Theaters Paris

This room, built in 1994 - two hundred and forty-five places - is a district that is subsidized by the City of Paris. It is managed by the New Theatre in November and offers theatre pieces and shows for the young public. Its programming is rich and varied: on the two slots of the day, many creations are proposed. At the end of June, "surprises from off Avignon" are in Honor. Finally, "Thursday mornings", pieces intended for the school audience.

The Tarmac was named International French-language theatre - Tilf - between its creation in 1985 and 2005, when it changed its name as executive. Valérie Baran succeeded Gabriel Garran. The latter's founding idea remains in force: present all forms of Francophone theatrical scriptures regardless of their geographical origins. Initially, the Tilf is nomadic. It occurs in various places - Pompidou Centre, National Chaillot Theatre, MC 93, storm theatre, Bouffes du Nord - and in national and international festivals. In 1993, it was recognised as a national interest and settled in the park of La Villette at the Pavillon du Charolais, a former bar of the cattle market in the theatre of one hundred and sixty squares. The Tarmac program is rich in surprises. This is where Maïmouna Gueye discovered in Bambi, she is black, but she is beautiful, provided a great success, as well as A Love Supreme, show jazz-theatre of Luc Clémentin according to the new of Emmanuel Dongala. Since the summer of 2011, the Tarmac has set sail and left La Villette. Direction Gambetta Avenue where the building then occupied by the Théâtre de l'Est Paris becomes its new house. More spacious, the room welcomes all French-speaking talents with passion.

For 50 years, Théâtre Ouvert in Paris has been a bastion for new stage talent, carrying the flame of an innovative and committed vision. Founded in 1971 by Lucien and Micheline Attoun, this nomadic venue moved behind the Moulin Rouge in 1981, becoming a place where generations of artists have come and gone. Today, on avenue Gambetta, the renovated theater, subsidized by the Ministry of Culture and the City of Paris, offers spaces conducive to the development of a contemporary repertoire, encouraging the works to flourish and their encounter with the public.

A top place in the history of the Parisian theatre, this room has depended on the Comédie-Française since the 1990 s. In 1913, the theatre of the Old Colombier opened its doors in the old Athenaeum Saint-Germain under Jacques Copeau's leadership. A theorist, director and actor, he leads a troupe that is resolutely determined to renovate drama, in an ascetic spirit - no spaces - opposed to the «cowardice of mercantile theatre». To be part of Louis Jouvet, Charles Dullin, Valentine Tessier… The classics and contemporary authors - Claudel, Gide… - are here. The company Pitoëff and Jean Tedesco took the lead in 1924. The Pitoëff create many memorable shows. In 1944, the camera was mounted in camera by Jean-Paul Sartre in a staged by Raymond Rouleau. As you can see, the Old Colombier is one of the places of cultural renewal that cristallise after the war in Saint-Germain-des-Prés. And that continues! Classified Historic monument in 1978, it was bought by the State in 1986. After staying closed for many years, Old Colombier flies Again in 1993. It became the second theatre of the Comédie-Française, which plays works mainly from the contemporary repertoire. The room was renovated by the architect Bernard Kohn. With three hundred places, it gives the spectators the impression that they are under the hull of a vessel overthrown by the shape of its wooden structure.

In its two small halls, this venue offers classical and contemporary theatre, comedy, café-theatre, musicals, concerts and children's shows. From children's shows to contemporary repertoire, there's no shortage here. There's plenty to discover, try out and marvel at, but there's always something to learn, especially for the very young in the numerous workshops. Please note: to find the theatre, and if you're coming for the first time, the allée Darius-Milhaud is not always well signposted.

The White Queen is a theater, but also a cultural place in the broadest sense. Since its takeover by Elisabeth Bouchaud in 2015, the site has become an art and science scene. Physicist, author, director and actor, Elisabeth Bouchaud has his desire to decompartmentalize disciplines to create expressive and artistic forms in order to take the scientific word to make it sensitive and intelligible to all audiences.

The Tremplin Theatre, inaugurated on 20 October 1990 at the initiative of the duo Pinok and Matho, is a friendly, independent place open to creators who wish to offer an original work before a public. Authors, directors, actors: the young talents are here to discover this tremplin scene. Theatre, mime, poetry, dance, music and French song… Artists work in all areas of the show. An indispensable address for discovering future great talents!

This is the third scene of the Comédie-Française, the other two are the historic Richelieu hall and the Old Colombier. The Studio-Théâtre opened in 1996. His name refers to the First Studio of the Moscow Art Theatre created by Stanislavski in 1912. The intimate relationship between spectators and interpreters is preferred. The one-hundred-and-thirty-six-seat hall has been designed by architect Michel Sené as part of the Carrousel du Louvre shopping gallery, which links the rue de Rivoli to the Louvre Museum. It plays short pieces drawn from the European directory and is made to text readings selected from those preferred by the French Actors. Projections are also being organized here. Since 2003, the Studio-Théâtre is also named Salle Jean-Pierre-Miquel in tribute to the Deputy Head of the Comédie-française who is at the origin of his existence.

