Concert halls Ile-De-France

This is the third scene of the Comédie-Française, the other two are the historic Richelieu hall and the Old Colombier. The Studio-Théâtre opened in 1996. His name refers to the First Studio of the Moscow Art Theatre created by Stanislavski in 1912. The intimate relationship between spectators and interpreters is preferred. The one-hundred-and-thirty-six-seat hall has been designed by architect Michel Sené as part of the Carrousel du Louvre shopping gallery, which links the rue de Rivoli to the Louvre Museum. It plays short pieces drawn from the European directory and is made to text readings selected from those preferred by the French Actors. Projections are also being organized here. Since 2003, the Studio-Théâtre is also named Salle Jean-Pierre-Miquel in tribute to the Deputy Head of the Comédie-française who is at the origin of his existence.

It was once... a lyon industrialist about the East and Asia. Emile Guimet - 1836-1918 - presented first his collections in the city, then had a museum in Paris. Opened in 1889, it specialises in the presentation of works of art from the Far East. Its auditorium of two hundred and eighty locations offers live music, dance, theatre, puppets, of shadow theatre, film screenings, meetings and conferences in addition to the temporary exhibitions, donations or acquisitions.

The Claude-Levi-Strauss theatre is the auditorium of the Musée du quai Du. Inaugurated in 2006, this museum presents art collections from Africa, Oceania, Asia and America. The building is signed by Jean Nouvel. A room of three hundred or ninety or four hundred and eighty-three places, depending on the configuration, shows shows in connection with the contents of the collections or temporary exhibitions and concerts of a wide variety, given for one hour a month at 16 h or 18 h. There are also children's shows, as well as lectures from popular university types. There is also a cinema room with seats.

The acoustics of this Art Deco room are very well-known. With four hundred places, it was built in 1930 on the plans of Auguste Perret, the architect who designed the theatre of the Champs-Elysées. It is used in the activities of the Ecole normale de Musique de Paris, but is also rented for the concert organisation. This is a plateau where many pianists take place. There are also the famous 12-hour concerts every Tuesday, Thursday and some Wednesday from October to May (off school holidays). These concerts are free to discover tomorrow's talents.

Consisting of two small rooms installed in an ancient banana mûrisserie, the Théâtre theatre was born in 1982. His géniteurs included actor Vicky Messica who was a long director of places. Lee Fou Et and Ludovic Michel today provide leadership. Many contemporary pieces are presented here, as well as text readings, with incursions on the dance or cabaret side and the song recital. In addition, a program is specially designed for the young public.

The director in stage Georges Vitaly initiated the creation of this open room in 1948. It is located in the old Paris of the Latin Quarter. The address was in the Caucasus, an Armenian restaurant hosted by Charles Aznavour's parents. Vitaly's goal is to have a place where to create new authors'performances such as Jacques Audiberti, Guillaume Hanoteau… Young actors made their first teeth there: Jacqueline Maillan, Claude Gensac, Pierre Mondy, François Chaumette, Jacques Fabbri, Michel Roux, Jean-Louis Trintignant, Zillah Chelton… Party to head the theatre of La Bruyère in 1952, Vitaly gave the direction of the room to Marcel Pinard that allows Ionesco to see her works mounted. Since February 16, 1957, the Bald Singer and the Learning of this Ionesco are played here. This is a record of global longevity! However, everything had gone wrong for these parts. The first was raised by Nicolas Battle aux Night in 1950, the second by Marcel Cuvelier in the Pocket Theatre the following year. Both have experienced a great deal of failures before they return to La. In 2007, the fiftieth anniversary of the event was celebrated. This says, in this small room of seats, the creation in the second part of the evening during which a recent piece is given, this time as in any theater! It should be noted that the theatre of La Death has been under the control of its actors since the 1960 s.

The theatre is located in a historic site built in 1676, the Hotel de Charny. Baudelaire lived there and Cézanne set up a workshop. Michel Bouttier and Sissia Buggy opened the Espace Marais in a wing previously occupied by a chocolate factory. Special feature of the hall: spectators surround the stage, you can be seated in an armchair or on a bench on the side - lower rates. Throughout the year, the programme features a large number of classics by Molière, Beaumarchais, Marivaux, Voltaire, Feydeau or adaptations of literary texts by Camus, Zweig, Sartre or Genet. The theatre is also a place for training - courses and workshops for all ages and levels.

