Concert halls Ile-De-France

The Petit Casino opened its doors in 1969 in a former plumbing shop between Beaubourg and the Place des Vosges. We played the Obaldia, for example, and then fanciful such as Sylvie Joly, Douby, Pascal Legitimus or Paul Préboist made it a renowned address in the coffee-theater category. It is a unique and atypical place where each reservation is made by telephone, and where the welcome is made by Hélène. A beautiful evening of laughter in perspective!

More than six million spectators have already applauded this blockbuster around the world. Cirque Phoenix returns to Paris for a 17 ^th season in colour. Under this top, there are still large troops coming from all continents, because we are defending the neo-classical circus in the gypsy, Mexican or Chinese way. Recently, it was Africa that was honored in the show "CirkAfrika". In 2016, Cirque Phoenix returned to the Havana Company with a fabulous show: " CirkaCuba ", which has no fewer than 50 artists from the crocodile country and a troupe of dancers, musicians and singers for a chain of twelve absolutely staggering numbers. Come and discover this latest show at the rhythm of Cuban percussions in one of the finest capitals in the world.

This beautiful polygon-shaped building has become very precious. Of the "hard" circuses built during the ^19th century, only this one remains, built in 1852 by architect Jacques Hittorff, and purchased in 1934 by the Bouglione brothers. Today, the circus reigns supreme, thanks to the expertise of the Bouglione family, who recruit exceptional artists from all over the world to enrich their shows. The circular stage of this magnificent "theatre" is also used for concerts and television broadcasts.

In the 3 rooms in the city centre as well as in the 3 new rooms of the Hauts, all equipped for digital screenings, enjoy the programming of public movies, as well as a few previews and panel meetings. In the cinema of the city centre, also a cabaret room managed by the theatre André Malraux.

An institution: Caveau de la Huchette, the famous temple of jazz, is a temple in itself, as its vaulted stones seem so full of history and have hosted parties since the opening of the club, which is now more than 60 years old. The biggest names in jazz perform here, from Lionel Hampton to Bob Wilber - and in the old days Sidney Bechet and Count Basie - with a certain penchant for swing. After the concerts and after a certain time, the venue opens up for free to all genres, with a retro tendency - rhythm'n'blues, rock, disco... - for wild dance evenings in the purest tradition of Saint-Germain-des-Prés. In short, an unmissable event!

Located in the area of Paris with the most significant changes in recent years, the last-born of the UGC range is open since October at the very location of the former Claude Bernard Hospital, closed in the 1990 s. In years, it's a quarter that has literally transformed itself from the state of wasteland to the very popular place of life. It was therefore normal for a UGC cinema to come into this relatively dépourvu place. With 14 rooms and more than 2 800 seats, the place is a large area covered with a fine metal jacket giving it a chic and sober appearance. And the actors did not get there because, in a few months, dozens of poster heads came to present their works. Test this movie, you won't be disappointed!

Adjacent to the Republic's Cellar, this long-seat room has been installed instead of a playroom. On the walls you can see representations of faces of a few great names of comedy. Perhaps their cadets, who play in the evening on this scene, want to see their portrait soon! The pieces of the boulevard are at the honor of the success of the last two years, My sister is a millstone. Here is a place to relax between friends and with lightness.

The room itself is already a show. Trained in Italian, with about 800 places, it shines a thousand éclats. The th century atmosphere dominates and enchants. It is a jewel in a historic area. The Royal Palace, where it is located, began to be built by the will of the Cardinal of Richelieu. He then called himself the Cardinal Palace. The theatre was built in 1784 in this area, which became property of Philippe d'Orléans. The architect is Victor Louis, who expands the room in 1791. He then took the name of his director, Miss Montansier, an important woman in the middle of this period. In 1831, a famous comedian named Dormeuil took over. The place was named at the Palais-Royal theatre. They play vaudevilles. There were many pieces of Eugène Labiche - Embrace-us Folleville, the Straw hat of Italy… -, Parisian Life, Meilhac, Halévy and Offenbach… In the 1960 s, the comic vein irrigates again and again this room - Achard, Roussin, Dorin… In 1973 stands here the first of La Cage aux folles, Jean Poiret with the author and Michel Serrault. It is a historic triumph, which, elsewhere, will last until 1979! There will then be other successes, including Merry Easter, the same Poiret with Maria Pacôme and Nicole Calfan - from 1980 to 1983 - or the shows of the Unknown and the Quartet. A real palace of laughter royal!