Consisting of two small rooms installed in an ancient banana mûrisserie, the Théâtre theatre was born in 1982. His géniteurs included actor Vicky Messica who was a long director of places. Lee Fou Et and Ludovic Michel today provide leadership. Many contemporary pieces are presented here, as well as text readings, with incursions on the dance or cabaret side and the song recital. In addition, a program is specially designed for the young public.

The director in stage Georges Vitaly initiated the creation of this open room in 1948. It is located in the old Paris of the Latin Quarter. The address was in the Caucasus, an Armenian restaurant hosted by Charles Aznavour's parents. Vitaly's goal is to have a place where to create new authors'performances such as Jacques Audiberti, Guillaume Hanoteau… Young actors made their first teeth there: Jacqueline Maillan, Claude Gensac, Pierre Mondy, François Chaumette, Jacques Fabbri, Michel Roux, Jean-Louis Trintignant, Zillah Chelton… Party to head the theatre of La Bruyère in 1952, Vitaly gave the direction of the room to Marcel Pinard that allows Ionesco to see her works mounted. Since February 16, 1957, the Bald Singer and the Learning of this Ionesco are played here. This is a record of global longevity! However, everything had gone wrong for these parts. The first was raised by Nicolas Battle aux Night in 1950, the second by Marcel Cuvelier in the Pocket Theatre the following year. Both have experienced a great deal of failures before they return to La. In 2007, the fiftieth anniversary of the event was celebrated. This says, in this small room of seats, the creation in the second part of the evening during which a recent piece is given, this time as in any theater! It should be noted that the theatre of La Death has been under the control of its actors since the 1960 s.

The theatre is located in a historic site built in 1676, the Hotel de Charny. Baudelaire lived there and Cézanne set up a workshop. Michel Bouttier and Sissia Buggy opened the Espace Marais in a wing previously occupied by a chocolate factory. Special feature of the hall: spectators surround the stage, you can be seated in an armchair or on a bench on the side - lower rates. Throughout the year, the programme features a large number of classics by Molière, Beaumarchais, Marivaux, Voltaire, Feydeau or adaptations of literary texts by Camus, Zweig, Sartre or Genet. The theatre is also a place for training - courses and workshops for all ages and levels.

Founded by the City of Paris on an idea of Pierre Seghers in 1983, the Maison de la Poésie was installed until 1995 on the terrace of the Forum des Halles. She now sits in the walls of the Molière theatre. It was inaugurated in 1791, in the midst of the French Revolution - in 1793, it is renamed Théâtre Des Sans Culottes. He knows some frustrations and becomes an arms room, depository shop, ballroom, returns to the theatre, then turns into a meeting place and ends up being shared by shops. Completely renovated, the grand hall presents the characteristics of the architecture of the theatres of the th century. It can contain one hundred and four spectators. A second room has seats. The programming consists of shows devoted to poets and playwrights of yesterday and today, from here and elsewhere. Conferences and meetings are also held in these walls.

Here, audiences can enjoy a large auditorium with 550 seats and a small theatre with 100 seats. The venue has a rich history: in the ^19th century, Frédérick Lemaître, Déjazet, Henry Monnier and Hortense Schneider were among the headliners at the Variétés, where comedies, dramas and operettas such as Offenbach's La Belle Hélène premiered here in 1864. Today, it's a venue renowned for its eclectic programming, in which boulevard plays have pride of place: audiences keep coming back for more!

The former international school of Mimodrame de Paris-Marcel-Marceau, closed in 2006, became the theatre of Petit-Saint-Martin, where theatre, dance, entertainment for the young public and song recitals are displayed. The seating room consists of one hundred and seventy chairs. Theatre and dance courses are delivered here. Bernard Destors is now leading the theatre and offering quality programming, like the recent success La Promise de l'aube de Romain Gary.

From theatre, poetry, humor, song, shows for children. The Laurette Theatre focuses on young talents. He took his name in tribute to Laurette Fugain. Opened in 1981, he also named La Mainate and Cabaret des Fous. A large proportion of the funds collected from the plays are donated to the Laurette Fugain association, whose primary aim is to raise awareness of the donation of blood platelets, mainly to save patients with leukemia.

It is a place of the off-piste show that this small and warm theatre of fifty squares opened in 1960 instead of a grocery store and wine cellar - the effigy of the God Bacchus is always visible at the entrance. Here you can discover Jacques Higelin, Brigitte Fontaine and Rufus in Mommy I fear in 1964, for example. And so many others, such as the great Humoriste Humoriste or Ben Zimet Yiddish Bard… The founder, Maurice Alezra, entrusts his Room to the Theatre Company in Bretelles in 2000. It offers a programme consisting of concerts - jazz, Latin, Jewish and Oriental music, French song… -, theatre, storytelling, young public shows…

The location is well known: situated in the lower part of the Champs-Elysées, it was the Espace Cardin from 1970 to 2016, then home to the Théâtre de la Ville until 2023, while the latter underwent renovation work. It is now the Théâtre de la Concorde. The aim of this new venue is to be a space for artistic creation, reflection and debate, to question the world today. To achieve this, the infrastructure is not lacking in scope: in addition to the 650-seat auditorium, the venue boasts a 150-seat studio, as well as a film club.