Founded by the City of Paris on an idea of Pierre Seghers in 1983, the Maison de la Poésie was installed until 1995 on the terrace of the Forum des Halles. She now sits in the walls of the Molière theatre. It was inaugurated in 1791, in the midst of the French Revolution - in 1793, it is renamed Théâtre Des Sans Culottes. He knows some frustrations and becomes an arms room, depository shop, ballroom, returns to the theatre, then turns into a meeting place and ends up being shared by shops. Completely renovated, the grand hall presents the characteristics of the architecture of the theatres of the th century. It can contain one hundred and four spectators. A second room has seats. The programming consists of shows devoted to poets and playwrights of yesterday and today, from here and elsewhere. Conferences and meetings are also held in these walls.

Here, audiences can enjoy a large auditorium with 550 seats and a small theatre with 100 seats. The venue has a rich history: in the ^19th century, Frédérick Lemaître, Déjazet, Henry Monnier and Hortense Schneider were among the headliners at the Variétés, where comedies, dramas and operettas such as Offenbach's La Belle Hélène premiered here in 1864. Today, it's a venue renowned for its eclectic programming, in which boulevard plays have pride of place: audiences keep coming back for more!

Opened in 1907, the Salle Gaveau takes its name from the pianos of the same name. A host of artists soon made the venue a must-see. Bought by Chantal and Jean-Marie Fournier in 1976, the Salle Gaveau was listed as a historic monument in 1992 and subsequently renovated. After renovation, it reopened its doors in 2001. The interior has been restored to its former glory, and the warm golden hue of the decor is very similar to that of its origins. As for the programme, it has been restored to its former glory, with a strong emphasis on classical music.

The Jazz Club Lionel Hampton at Hotel Méridien became Etoile in 2009 after renovation. Since 1975, he has hosted traditional jazz orchestras, blues and rhythm blues in a very comfortable environment of three hundred places. Batteur, the famous figure of the business show of his time, created it. These are legends such as Lionel Hampton, of course, Fats Domino, BB King, Cab Calloway, Oscar Peterson, Dr John, Screamin'Jay Hawkins, Allen All, Solomon Burke, Dizzy Gillespie… Claude Bolling, Christian Morin, Michel Leeb, Sacha Distel also played or sang. Note that Sunday, the brunch with trio jazz is very pleasant!

Opened in 2009 instead of the former Habana Jazz, the 9 Jazz Club offers a program that makes the most of women's voices, and has safe values such as guitarist Nelson Veras or pianist Alain Jean-Marie. On the spot, you will be able to enjoy the pleasant dishes, that is to say, you can enjoy the good dishes, accompanied by a concert. For jazz/blues lovers, this 9 Jazz club has become one of the references of the capital. Take advantage of it!

Organised by the Creation Laboratory, the monthly evenings "J 4 ZZ" give musicians the opportunity to translate new ideas into complete freedom. Pianist Yaron Herman opened this appointment in September 2009. Every Thursday of the month, jazz is honoured, like the Mélomania cycle, devoted to classical music since 2006. The aim is, of course, to bring jazz to new audiences (young audiences, novice public audiences…) thanks to free concerts in the festive hall, while allowing free meetings between musicians of jazz and improvised.

In this small room, which can hold up to spectators, French-speaking singers'no crétinisante ' - sic - in the tradition of the left-bank cabarets. It is a group of volunteers who have been affiliated with Grateful you Ferré since 2001. If the names of Yvan Dautin, Jacques Bertin, Francesca Solleville, Gilbert Lafaille or Sarclo tell you something, you have good taste and that address will be as an oasis for you.

Le Petit Palais offers over 22 000 square metres a rich collection of works of great diversity: antique bronzes, icons, Flemish and Dutch paintings, tapestries, furniture, porcelain… You will also find a charming small garden surrounded by colonnades, with mosaic basins, and a café where you can spend a relaxing moment. The concerts given here at midday connect classic musicians with other artists from jazz or song. The concept proposed by Arièle Butaux, in perfect conformity with the project, could not stop so much as it met with the visitors. The dialogue between artists from different musical backgrounds and the strong emotion that emerges from each of these meetings on the stage of the auditorium is the living response to the principle of confrontation in the galleries of the museum. Paintings, sculptures and objects of art are highlighted in permanent collections and, in the auditorium, the other arts are at the honour of revealing in a lively and dynamic manner the multiple influences of artistic currents.

