béjart comédie with Maria Casarès and Jean Babilée, this strange animal, Gabriel Arout, according to Tchékhov, with Delphine Seyrig and Jean Rochefort.

After Jacques Hébertot's death in 1970, Jean-Claude Brialy was run in the theatre. In 2003, Danièle and Pierre Franck were at his head. At the end of 2013 Francis Lombrail became the new theatre director.

Among the pieces that have been seen in recent years, note: Less 2, of Samuel Benchetrit with Jean-Louis Trintignant, stage exit, of Nicolas Bedos, with Guy Bedos, The King is dying, of Eugène Ionesco…

Note that the room was renovated in 2010. The second room, the Petit Hébertot, is led by Xavier Jaillard.

A former cabaret theatre, this site was created in 1986 by Alain Mallet, the father café and theatre owner of Edgar. In the room of 400 seats were seen from shows as Hell of Hell, from Jean Noël Fenwick with Anemone, Le Century, from Michèle Laurence with Patachou, La Nuit du Titanic, from Michel Pascal with Bernard-Pierre Donadieu, Marcel raised in Paris, I am a salmon, from and by Philippe Avron, the Avignon of Avignon, Jaime Salom, with Catherine Allegret and still L'L L'Avignon Dresser, of Ronald Harwood with Laurent Terzieff. It is noted that before 1994 the theatre was called the Grand Théâtre of Edgar.

Established for over 20 years in the 11th arrondissement of Paris, the Comédie des 3 Bornes is a favorite venue for lovers of comic theater. Taken over in 2017 by Anne Auffret, Florent Aumaître and Arnaud Schmitt, the venue has been completely renovated to offer optimum comfort for artists and audiences alike. From classic plays to one-man shows, the eclectic programming has made this venue a Parisian reference. With its conviviality and warm atmosphere, the Comédie des 3 Bornes remains the most charming of the capital's small venues.

There are three rooms at this address: XXL - 345 seats -, XL - 96 seats - and Le Lab - 90 seats - as well as rehearsal studios. Various companies present their shows. The history of the Ménilmontant theatre dates back to 1877 when two halls in the area are successively open for Saint Peter's patronage and the Salésiens fathers. There are numerous performances of children, teenagers and adults. Then there are "Passions", "Mysteries", "Mystères" sessions and "light projections", patriotic pieces, comedy, drama, lyrical performances, operettas… The current address was inaugurated in 1929. A former mentor, actor Georges Chamarat, is assembling pieces. In 1932, Passion was created in Ménilmontant, a show played by residents of the neighborhood who enjoyed a long success. In 1958, before founding the Théâtre de l'Est Paris, Guy Rétoré and his Guild settled in this theatre to which they gave their name today. The NPT of Jean Vilar also plays there. From the 1970 s, the Théâtre theatre opened to the song: Félix Leclerc, Graeme Allwright, Mouloudji… In 1979, a Théâtre Theatre Workshop was launched. And the adventure still continues today. This place must have grace!

First, there was a conservatory founded in 1850 by Renée Maubel, which included studios of rehearsals and a hall where Raimu, Frehel and Pierre Fresnay were included. Unfortunately, it was seriously deteriorated in the 1970 s. In 1984, Michel Galabru bought her, retyping her and confided it to his daughter Emma, who named the theater place Maubel-Galabru, then Montmartre-Galabru. Here you will find a hundred spectators of comedy, musical shows, one man shows and children's shows.

There were several entertainment establishments since 1817, on the site where the current room - seven hundred square places - was built in 1886. She was marked by the period during which Gaston Baty led her, from 1930 to 1943. He set up classics and opened his stage to productions such as the'Opera, by Bertolt Brecht and Kurt Weill. In the following years, the Montparnasse theatre will allow many Anglo-Saxon authors to make themselves known in France: Peter Schaffer, Arnold Wesker, Noël Coward, Harold Pinter, Murray Schisgal… Myriam de Colombi has been leading the room since 1984. Among the shows she presented to us are: The Night Watchman, by Sacha Guitry, with Yasmina Reza and Fabrice Luchini, Le Secret, with Anny Duperey, Pierre Vaneck and Fabrice Luchini, Real Life, from Tom Stoppard, with Pierre Arditi, Evelyne Bouix, Catherine Rich, La Boutique au corner, from Ernst Lubitsch, with Florence Pernel, Samuel Labarthe, Jean-François Derec, Wojtek Psoniak… Le Petit Montparnasse - two hundred places - was created in 1979 in a former frame warehouse. It has created new talents. Trials have been carried out there, some of which have been successful.

Closed since 2018, it reopened in September 2023: the Théâtre de la Ville, now known as the Théâtre de la Ville - Sarah Bernhardt, now boasts state-of-the-art cultural facilities. Inside, the theatre's seating capacity has been maintained at 950, and the same cream-coloured seats have been reinstalled as during the last major restructuring in 1968. The programming is intended to be "popular".