The mythical Studio 28 continues to scintillate at the top of Montmartre. This independent cinema hall is designed to be «art and trial room and neighborhood». And this is a successful bet. Almost ten films are offered each week and the programming is available on the website. A preview is also scheduled each Tuesday. Waiting for your meeting, you can dine at one of the bar tables or browse the hall to enjoy the exhibition (renewed every month). For the little anecdote, one of the scenes of the famous film The Fabulous Fate of Foal Foal was filmed there. Don't miss it!

This beautiful cinema, impressive from the entrance, has 16 new and spacious rooms. It is the 1 ^st Western Parisian maple enamel, located on the 10 000 m ² on the 4 th and the last floor, where the spectators, before and after the meeting, can enjoy a superb view of Saint-Quentin-en-Yvelines with large glass-size glass. To subscribe to the UGC card: 30 th fee (ID and rib). Card issued from 15 am to 20 pm, Monday to Friday.

Located on the banks of the Seine, the AccorHotels Arena is a modular pyramid-shaped venue with a capacity of up to 17,000 spectators. Well-known as "Bercy", it can be configured in 30 different ways to host sporting events - basketball, tennis, horse-riding, motocross and water sports - as well as meetings, concerts and special-effects shows. A must-see venue in the capital for anyone wishing to attend an exceptional event and enjoy a quality experience.

Triangular steel sheets reflecting video projections, ^19th-century chandeliers, surgical light bulbs, bright colours... For some twenty years now, in a decor that is as much concert hall as club, the Nouveau Casino has been offering four hundred people excellent performances by musicians and DJ sessions. Up-and-coming rock, groove, hip-hop and electro artists find a great springboard here, in a half-bobo, half-popular area now packed with cafés and restaurants.

Le Lucernaire was founded in 1968 by actors, authors, and directors Christian Le Guillochet and Luce Berthommé, and in 1984 was awarded the label of "Centre National d'Art et Essai". Great artists such as Laurent Terzieff and Daniel Emilfork, as well as young companies, have created or revisited contemporary and classic texts here. There are two auditoriums, one "black", the other "red". Le Lucernaire also has three Art et Essai cinemas and a gallery dedicated to young photographers.

This concert hall was not destined to last: it has been in existence for almost 40 years. And the Zenith is so successful that it has "copies" all over France, in Strasbourg, Nantes, Orléans: there are over twenty of them today! Le Zénith is a must-see venue in the capital and the region, and not a single successful artist passes by this venue, which is one of the largest in the region. Modular - that was the novelty at the time - the building seems to have been erected only recently, so much has it not aged.

As its name indicates, the Palais des Congrès is a site where congresses and other events related to the economy are held. It was built for the Paris Chamber of Commerce and Industry in 1974, enlarged and renovated in 1999. With three thousand seven hundred and twenty-three squares, without balcony, its Grand Amphitheater is designed to ensure perfect visibility for all spectators. In addition to the major economic gatherings, musicals and musical standards are offered. In short, no punk, but safe values. Attention to motorists: the immense work of the RER E makes access sometimes painful.

A top-class multiplex featuring 15 cinemas featuring the latest film technology, including the last Imax room. For the first time in France, the Imax® Dmr® system makes it possible to project 35 mm films in Imax format on a 26 x 15 metre screen, the largest in France. The room also has the finest three-dimensional reliefs in the world. Imax® 2 D is a large format for diving in the action of the film. Imax® 3 D requires the wearing of special glasses to get out of the objects and characters screen. Free parking 2 hours for all visitors to cinemas Gaumont.

