Cinemas Paris

Classified as a historical monument, it is a giant cinema with seven theatres. Opened in 1932 by Jacques Haïk, the Rex was an immediate success with its luxurious decoration, its 2,000 m² and its starry-vaulted ceiling culminating at over 30 m. A word of advice: attending a blockbuster preview in this room, especially if the film is in 3D, will give you the impression of being a privileged one. The quality of the projection is exemplary. But the Grand Rex is also a place where concerts and musicals are presented that can fill a hall with more than 2,700 seats on three levels. A museum and a discotheque complete the vast complex.

The Forum des images is a 6,000 m² space located in the heart of Paris, in the Westfield Forum des Halles. It offers a varied program of films, debates and meetings with film-makers. The Forum des images also plays an essential role in image education, hosting some 40 events for young audiences every year. Founded in 1988, its mission is to celebrate cinema and moving images. To get to the Forum des images, take the metro (Les Halles or Châtelet stations), the RER (Châtelet-Les Halles station) or the bus (Coquillières Les Halles stop).

Located in the area of Paris with the most significant changes in recent years, the last-born of the UGC range is open since October at the very location of the former Claude Bernard Hospital, closed in the 1990 s. In years, it's a quarter that has literally transformed itself from the state of wasteland to the very popular place of life. It was therefore normal for a UGC cinema to come into this relatively dépourvu place. With 14 rooms and more than 2 800 seats, the place is a large area covered with a fine metal jacket giving it a chic and sober appearance. And the actors did not get there because, in a few months, dozens of poster heads came to present their works. Test this movie, you won't be disappointed!

If there is a mythical place dedicated to the 7 ^th Art at a few feet from Saint Michel, it is the cinema Le Champo and its two rooms. Or how to feel in the shoes of a young festival in the heart of the New Wave… This mythical place of Art and Trial opened on June 22, 1938 at 18 am instead of a bookstore. In the early years, Marcel Pagnol, Jacques Becker and of course Jacques Tati, who today welcomes the public, are put to the credit. Since then, all major filmmakers have had the privilege of having a cycle, a night or a meeting open to the public.

Located on the edge of the Bercy park, in a building designed by the architect Frank O. Gehry, the Cinémathèque Française allows you to see all the treasures of the 7th Art. Its museum presents collections on the history of cinema: Emile Reynaud's optical theater, magic lanterns, cameras, mythical costumes, set elements, posters, documents used in the making of films, etc. Temporary exhibitions are regularly organized.

After several months of renovation, this neighborhood cinema in the turbulent history reopened its doors in May 2011, for a new start. Opened in the heart of the New Wave (1969) in the restructured premises of a former cabaret, this unique room has 208 seats and everything has been renovated to offer better quality, comfort and hospitality for conferences and conferences. Stylish design, star night blue seats, very original lustre next to the window… Saint-Germain-des-Prés intends to revitalize its programming (clearly oriented art and trial) and refidéliser a clientele to compete with the competition of the two multisalles cinemas at the Carrefour de l'Odéon. In this mission, the financial support of writer Bernard-Henri Lévy will not be too much. 

Located right in the heart of the 15 ^th arrondissement of Paris, the cinema Gaumont Convention reopened in March 2016, after 18 months of work. The establishment was demolished before the rebirth of its ashes. The cinema now offers 9 rooms, all equipped with the latest technologies, such as the 3 D, the sound 7.1, the 2 K/4 K projection and the DOLBY ATMOS accustomed. Cinema also offers the possibility of organizing business events. It is in this new framework that he proposes to privatise the rooms and the cocktail space. Meeting, cocktail, private projection, Christmas tree, offers are numerous, all in order to improve the comfort of professionals and simple visitors. The website is a wealth of information (programs, news, news, etc.) for this film in particular and for the whole network Gaumont Pathé.

Demolished and reopened in July 2016 after more than 18 months of work not retaining the carcass of the old building, the cinema Gaumont Alésia, designed by the architect Manuel Lyons author of the Citroën showroom on the Champs-Elysées and the renovation of the Gaîté-Lyric, offers at first sight a facade covered by nearly 60 000 LED as luminous points spread over a height of 12. m and a width of 19 m and independently controlled for the purpose of allowing the diffusion of images and light atmospheres: cinema before even entering the cinema! Inside: 1 364 seats spread over 8 rooms from 100 to 445 seats, accessible to people with reduced mobility, with lift and escalators to access and comfortable club seats even for larger and long legs! 4 rooms in the basement, one room on the ground floor, two on the first, and a large room on the 2nd floor with - not negligible - comfortable toilets on all floors. The acoustics are excellent and the screens are huge.

A neighborhood cinema, part of the independent Dulac network, far from the big machines you see everywhere. The programming is meticulous, the staff are cinephiles - in short, a veritable refuge for lovers of arthouse films. In fact, what was once a power station was sponsored by Jacques Tati when it was converted into a cinema in 1962. For many years, the Arlequin was the emblematic cinema of Left Bank Paris. The cinema doesn't stop at screenings: it also offers debates, events and exhibitions.

This is an institution marked by a charismatic personality: Roger Diamantis. This madman of the 7 ^th Art sacrificed his life for films, which opened in 1971 a cinema in place of a hotel. Two rooms were available, one of which was devoted to one film for two years: " La Salamander "by Alain Tanner. Result: 300 000 entries. Roger Diamantis died in 2010 as a film publisher and has always supported experimental film and film films. Cavalier, Godard, Kusturika, Jarmush… all had the right to programming. Today, the Saint-André des Arts has 3 rooms, always refuses the unlimited pass, and welcomes the first of its quality.