Located in the 11th arrondissement of Paris, Auguste Théâtre is a former rehearsal space that became a theater in 2011. Its intimate setting makes it an ideal springboard for young artists and a place of discovery for audiences. In addition to its charm, its facilities are on a par with those of larger venues. Taken over in 2015 by actress and director Marie Hasse and under the direction of Gianni Corvi since January 2022, L'Auguste Théâtre has all the ingredients of a dynamic stage for tomorrow's talent.

At the beginning of the adventure there is a university theatre troupe organised in the Superior Ecole Normale since 1964 as Theatre 45. Some of them, Jacques Nichet, Jean-Louis Benoît and Didier Bezace, took the Theatre of the Aquarium and settled at La Factory in 1973. The ambition of these artists is to discover texts and new theatrical forms. In 1986, Jacques Nichet took the direction of the dramatic centre of Montpellier and, in 1998, that of the current national theatre of Toulouse. In 1997 Didier Bezace was named Head of the Commune Theatre of Aubervilliers. Jean-Louis Benoît was called to lead the theatre at La Auction in Marseille in 2002. Julie Brochen continued the history of the Aquarium theatre, which has about five hundred places, and then François Rancillac took his succession in 2009, the latter invited Antoine Caubet to be the artist associated with this place for three years.

Do you like the little known places of the general public, those who have a very Parisian charm? Welcome to Pandora Theatre! Almost secret, this tiny place with about places is worth opening its door in the courtyard of the building. Given its small size, the report to the actor (x) and to the texts is necessarily most sensitive. Obviously, the «only stage» form is dominant, be it comedy or drama. A place that combines charm and privacy!

This old theatre should have gone away like many others, without a drum or trumpet. But thanks to actress Marthe Michel, he was saved from destruction and reopened in 1988. With one hundred and thirty armchairs, he is the heir to the Concert du Commerce, a small room created in 1850 for the nearby Trade Brewery. Enlarged in 1897, she welcomed artists like the young Maurice Chevalier. The decor, painted by the painter Cup, dates back to 1910. After the First World War, the theatre is a time transformed into cinema, followed by the live show with Berthe Sylva, among others. But he closes in 1924, before he regained his first destiny much later. The current programming is turned to the theatre, with openings towards song and lyric art.

Formerly Théâtre de la Roquette, then Théâtre Oblique. Earlier, it was a neighborhood music hall that was converted into a movie theater. Here, we've discovered the texts and stagings of Valère Novarina, François Tanguy, Michel Deutsch, Jean Jourdheuil, Joël Jouanneau, Jean-Marie Patte, Olivier Py, Bruno Bayen, Jean-Michel Rabeux, Youri Pogrebnitchko, and the innovative choreography of Jan Leuwers, Jan Fabre and Alain Platel. It is now a public theater, with a rich program that deserves our attention.

The Côté Cour theatre has been installed in an old electricity company since 2002 and has about seats. Performances - exhibits and one man show - are given by the members of the Laboratory of Hélène Bertolucci-Chéruy's actor. It is a discreet place that has the merit of offering parts that have the opportunity to export to the festival of Avignon. Proof with the recent success of the comedy How to raise a teen of apartment that was endorsed by the general public.

The story of this comedy began in 1985 in a former carpentry workshop located at the back of a courtyard at 51, boulevard Richard-Lenoir. At the time, it was a workplace for young comedians. Created by Andréas Voutzinas and fifty or so of his friends, it was called the Théâtre des Cinquante. It wasn't until 2001 that it became the Comédie Bastille. Dedicated to entertainment, this 190-seat theater offers a wide range of comedies, as well as a number of shows for younger audiences. It's been an undeniable success over the years.

Created in 1978, this 192-seat municipal theatre has been run since 2020 by Edouard Chapot and Mathieu Touzé. Focused on contemporary creation, with a dozen shows a year and two festivals, the theatre also offers a programme of meetings, symposia, workshops and masterclasses throughout the year as part of its Université Populaire. In 2022, a professional training school, LAB14, was also created. Many great names in the world of theatre have passed through this very special place.

Created in 1972, the place - one hundred and sixty-five places - was first named a Atelier workshop. As a theatre of the Chaudron two decades later, it hosts various projects, including performances from circus arts. The objective of this place of creation is to allow the public to go to meet works and artists, and to companies to have a space of reflection.

The Aktéon Théâtre is specialized in Young Audiences. The plays are renewed every two and a half months, thus ensuring a rich and varied program. The Aktéon encourages creative theater, mixing theater, storytelling, puppetry, magic or musical shows, working with companies and the public to create a place of cultural exchange. Shows for children are performed on Wednesdays, Saturdays and Sundays at convenient times (and every day during the vacations). L'Aktéon also offers theater classes for children from 5 years old.