Sponsored by the famous Point Semicolon, the Parisian café-Theatre, and Didier Lockwood, the Café Thalie Theatre welcomes you in its new room. In a warm atmosphere, with a drink or in front of a plate, café-theatre, theatre, cabaret, concert, dance, children's shows… are presented in the evening or in the afternoon to spend a moment under the sign of laughter and relaxation, in all friendliness. A programming of talented artists, from the largest Parisian rooms, gives you its good mood for a decidedly happy exit.

The Ermitage cinema offers a selection of films in French and VOSTFR versions, as well as special programming for cinephiles. The cinema's website provides all the information you need on opening times and reservations. Films showing this week include "Asteroid City", a comedy, "Il Boemo", a historical drama, "Love Life", a family drama, "Stars at Noon", a romantic drama, and "La Nuit du Verre d'Eau", a romantic drama set in Lebanon. Cinema Ermitage also offers animated films such as "La Sirène" and "Nina et le Secret du Hérisson". For fans of the classics, "La Guerre des Boutons" will also be shown. Be sure to visit this cinema during your stay in Fontainebleau.

A rococo facade and garlands and painful masks: no doubt, when you enter here, we are sure that there will be from the show! It is what already guests of this address said that has a century and a half of existence. From materials recovered from the demolition site of the theatre of the Exhibition of 1867, the keeper of a bar François Jamin built a café-concert in rue de la Gaîté. Le Concert de la Gaîté-Montparnasse opens in 1868. Georges Dorfeuil son takes what over at the beginning of the 20th century and brilliantly young artists including Maurice Chevalier and Georgius. During the Roaring Twenties, the room offers song recitals, bare one, dramas, all without visible logic. La Gaîté becomes a variety of room where singers and chansonniers occur: Roger Nicolas, Fred Adisson, Gina Manès... In 1945, the actress Agnès Capri, who played at Jouvet and Pitoëff, they setup a theatre of avant-garde where a young called novice Marie-Juliette Gréco passes. After a closed at the beginning of the year 1950, the adventure started again in 1958 with Michel Fagadau. Until 1978, it manages the room and showcases much shows. Then, variety theatre and share the poster: Do and Valley, Jean-Roger Caussimon, Luis Rego, Le Père Noël is a refuse, by Beautiful... The large actors passed by all the Gaîté since: Catherine Rich, Pierre Arditi, Charlotte Gainsbourg, Fanny Ardant, Niels Arestrup...

Bobino is a beloved name among music-hall fans. It was originally the name of an early ^19th-century clown. Several venues were successively built on the same site, starting with Folies Bobino in 1873. From cabaret to café-concert to music hall. From the 1950s onwards, Bobino rivaled the Olympia, welcoming Georges Brassens, Édith Piaf, Coluche and many other stars. The venue was closed in 1983 and demolished, but the show went on, and in 1991 Studio Bobino took over.

It was the first flexible dining room of the capital, before Le Zénith and the POPB. Opened in 1960, Palais des Sports welcomed important events in the domain of boxing, for example, and the services of the basketball players of Harlem globetrotters. This space in the arena shape that can accommodate between two thousand five hundred and four thousand spectators six hundred was also made known while looking to see and include Beatles, Pink Floyd, Elton John, Johnny Hallyday... And then also by allowing the creation of shows king size like Robert Hossein. It is also that of choreographies Maurice Béjart, Roland Petit were created, Rudolf Noureev musicals, such as Les Misérables and stage where the troops of Holiday On Ice or the Circus of Moscow made. Much less funny: Palais des Sports was requisitioned, just as the Coubertin stadium, so that you can park it Algerian citizens challenged during the dreadful night of October 17th 1961. Some died here. Today, the musical with large budgets and the comedians perform in this palace that has aged but who resists...