Four universities are present in Sorbonne - Paris I, Paris III, Paris IV, Paris V -, as well as the rector of the Paris Academy, the School of charters and the Ecole normale des Hautes Etudes. Concerts are not as frequent as the courses in these famous buildings built at the end of the th century, but still. The association Musique en Sorbonne, created in 1982, organizes a quality concert season and a festival in June. There are various trainings, including the Choir and Orchestre de Paris-Sorbonne, the pre-professional formations associated with the FACULTY of Music and Musicology of the University Paris IV-Sorbonne. Since you cannot enter these high places of education if you are not a student or teacher, concerts represent wonderful opportunities to discover them. The concerts are given in the grand amphitheatre - three thousand squares - and the Richelieu amphitheatre - four hundred and fifty seats - two impressive rooms. The Grand Salon, decorated with Benjamin Constant paintings, is used for small training.

Inaugurated in 2008 and blessed by Pope Benedict XVI, this Catholic cultural centre hosts exhibitions, meetings and theology courses. Concerts are organised on average once a month, and are well worth the effort, as they are performed by top-notch musicians in the magnificent setting of a large nave with ribbed ceilings, or in the large auditorium. Dating back to the ^13th century, the building is a vast medieval stone ship that is a spectacle in itself. Completely renovated, this vestige of the school buildings of the old Latin Quarter comprises a superb Gothic nave with columns and ogives, as well as meeting rooms and an auditorium in the basement and upper floors. A small garden has been created to the left of the forecourt. The restoration work was carried out jointly by Herbé Baptiste, chief architect of the Monuments Historiques, and architect-designer Jean-Michel Wilmotte. The Cistercian-inspired building was built to train young monks from all over Europe. During the French Revolution, it was sold as national property, then successively used as a prison, warehouse, fire station and police boarding school.

This three-hundred-seat club is one of the rooms of the Gemini, a high-quality cultural institution. The musicians who go here, with one or two concerts a month, are among the best in the French scene and offer often unpublished projects before presenting them to Paris.

The program in 2009-2010: Prévert Blues by Henri Texier and Frédéric Pierrot - 23 October - Latinidades by the Caratini Jazz Ensemble - 13 November -, Julien Just - 8 December -, Antoine Hervé and Jean-François Zygel - 18 December - L'Intranquilité de Pessoa by Christophe Marguet and Frédéric Pierrot - from 27 to 29 January, André Connection - 12 and 13 February -, Angelo Debarre and Ludovic Beier - 26 March -, Half Evans - April 14 -…

Since 1991, Moments Chavirés programming improvised and experimental music concerts. Free jazz, electroacoustic and concrete music, demolished rock, country falling from her horse… and lots more things, which have not yet been named. Allumés from around the world let us hear here their sound folies - and often visual. A place without the same, for those who do not have their ears in their pockets. Having said that, places such as Times Chavirés often have difficulty in existence despite the modest budget. Financial difficulties due to decreases in subsidies forced the team to cancel the end of its program 2009. If the situation improves, the adventure starts in early 2010.

Opened in 2001, Providence introduces unknown artists and writers, or to become: one man shows, some comedies and comics'trays are on the program. Please note that the former chairs of the Grand Rex are sitting here! The room - seats - is located at the intersection of the Rues, Equerre and Pradier streets. It gives theatre classes. A place to discover, especially if one wishes to take a name in the comic scene… and follow the footsteps of Jérémy Ferrari!

In autumn 2009, Adrienne Larue's big top moved to Ris-Orangis after several years on a plot of land on rue Binet in Paris's ^18th arrondissement, near Porte Montmartre. The lady trained with Pierre Etaix, Annie Fratellini and Jacques Lecoq, as well as performers and visual artists such as Daniel Buren and Robert Filliou. Suffice to say, her creations are quite unusual. As a result, his programming mixes circus, theater, concerts, exhibitions and introductory workshops in the circus arts.

Alexis Gruss practices circus the old-fashioned way, blending two traditions: the equestrian arts and the acrobatic arts. Alexis Gruss founded his company in 1974 in the courtyard of the Hôtel Salé. The adventure has never stopped since. The circus troupe is still largely made up of members of the Gruss family, related to the Bouglione family. With shows that change every year, Compagnie Gruss showcases the circus arts and subtle horse training.