The International Visual Theatre brings together deaf actors for training and professional performances. He was born in 1976 and has long housed in the castle of Vincennes Castle before settling here, in a former chapel converted into Theatre-Salon in 1895. Until 1963, the Grand-Guignol theatre presented its Gore shows. Since 2007, the IVT has shown signs of sign language throughout the year. Under the leadership of actress Emmanuelle Laborit, he is open to the voices of both artists and the public.

This four-hundred-seat venue has been in existence since 1911. Originally named the Théâtre ^Albert-Ier, its current name derives from the fact that the venue was directed by playwright Tristan Bernard in the 1930s. It adopted the patronymic of actor Charles de Rochefort when, on the eve of the Second World War, he took over the direction of the theatre, presenting plays with detective mysteries. Over the past twenty years, the Théâtre Tristan-Bernard has enjoyed great success, and its current productions are no exception.

This centenary room has undergone countless transformations. In 1893 is open here a large living room that is quickly transformed into theatre. It really was born in 1898, but only took its current name in 1912. Work is ongoing. Sacha Guitry made her debut at the Mathurins theatre in 1905 with Nono. He remains faithful to this room for fifteen years. Georges and Ludmilla Pitoëff then printed their mark in the history of the Mathurins where they climbed pieces of George-Bernard Shaw, Luigi Pirandello, Jean Anouilh, among others. In 1953 the theatre is run by Rika Radifé alias Radifé Behar. Pirandello, John Osborne, Marguerite Duras, Camus, Sartre, Anouilh are some of the authors here until 1981. The directions that follow continue the path mapped out by their predecessors. Some names that then appeared on the theatre posters: Milan Kundera, Vaclav Havel, Jean-Claude Brisville, Jean-Pierre Bacri - authors - Georges Wilson, Stefan Meldegg - directors-in-stage - Daniel Gélin, Patrick Chesnais - actors… Two memorable shows among so many: The Woman sitting, from Copi with Marilu Marini, staged by Alfredo Arias, and Les Palmes by Jean-Noël Fenwick, Jean-Noël Fenwick. Then director of the Mathurins, Gérard Caillaux aménager a new-seat room with a fireplace. Today, this theatre is led by the trio Engelberg, Colla and Setbon.

This cultural area, consisting of a theatre and a gallery, has been installed since 1977 in a residence dating back to 1602. It was a place of habitation, commerce and deposit. A printer was finally established there. The team of L'Raging, a satirical newspaper in May 1968, worked there. The site then underwent a restoration in the 1970 s. Activities are shared on three levels, which are rented for all kinds of events. Situated in vaulted cellars, the Théâtre theatre welcomes its public in two rooms with a capacity of and seats. He features theatrical shows and one man shows.

There was a skating rink where since 1891 this hall has been named New theatre. The actor and director Lugné-Poë, the future founder of the theatre of the Works, is the founder. He defends Scandinavian authors like Ibsen and Strindberg, as well as Jarry, including Ubu King and here created with San Gémier in the title role in 1896. The actress Réjane bought the room in 1906 and gave her his name. She creates here Mrs. Sans-Gêne, from Victorian Sardou. It is when Léon Volterra resumes the place in 1918 that the current name is assigned to him. Marius and Fanny, by Marcel Pagnol, with Raimu, Orane Demazis and Pierre Fresnay, were triumphs in 1929 and 1931, respectively. Another success: Tovaritch, from Jacques Deval with Elvire Popesco. In 1955, this famous actress will take over from Marcel Karssenty and Pierre Dux who have been running the hall since 1948. Some memorable pieces: Tea and sympathy, with Ingrid Bergman, Pity it is a p…, with Romy Schneider and Alain Delon… During this period, a costume shop is transformed into a modern theatre, which finally takes the name of Petit théâtre in Paris. Alain Leseleuc in 1965 and Robert Hossein in 1975 are new directors. From 1990, the stars are almost on the scene of this place: Jean-Paul Belmondo, Michel Sardou, Valérie Lemercier, Guy Bedos, Alain Delon, Robert Hossein, Gérard Depardieu, Bernard Tapie, Michel Leeb, Jean Piat…

The theatre, built in 1876, has 530 seats divided into a parterre, a row of boxes, and a gallery. It specialised in historical frescoes and melodramas before being closed in 1952. Peter Brook and Micheline Rozan moved here in 1974, leaving the theatre with its bare appearance. In addition to Brook's always surprising shows, jazz and chanson have also found their place here: a vast and beautiful programme.