Mac Mahon is one of the most beautiful cinemas still in operation. Opened in 1938, the Parisians were able to discover in the Liberation of all American films that they had been deprived of during the occupation. The room won a very strong reputation. In the 50 s, we even talked about the band of the "Mac-Mahoniens", those who like Bertrand Tavernier or Patrick Brion visited the place with diligence. In 1959, Les Cahiers du Cinéma took over the Mac-Mahoniens manifesto, which clamaient loud and clear: " staging on the scenario ". The culmination of this golden age: in Jean-Luc Godard's classic "A Bout de Souffle", many scenes are filmed in the Mac-Mahon. After a difficult period in the 80 s, cinema is still a place of worship dedicated to the great American classics. It was the Bolloré group that began a lot of work in the 2000 s.

In the heart of Montparnasse is this unique cinema. The 7 Parnassiens have, as its name indicates, 7 rooms for a total of 835 chairs. Created in 1979 at the heart of the shopping mall, he had at the beginning of 5 rooms. Since then, authors'films in original language have been honoured. A room is dedicated to African films, as well as to many festivals during the year. Debates are also held all year round, as well as an art gallery that displays paintings by artists every month. 

This is a part of the company "Les Screens de Paris" which represents a circuit of five independent cinemas. The aim of these cinemas, such as that of the Reflet Medici, is to broadcast authors'films, all in comfortable rooms and enjoy a performance performance. On-site staff know the history of the cinema with a warm welcome. Before being a cinema of 3 rooms, the establishment was, until 1964, a theatre theatre named Le Théâtre des Night. The public is thus born on the boards two stars of the big screen: Gérard Philipe and Maria Casarès. In the Medici room 3 of 94 blue chairs, one can observe an original colorful stained glass stained glass window. In addition to organising quality festivals throughout the year, the Reflet Medici fully disseminates the selection of Cannes Festival, A Certain Look within one week of the official closure.

If you love movies and particularly personnal movie, rendez-vous at the famous Cinéma des Cinéastes that shines with a thousand light opposite Pathé Wepler of place Clichy. We find abundant offers of great cinema classics as well as the latest news, previews and programmes for young children. It is not for nothing that some first year classes of kindergarten travel through Paris just to come and watch some classics and new movies. On the floor of the theatre, there is a very pleasant restaurant and bar which offers a selection of very good wines. The History of Cinéma des Cinéastes is huge. In the 19th century, the establishment was the cabaret of Père Lathuille before becoming Le Kursaal visited by Maurice Chevalier. Abandoned after 1945, the cinema was updated with new colours during the prosperous period of the Nouvelle Vague. But it was in 1987, thanks to Claude Berri in the Civil Society of Auteurs, Réalisateurs et Producteurs (L'ARP), that the establishment became an unavoidable place for movie lovers. Three rooms make up this theatre including the great, absolutely beautiful one, referring to the heyday of the Seventh Art.

The two rooms in this archipelago located in the heart of the 10 ^th arrondissement have beautiful hours in front of them. Since 2001, the establishment has been offering programming very related to music, live shows and animation cinema. All the arts are represented. And say that in 1893, this place was called "The Concert of the Japanese City" and was a popular coffee-concert, where Maurice Chevalier or Maxime Lisbon took Place in their early stages. It was only in 1911 that the room turned into cinema. The "Paris-Cinéma" was born and kept this name until 2001… From silent to speaking, through today's shows: this is a territory not to be missed…

Another member of the Paris Screens, which valiantly resists the large multiplex in the Bastille district. Opened in 1934, this cinema has always sailed on the second waters, first by airing series B movies, and then programming X films. The Bastille Palace reconvertit in the projection of author's films or small budgets and is renamed Majestic Bastille in 1995. Today's two rooms offer great conditions for spectators who can enjoy a large panoramic screen 11 metres wide. 

The Majestic Passy, which belongs to the network Les Screens du Cinéma, orne the heart of the 16 th arrondissement. It's the only cinema in the neighborhood. Opened in 1930, it was first called Royal Passy and then Broadway. The economic difficulties encountered led to the closure of the cinema in 1982, which was replaced by a fur store. He reintroduced in 1994 with three modern rooms, including the large room equipped with a panoramic screen of 13 meters. Popular and subtitled films are available every week. A bar is also available. Finally, many meetings are organized, but also conferences and meetings for people with disabilities. 

Welcome to the temple of real art lovers, between cinema students and nostalgic for modern cinema. Former famous cabaret of the Latin Quarter who lives among others, it was in 1957 that this unique hall of 125 places became a cinema. First named Studio Cujas before being called Accattone, in reference to Pier Paolo Pasolini's first film, this film offers daily films of yesterday and today. On the spot also: a bookstore, a gallery and a bar to speak travelling and fondus. Be careful at the seats in the room: most of them have names of great personalities… In sum, a place that smells the Dolce Vita…

Here's another ^7th Art cult venue to discover for its atypical aspect. Since 1925, it has been the first venue to screen avant-garde films for an audience of connoisseurs, marking the birth of avant-garde cinema in France. Surrealist and cubist friends André Breton, René Clair and Fernand Léger attended the ^1st screening in 1926. Two years later, the Studio was marked by scandal when a screening of Antonin Artaud's La Coquille et le Clergyman led to a brawl with Breton and Aragon as instigators. Since then, the Studio des Ursulines has calmed down and welcomes young audiences and film buffs to discover avant-garde works, as well as animated films and ciné-club sessions.

MK2+ is a cinema. It offers a varied program of films, from blockbusters to arthouses. The cinema has several modern, comfortable rooms, offering a pleasant cinematic experience. MK2+ is easily accessible by public transport, with several metro stations nearby. The staff are friendly and professional, and the service is top-notch. The cinema also offers special events and preview screenings.