The Zebra - a fresco representing this animal on the facade - is a beautiful-seat room that has specialized in circus shows. Several winning formulas have been found here to satisfy a local and Parisian audience. For example the smallest cabaret in Europe, a show dinner in which humour is good with trapeze numbers, juggling, magic or funambulisme. The children are well off. They also have the right to evening cabarets as well as to the afternoons entitled Les Z'Ateliers du cirque, during which they learn some basics of the profession. Otherwise the Zebra programme of concerts, especially songs. Former film named Berry, this place was almost demolished. People in the neighbourhood have worked to continue to animate this corner of Belleville. The writer Daniel Pennac made it the main site of his novel Mr Malaussène.

In this beautiful villa of Este, there is a dinner or a drink following the magazine - in the gentle name "Les Venus de Paris" - during which French cancan dancers, magician, comedian, mimic, singer, chippenboy… Just after midnight, place the dance with a DJ. Before that, you may have lunch by tasting one of the various menus. There are, for example: salmon bowl and its grout, roast roast goat sauce, sole meunière…

It is not strictly a concert room, but a set of studios that took the name of Micadanses - the places allowed the contemporary Theatre of La Danse to be held. However, there are various benefits, including creations of artists in residence. Amateurs of contemporary dance are welcome. Important: as the number of spectators is reduced, the place must be reserved. In addition, spaces at this site host events at festivals as Winter facts - Authors'Dances.

Created in 1973, the theatre theatre takes the form of a stylized pagoda, but the room is organised in Italian - three hundred places. His program is aimed at all ages and displays shows of storytelling, music, dance, puppets, theatre, theatre of shadows… For several months, the theatre offers exclusive "Chanting La Fontaine" by Jean-Jacques Standing, produced and staged by Nicole Chirpaz. A family musical comedy that should be the culmination of a beautiful day spent at the legendary Acclimatation Garden!

Comic'Hall presents young comics. You don't pay at the entrance but at the exit. This address is directed by the same team as Providence.

Located in the lower Belleville district, in a changing area, Le Locales is a "place of artistic design and practice" animated by the Shadow Shadows association. The-seat hall hosts theatre, dance, musicians, clowns, puppeteers, and so it's a real cultural centre to create meetings, cultural exchanges between artists and audiences. A remarkable initiative that does not betray the quality of its programming.

All new, all beautiful. Opened in September 2009, this place is dedicated to young creation in the fields of theater, dance, humor and music. The team previously worked in the 9th district and moved to the address where La Fenêtre was previously located. La Loge can accommodate 49 people seated and 100 standing. It is a real place of life thanks in particular to its bar which allows the artists to mix with the public, to linger and to invest the place according to their desires.

The former international school of Mimodrame de Paris-Marcel-Marceau, closed in 2006, became the theatre of Petit-Saint-Martin, where theatre, dance, entertainment for the young public and song recitals are displayed. The seating room consists of one hundred and seventy chairs. Theatre and dance courses are delivered here. Bernard Destors is now leading the theatre and offering quality programming, like the recent success La Promise de l'aube de Romain Gary.

From theatre, poetry, humor, song, shows for children. The Laurette Theatre focuses on young talents. He took his name in tribute to Laurette Fugain. Opened in 1981, he also named La Mainate and Cabaret des Fous. A large proportion of the funds collected from the plays are donated to the Laurette Fugain association, whose primary aim is to raise awareness of the donation of blood platelets, mainly to save patients with leukemia.

This cultural centre offers a very varied programming with a cinema of Art and Trial and a showroom. From February 6 th to 8 th 2010, the Games Farm celebrates its fifteen years with a weekend devoted to cinema. We can also see on Saturday January 30 François Rollin in Anger, March 13 the Ariane Moffatt concert, Saturday, April 17 a game of theatre improvisation, from April 18 to May 2 the public festival First meetings or Saturday May 22 Fears of and by Manu Kroupit… You will find all news from the Games Farm on the monthly flyer called Séances Meetings.

Every Saturday evening for five years, find all the sounds of Brazil of yesterday and today, with live concerts, guests, dishes and typical Brazilian cocktails… A case that rolls  !