The Splendid left the Beaubourg district in 1981 to set up in a former showroom, taking the name of Splendid Saint Martin. Built in 1896, Les Fantasies Saint-Martin merges songs and theatre. In 1907 they became the casino Saint Martin, a café concert where the young Mistinguett and Maurice Chevalier pass. Like many places of show, the place is transformed into cinema after the First World War. Until the day when actors who had had a splendid success on the big screens returned to animate his boards. Appearing on stage in 1973, the Splendid troupe had previously set up rue d'Odessa, then rue des Lombards. Its members: Josiane Saxo, Marie-Anne Chazel, Claire Magnin, Michel Blanc, Christian Keyboard, Gérard Jugnot, Thierry Lhermitte, Bruno Moynot and Christian Spillemaecker. Even though the group quickly broke after its arrival in this room - 300 places - at least on stage, they set the tone for programming. It was played in the Splendid of St. Martin: Grandpa makes resistance, as well as Night of intoxication and the Ex-woman of my life from Saxo. Many comics have gone through it: Jango Edwards, Michel Boujenah, Elie et Dieudonné, Les Robins des Bois, Jean-Marie Bigard, Valérie Lemercier… There were also singers Tom November, Sade, the Louis Trio case, Jacques Higelin… The Splendid is, more than ever, a place dedicated to humour.

It is a warm and warm decor, a cabaret atmosphere and a gourmet meal that awaits you at the Etoile. The performances are of high quality with sumptuous decorations and costumes where feathers and paillettes blend. On the base side you find foie gras, Des, canard from duck to cranberries, from the Supreme of poultry to meat juice and from chocolate on English cream. There is nothing missing to spend a dream evening.

It's in a small, not very well-known corner of the 20th century that you will discover Lou Pascalou, "Le petit Pascal" in Basque. This cultural café programs rock concerts, songs or world music and meetings with writers. It also presents exhibitions of artists and projections of short films. Some evenings are also dedicated to board games or tournaments of the Paris Improvisation League (see the programme on the café's website). The place succeeds in combining culture, good atmosphere, discovery and sharing. The staff is charming, even during peak periods. A little extra: on sunny days, the large terrace is very much appreciated.

If there is a mythical place dedicated to the 7 ^th Art at a few feet from Saint Michel, it is the cinema Le Champo and its two rooms. Or how to feel in the shoes of a young festival in the heart of the New Wave… This mythical place of Art and Trial opened on June 22, 1938 at 18 am instead of a bookstore. In the early years, Marcel Pagnol, Jacques Becker and of course Jacques Tati, who today welcomes the public, are put to the credit. Since then, all major filmmakers have had the privilege of having a cycle, a night or a meeting open to the public.

Curtain lift for Michel Theater! Or rather "reopening" since this place, founded in 1906 by Michel Mortier, already has more than one story to tell its audience. Bought by Francis Nani, CEO of the Palais du Palais Royal, he began his new life, ready to make discovery, surprise and seduce, particularly with the boulevard comedy that made the reputation of the place. For more than 100 years, laughter has been resounding in this theater of 350 seats! During its existence, Théâtre Michel has never deviated from its original vocation: Entertain the public and highlight new talent. A challenge he is always prepared to face!

Marie-Antoinette was responsible for this hall. Built in 1781, it hosted lyrical performances until 1794. After a few years of neglect, it was reborn as the Théâtre de la Porte-Saint-Martin. Romantic dramas, notably by Dumas and Hugo, were performed here. The theatre burned down during the Paris Commune and was rebuilt in 1873. Cyrano de Bergerac and Chanteclerc were created here. The alternation between classical and contemporary music keeps the place beating.

The Trabendo is located in one of the small red buildings built in the Parc de La Villette. Park historians may remember the first venue here, but Trabendo has quickly swept the past under the carpet. Since 2000, this seven-hundred-seat venue has continued to expand its program: Manu Chao, Calexico, The Neptunes and Bugge Wesseltoft have all played here. Note: the murals are signed by Futura 2000, a historic figure in New York graffiti. And the word "Trabendo" comes from contrabando, Spanish for contraband: quite a program.