The theatre of three hundred and sixty squares was created in 1943 by two actors, Georges Herbert and Paquita Claude. It's launched when in 1948, Robert Dhéry set up Les Branquignols, a crazy show mixing the insane humour of the Marx Brothers with a typically French drolatique spirit. Coming from the théâtre de la Death, Georges Vitaly took the direction of the room in 1954. Until 1982 he defended his contemporary authors, Jacques Audiberti in the lead. Stephan Meldegg then continues to serve the creators of his time in this theatre. Two notable pieces among others: What Fox, James Saunders, sees as being staged by Laurent Terzieff and Kitchen and Dependencies, Agnès Jaoui and Jean-Pierre Bacri. Have played here in recent years: Rufus, Francis Perrin, Niels Arestrup, Philippe Clay, Philippe Laudenbach, Jean-Jacques Vanier… In 2007, Marguerite Gourgue succeeded Stephan Meldegg.

The company of Elan, led by Jean-Luc Jeener, created this theatre in 1997, where it defends young authors and presents thematic cycles: Shakespeare, Molière, Don Juan… Before, the room had already had a rich destiny. In the 1930 s, it's a cabaret. At the Liberation, it takes the name Club des Five. The five in question are elders of the second armoured division of which Lucien Roup, the coach of boxer Marcel Cerdan, one of the lovers of Edith Piaf. She sang regularly in this place, as well as Yves Montand, a protected future of the great lady. Among the regulars are Gabin, Meat or Prévert. In 1954, the place was transformed into cinema. The return to music took place in 1991. The room then qualifies as Northwest Passage. It walks many artists, all styles, including many innovators. This time left very beautiful memories, although it was brief. The company of Elan has set up two rooms to which the names of the troupe of the company have been assigned prematurely. The big is called Laborey, the little Economides.

A whole complex called Apollo is located on this street, famous for its nightlife. Here you'll find no fewer than 4 venues, all of which offer stand-up and comedy club programming. The largest venue, with 360 seats, has seen some of the biggest names in comedy come and go, and the artists here are generally of an excellent standard. Every night, each venue offers its own show: a veritable anthill. Now you know what you have to do if you want to discover the talents of tomorrow!

Opened in 2006, Grande Comedie was quickly pointed out at the Le Clan room of divorced and the show Omar and Fred. Since it can do so that you can not withdraw the right to bears its name! There are two rooms - four hundred seats and hundred seats - in this theatre related to the palace and Comédie République. Musicals are also honoured, to the delight of children. Aladdin, Blanche-Neige and the great figures of our childhood regularly come to offer a recital for 4-12 years. A programme!

L'Étoile du Nord offers theatre and dance performances, as well as a programme of music, dance and theatre for young audiences. It is resolutely oriented towards contemporary creation, but also towards young audiences. Formerly the Théâtre Paris-Nord, the venue opened for a time in the 1970s and was taken over a decade later under the name Dix-Huit Théâtre. Finally, in 1997, the venue was renamed L'Étoile du Nord. It seats two hundred. Contemporary dance and theatre workshops are held here.

The top in which we can attend shows since 2005 is a former ballroom, which once turned from village to village in eastern France. It is made of wood skated over time and is covered with windows. The programming of the Grand parquet makes the most of the forms of theatre, music, tales and dances from all over the world. The young public is particularly well served. This place is supported by the town hall of the 18 th and the Ile-de-France region.

The Manufacture des Abbesses was created in 2006. It is a-square room where contemporary theatre writers are defended, both comical and dramatic. The main criterion for selecting shows is that the story they tell is strong and original. Moreover, the Manufacture undertakes to multiply the creations. Presenting for the first time a story to its audience is its first desire, its raison d'être. It is a place we love, which perfectly reflects the soul of Montmartre. True more than this room: its comfort!

A four-hundred-and-a-half-room hall, Ateliers Berthier hosted the Odéon shows for three years, the time to work in the venerable 6 th arrondissement hall. Since 2005, they have formed the second area of creation of the latter. His loft aesthetics have nothing to do with the majesty of father's theatre, but it is precisely that. The construction of these workshops made of brick, stone stone and metal is the responsibility of architect Charles Garnier. They were put into service in 1898, for a century, for the benefit of the Paris Opera - built by the same Garnier - and included design stores.

It is at the bottom of an impasse that this establishment has a room with seats - plus another, named Plumbing! - which offers theatre courses and shows for small and large. Since 1991 the La Strada company is here in residence. The programming of this theatre open to all audiences is wide: pieces of boulevard to the one man show through shows for children. Please note that all the proposed theatre courses are offered all year round, even 4-5 years can express their talent!

A former warehouse for the costumes and equipment of the Workshop Theatre, this sixty-basement hall has been host to innovative shows since 1984 and readings. Led by Alain-Alexis Barsacq, it lies at the end of the small impasse at the end of Charles-Dullin Square. Workshops and internships are proposed. This place is extraordinary, because it seems to belong to another era. Paul Golub says of him: " It is a place of resistance, creativity, transmission, sharing, and like Atalante in Greek mythology always ahead of its contenders! " Well said!