At its creation in October 1999, the Footprint essentially proposed rock and metal programming. Over the years, the hall has forged an increasingly important reputation by opening up to other musical styles. Since then, there are many who trample the plates of L'Footprint, this contemporary room. Here, no seating. We attend the standing concert. A bar inside the concert hall is open to the public. And a bar-restaurant (sandwiches, oak, drinks, etc.) also opens its doors in the nearby small room. ZAZ, Soprano, Ben Uncle Soul, Kaolin, Jena Lee, Deportivo and many others shared the poster of this increasingly acclaimed scene. For any reservation: tickets on sale at the usual outlets, on the online box of L'Footprint (www.digitick.com) or directly on site from 20 am on the evening of the concert (subject to availability of tickets). The Footprint is also a place of artists'residence, as the whole team wishes to give the motivated amateur artists a chance. Most: prices for especially affordable concerts (between € 15 and € 19).

It is a place of the off-piste show that this small and warm theatre of fifty squares opened in 1960 instead of a grocery store and wine cellar - the effigy of the God Bacchus is always visible at the entrance. Here you can discover Jacques Higelin, Brigitte Fontaine and Rufus in Mommy I fear in 1964, for example. And so many others, such as the great Humoriste Humoriste or Ben Zimet Yiddish Bard… The founder, Maurice Alezra, entrusts his Room to the Theatre Company in Bretelles in 2000. It offers a programme consisting of concerts - jazz, Latin, Jewish and Oriental music, French song… -, theatre, storytelling, young public shows…

MK2+ is a cinema. It offers a varied program of films, from blockbusters to arthouses. The cinema has several modern, comfortable rooms, offering a pleasant cinematic experience. MK2+ is easily accessible by public transport, with several metro stations nearby. The staff are friendly and professional, and the service is top-notch. The cinema also offers special events and preview screenings.

Not gay but a reference of the cabaret transformiste in Paris. From the top of its x spring (we don't reveal the age of a lady…), Michou is always sémillant, and it always likes to welcome its customers! The frame is tiny, a little dark but lit by the dozens of photos of Michou and the stars he received in his den. Compulsory booking, as many tourists as they came into the group and abroad. The evening begins with dinner, served by artists-michettes, but in the attire of a theatre boy. The base remains mediocre but we do not come to this: a show of more than two hours on a poche, funny even so old: Moreau, Mathieu, Aznavour, Cher, Farmer, Madonna, Vartan, Bardot and many other gay icons, the program varies according to evening, with also live songs from Dalida and Wee Jeanmaire, the participation of the room. If you do not dine, you can just see the journal (55 € without drinks, 60 € with a drink). After all, this is the best place to see the show, why not in love. Michou is not there every evening, but when he is there, he papillonne table and mute the old adage: " We don't have twenty years of age "! Unforgettable…

This art and essay cinema located in the heart of the Marais proposes, among other things, programming that highlights humanist values and Latin culture. Each week, this independent establishment offers in its two film rooms, but also programmes dedicated to youth and thematic evenings accompanied by professional interventions. Moreover, enthusiastic friends, you can also take a tour in the Cinédoc bookstore. This specific area closely follows the cinema programme and also offers a background of documentation throughout the year. Find a constantly renewed selection of books, posters and Dvds.

Two rooms, one of 439 places, the other of 142 places, the first bears the name of Lino Ventura, who lived in Saint-Cloud, the second name of Studio. Outside, a sculpture of the day and the night of Mary-Jeanne Doutriaux welcome you to a woman sirène. The exterior is really difficult in appearance, building of the 1970 s, in the form of a big striures concrete snail, reminiscent of a funny bunker that into down the foot of the hill. In the interior, however, the furnishings are made of ingenuity, the rooms being very well furnished and allow for a great comfort and a proper view from all the squares. There are numerous performances and theatre performances throughout the year, plus movies planned throughout the week. A cinema-club cycle is programmed each season as well as some authors'movies. To note a mini library and colouring is installed on the bottom of the entrance to entertain the youngest ones while waiting for the start of the shows and films, and on the side, an open cloakroom on days of shows or theatrical performances.

This charming concert hall, with its subdued lighting and intimate ambiance, is a place where audiences and artists can mingle and even share a drink. La Maroquinerie's current music line-up is highly eclectic: pop, rock, reggae, and funk. La Maroquinerie is very much involved in society: it sometimes organises concerts for noble causes or unusual festivals. What's more, La Maroquinerie boasts excellent acoustics, enabling the groups performing there to be fully appreciated.