Founded in 1895, the Trianon-Concert was one of the first music halls in Paris. Destroyed along with its neighbour the Elysée Montmartre in 1900, it was rebuilt two years later and successively named Trianon-Théâtre, Théâtre Victor-Hugo and Trianon tout court. It introduced audiences to artists such as the transformist Fregoli and the young Mistinguett. Transformed into a cinema in 1939, it returned to live performance in 1992. Plays and classical concerts have been staged here, but its programming remains dominated by chanson.

From its construction in 1925 - architect: Auguste Bluysen - this theatre has preserved an Art-Deco aesthetic. The room, of seven hundred places, is dominated by red and gold - decorator Jacques-Émile Ruhlmann. It presents parts intended for a wide audience. Yvonne Spring, Pierre Fresnay, François Citéa, Francis Perrin, Roland Giraud, Charlotte de Turckheim played. Among the authors who attended their work are Edouard Bourdet, André Roussin, Jean Anouilh, Marcel Achard and Françoise Dorin. The Michodière is undoubtedly one of the highlights of the boulevard theatre.

Throughout the year, the TAM offers a variety of entertainment programming for all audiences: in the poster, many plays, classical or contemporary, but also great names, heart strokes and discoveries of the live show (music of variety, dance, magic, humour), as well as representations to the young public. Renovated in 2006, the TAM is home to up to 850 spectators, and is often complete! A few tables in the foyer will allow you to restore or drink a drink before or after the show. Also note that the TAM manages the cabaret room in Ariel Cinema, a stone's throw from the theatre, for performances in privacy.

Known as the Springtime, this Italian theater was built from 1905 in the purest style Louis XIII and inaugurated in 1912. Enrolled in the historical monuments inventory, completely renovated, it was opened to the public at the end of 2005. The restoration of the ballroom, which was the last stage of the renovation of the Municipal Theatre, was completed in the summer of 2012. Programming and rates at the above number or website.

This beautiful room can be proud to benefit throughout the year from an artistic programming, free or paying, both varied and often quality. In addition to the expected performances (especially theater plays), it also promotes music, stand-up, painting, sculpture, drawing, photography, etc. Then free to the tourist of the passage to take this and these events according to its expectations and availability. We strongly advise to go to the site of the town hall of Dammarie-les-Lys (tab "RECREATION - SPORTS - CULTURE" then "The Cultural Season") to download the complete program of the season in progress. For it does not soften to list upcoming shows in the city itself, but also in the vicinity in Melun, Le Mée-sur-Seine, Vaux-le-Penil, etc.

Located in the mediatheque, Théâtre Luxembourg boasts a comfortable auditorium where some sixty shows are presented each season, combining tradition and modernity. A choice that caters to the different tastes and sensibilities of our audiences. Theater, dance, classical and contemporary music, comedy, variety, young audiences, jazz club - the program is particularly varied. The theater has two halls. The largest, the Luxembourg, can accommodate 600 spectators. The smaller Le Manège seats 107.

The Centre culturel Sidney Bechet is a municipal facility located in Grigny, Île-de-France. It offers a varied cultural program and supports the work of local associations. Equipped with a stage area, it hosts concerts, plays and film screenings. It also has a modular space for art exhibitions and events on a variety of themes. The cultural center is a venue for musical, choreographic, theatrical and artistic events. The Centre culturel Sidney Bechet is a must for culture lovers in Grigny.

There are no fewer than 9 halls that greet spectators in this movie complex, with a small movies, all of them news, projected every week.