Two hangars designed by Gustave Eiffel for the 1878 Universal Exhibition house two of Paris's best-known cinemas, separated by the Bassin de la Villette: MK2 Quai de Seine and Quai de Loire. The former features a restaurant, while the latter is home to a bookshop. While the programming is classic, the complex's 12 screens are all great places, linked by a river shuttle.

An old red brick factory, which has also kept the exterior of its material, has gone from one abounding to another: the industrial one with may be barges coming to pick up productions and the cultural one as there are regular events. The theatre and circus which are contemporary have a quality setting that can accommodate up to 270 seats. There are many artists and companies, and the town hall of Pantin has launched bridges between the companies and the inhabitants of the neighbourhood which is often associated with cultural projects.

La Station is first and foremost a party venue like few others in Paris: here you can shout in the open air (we won't disturb anyone), sing, dance until late, listen to loud music, and above all, excellent music. Yes, the programme is excellent: sharp but festive, eclectic and emerging, a whole scene is blossoming here. The collective - which, let's not forget, has signed an agreement with the SNCF - also offers artist residencies.

Its aerial curves distinguish it from other buildings in the city, which is not very surprising: the Embarcadère was inaugurated in 2013 and immediately met with vast success. Thus, it has quickly become the heart of the city's culture: current music mainly, but also theater, circus or dance are still as many opportunities to come there. Its modular room can hold up to 800 people, and its hall is regularly the setting for exhibitions. L'Embarcadère is today an essential actor of the cultural landscape of Aubervilliers.

This place which is located in the vast Paul Delouvrier lodge is dedicated to children: the bodily awakening room, digital museum, reading room, drawing wall are a few examples. There are also themed weekends, including shows and film screenings. Finally, there is a large garden which, as from spring, allows a nice discovery of nature. Also note that the place offers a very extensive program throughout the year, including Heritage Days dedicated to children and countless specific dedicated workshops. The only downside: once there, the children do not want to leave

Easy to find, this spot is bristling with canvases reaching for the sky. It's the gathering place for circus tents: the space of the same name is located here. Over 4,200 square meters, and for almost 30 years, the best circus companies from France and abroad have come and gone: the place is a place of effervescent creation. La Villette also provides accommodation for artists and companies in residence: the Chapithôtel. In summer, the Espace Chapiteaux is transformed into a leisure area.

Taverny's main cultural facility, the Théâtre Madeleine Renaud boasts a vast 487-seat auditorium, an outdoor stage area, three rehearsal studios for artists, a dance studio and two function rooms. There are as many performances here as there are diverse offerings: theater, modern and classical music, comedy and beautiful dance. The box office is open on Wednesdays and Fridays.

The Avant-Scène is a particularly lively place in Rueil: there are theatre, improvisation, urban dances, singing courses, but the place is also and above all the representation. Many performances are scheduled throughout the year, which allow you to discover new talents. A recording studio and a rehearsal room are also available for students and artists. You can register for courses in the year or for courses over a day. The agenda can be consulted on the website of the Mairie town hall.

If you've never gone to Studio Galande, this is the time! This small neighborhood cinema of about 80 places each week offers about films and cartoons that have left the traditional network. But on Friday and Saturday evening at p. m., the Studio transforms to become… the house of the Rocky Horror Picture Show! Every weekend, the fans pay tribute to this musical comedy of the 1970 s by wearing Magenta costumes, or so famous Dr. Franck Furter, for a night projection. Two teams of actors join to animate the evening, so provide ammunition: rice, crécelles and water bottles. At the end of the year, cinema organizes evenings Double Feature: RHPS and a Tim Burton film. Let's do the time warp again!

From the adventure of "28, rue Dunois", a place of jazz creation born in a barn in 1977, came this theatre built a little further away than the previous one, now destroyed. It is exclusively dedicated to the performance for young people: theatre, music, object theatre... In addition, the Aleph ensemble offers here to all audiences concerts dedicated to contemporary composers. Since 2011, the Dunois Theatre has been focusing on arts education in order to "defend certain values that can stop the disenchantment of the current world and its youth". To achieve this, the Amin Théâtre and its director are now working in this place that loves its young audience.