The Ferme farm was originally a possession depending on the center of the Templar Templar. From the creation of the Port-royal des Champs abbey, the history of Manet's estate can be traced more precisely. The sector depended, in the th century, on the stronghold of Guy de Chevreuse (who gave his name to Guyancourt) and who made the new abbey donation of several parcels of arable land or not: between 1237 and 1262, 146 acres (about 65 ha) were gathered between Barns and the municipality of Montigny-le-Bretonneux to form the basis of what became Manet's estate. The domain grew and embellir until the Revolution, where the 168 ha are redeemed to the ladies of Port-Royal by the last abbey farmer: Achille Raymond Yellow. At the end of the th century, the courtyard was bordered in a discontinuous manner by buildings which house the farmer's house, two stables, one vacherie, the dairy, one bergerie, two barns, one press and one monumental colombier. In the aftermath of the Revolution, the estate is acquired by Henri Marin Notta who, along with his son Vincent, will exploit it until 1860, when Ernest Gilbert will resume it. The transition from traditional farming to industrial activity is particularly interesting to follow in the evolution of Manet, because there is hardly any farm in Paris where the documentation on this subject is so precise and abundant. The transition was made by the Notta family. The farm in 1860 represents 300 ha, which at this time is considerable (Montigny occupies 667 ha). Aware of the historical, emotional and cultural value represented by this farm, the municipality of Montigny-le-Bretonneux decided to acquire it. From here, it is a whole rehabilitation and management program that was studied and then implemented. The farm is now a 900-seat concert hall, which hosts the great names of song, music, laughter, and more dramatic entertainment. It also functions as a seminar and communication centre.

The Théâtre theatre funded by the Ministry of Culture, the City and the Department is designed to create and produce performances. Thus, every two years, the Biennale of the theatrical creation for youth, the Festival Odyssées in Yvelines (next opus in 2016) takes place. The public can also attend very diverse performances: opera, dance, music, song… Almost 30 performances are given each season.

Everyone knows the principle of these very popular kiosks, and for good reason: they allow you to go to the show for significantly reduced prices. The kiosk in Place des Ternes, which must be clearly distinguished from the flower merchants in the square, is open from Tuesday to Saturday, but be careful, plan to go as early as possible for two reasons: you could have the best prices, and then keep in mind that Place des Ternes is slightly off-centre, and that you could take a little time to reach your cultural place.

Located on the edge of the Parc de Bercy, in a building designed by architect Frank O. Gehry, the Cinémathèque Française lets you see and re-see all the treasures of the ^7th Art. Its museum features collections on the history of cinema: Emile Reynaud's optical theatre, magic lanterns, cameras, mythical costumes, set elements, posters, documents used in the making of films, and more. Temporary exhibitions are organised on a regular basis.

After several months of renovation, this neighborhood cinema in the turbulent history reopened its doors in May 2011, for a new start. Opened in the heart of the New Wave (1969) in the restructured premises of a former cabaret, this unique room has 208 seats and everything has been renovated to offer better quality, comfort and hospitality for conferences and conferences. Stylish design, star night blue seats, very original lustre next to the window… Saint-Germain-des-Prés intends to revitalize its programming (clearly oriented art and trial) and refidéliser a clientele to compete with the competition of the two multisalles cinemas at the Carrefour de l'Odéon. In this mission, the financial support of writer Bernard-Henri Lévy will not be too much. 

Located on the grand rue de Rivoli, you will have to open the eye to see the small entrance of this jazz club. Once the vestibule has passed, you can take place in one of the three pretty vaulted cellars for a musical aperitif. According to the programming you will enjoy classical concerts, jazz or bossa. On Mondays evening, jam-sessions are organised under the name "The Two Sauces". On Monday, at a. m., a sweet sour beef for amateurs, beginners or shy and at 20 p. m., a tangy sauce sustained by talented musicians. On Thursday evening, it is organic sauce in the programme (totally acoustic: no amplifier or microphone)! Finally, on Sunday at 17 a. m., you can discover old music concerts around a baroque tea.

Located right in the heart of the 15 ^th arrondissement of Paris, the cinema Gaumont Convention reopened in March 2016, after 18 months of work. The establishment was demolished before the rebirth of its ashes. The cinema now offers 9 rooms, all equipped with the latest technologies, such as the 3 D, the sound 7.1, the 2 K/4 K projection and the DOLBY ATMOS accustomed. Cinema also offers the possibility of organizing business events. It is in this new framework that he proposes to privatise the rooms and the cocktail space. Meeting, cocktail, private projection, Christmas tree, offers are numerous, all in order to improve the comfort of professionals and simple visitors. The website is a wealth of information (programs, news, news, etc.) for this film in particular and for the whole network Gaumont Pathé.

Demolished and reopened in July 2016 after more than 18 months of work not retaining the carcass of the old building, the cinema Gaumont Alésia, designed by the architect Manuel Lyons author of the Citroën showroom on the Champs-Elysées and the renovation of the Gaîté-Lyric, offers at first sight a facade covered by nearly 60 000 LED as luminous points spread over a height of 12. m and a width of 19 m and independently controlled for the purpose of allowing the diffusion of images and light atmospheres: cinema before even entering the cinema! Inside: 1 364 seats spread over 8 rooms from 100 to 445 seats, accessible to people with reduced mobility, with lift and escalators to access and comfortable club seats even for larger and long legs! 4 rooms in the basement, one room on the ground floor, two on the first, and a large room on the 2nd floor with - not negligible - comfortable toilets on all floors. The acoustics are excellent and the screens are huge.

A neighbourhood cinema, part of the independent Dulac network, far from the big machines you see everywhere. The programming is meticulous, the staff are cinephiles - in short, a veritable refuge for lovers of arthouse films. In fact, what was once a power station was sponsored by Jacques Tati when it was converted into a cinema in 1962. For many years, the Arlequin was the emblematic cinema of the Left Bank in Paris. The cinema doesn't stop at screenings: it also offers debates, events and exhibitions.

The cinema has 1 492 places, 7 rooms, has a digital Dolby sound and offers over 200 weekly meetings. All rooms are air-conditioned and equipped with high-definition sound equipment. Very spacious and comfortable, this great cinema is very popular with the Boulonnais. It offers all the output and convenience in the first line and maximum comfort. The rules are strict: no scooter! For the well-being of all and the continuity of the well-being of this complex respectful of its clientele, everyone can put its own.

This is an institution marked by a charismatic personality: Roger Diamantis. This madman of the 7 ^th Art sacrificed his life for films, which opened in 1971 a cinema in place of a hotel. Two rooms were available, one of which was devoted to one film for two years: " La Salamander "by Alain Tanner. Result: 300 000 entries. Roger Diamantis died in 2010 as a film publisher and has always supported experimental film and film films. Cavalier, Godard, Kusturika, Jarmush… all had the right to programming. Today, the Saint-André des Arts has 3 rooms, always refuses the unlimited pass, and welcomes the first of its quality.

Mac Mahon is one of the most beautiful cinemas still in operation. Opened in 1938, the Parisians were able to discover in the Liberation of all American films that they had been deprived of during the occupation. The room won a very strong reputation. In the 50 s, we even talked about the band of the "Mac-Mahoniens", those who like Bertrand Tavernier or Patrick Brion visited the place with diligence. In 1959, Les Cahiers du Cinéma took over the Mac-Mahoniens manifesto, which clamaient loud and clear: " staging on the scenario ". The culmination of this golden age: in Jean-Luc Godard's classic "A Bout de Souffle", many scenes are filmed in the Mac-Mahon. After a difficult period in the 80 s, cinema is still a place of worship dedicated to the great American classics. It was the Bolloré group that began a lot of work in the 2000 s.

In the heart of Montparnasse is this unique cinema. The 7 Parnassiens have, as its name indicates, 7 rooms for a total of 835 chairs. Created in 1979 at the heart of the shopping mall, he had at the beginning of 5 rooms. Since then, authors'films in original language have been honoured. A room is dedicated to African films, as well as to many festivals during the year. Debates are also held all year round, as well as an art gallery that displays paintings by artists every month.