Theaters France

This magnificent 1829 building, restored in a baroque style of origin, has the apse of the ancient church of Dominicans (second half of the th century). The pediment representing the two angels is a work by Tarasconnais Jean-Barnabé Amy, a renowned sculptor whose famous «Tambour Drum» still rises on the square of Cadenet in Vaucluse. The municipal theatre offers a programme worthy of the largest French rooms. From theatre, dance, humor, coffee-theater, opera and opera, there are for all tastes.

To program enriching and entertaining outings throughout the year. In an auditorium that can accommodate almost 300 people, a succession of top-quality shows, with an emphasis on contemporary writing. These include great classics with modern interpretations, original creations, as well as magic, dance and circus performances, some of which take place outside the theater! A real cultural bubble of air. The program is varied, so everyone, whether solo or with the family, can find their own show.

This former post office became a pocket theater in 1995, thanks to a handful of enthusiastic amateurs who wanted to share their passion for the dramatic arts. Le Petit Théâtre de Vallières offers a varied program of dance, concerts, theater and training courses. It is also a creative venue, with Théâtre Vice Versa in permanent residence. An eclectic choice in the cultural and artistic milieu to experience real moments of emotion and sharing. Given the venue's capacity, reservations are strongly recommended.

The Cour des Trois Coquins is a theater dedicated to professional companies. This multi-faceted place puts all disciplines in the spotlight: theater, dance, music or reading. It welcomes companies in residence and offers them optimal conditions for creation and work: workshops for the manufacture of sets, rehearsal spaces, stages to perform and often to play their premieres. More than 20 companies are welcomed each year. Event days allow the audience to discover what goes on behind the scenes and the creative process.

La Petit Gaillarde is managed by the Association Peoples and Culture. This small theater can accommodate nearly 140 people and offers varied programming: theater, music, dance and other performances, as well as performances for the young audience (2 years old). The location is nice, close to Gaillard Square. Throughout the year, La Petit Gaillarde hosts theater troupes and thus offers authentic and original creations. Place de diffusion, La Petit Gaillarde is also a place of creation and repetition. Artists and local companies invest it on weekends and weekends to work. A pleasant place to entertain without ruining.

Le Valet de Coeur has been an intimate pocket theatre since 1977, located in a cobbled street that gives the old town its charm. Every season, amateur actors work alongside the Company's founders, Marie-Françoise Savary and Jean-Yves Lenoir, to bring the theatrical repertoire to life. Whether classical or contemporary pieces, the staging is of exceptional quality and serves the author and his work with a high standard, shared by the entire team. Le Valet de Coeur is also a theatre school that welcomes about a hundred students (children, teenagers and adults) and also teaches diction and reading aloud. A love of the theatre!

In the heart of Old Antibes, the association Théâtre de la Marguerite has managed the La Scène café-theater on Sea for fifteen years. It is an opportunity to discover unmissable programming. Initiated by Monette Candella, passionate shows, forced the appointment of the lovers of the genre is it.

Monette does not stop there. We owe it the creation and the organisation of Beef theatre which displays a number of talents - Florence Foresti, Dany Boon, Anne Roumanoff and many others -; Femin' arte which of course blends various artistic disciplines such as theatre and the visual arts, the tales for children... and as its name suggests it gives the opportunity to a large number of artists women express themselves. Le Théâtre de la Marguerite: we love a bit, however, passionately...

The Trident gives the city of Cherbourg-en-Cotentin a place of choice in the network of 70 national stages in France. Under this illustrious name, the management of three theatres is revealed. The national stage attracts approximately 30,000 spectators per year and hosts nearly 130 performances annually. Young artists and companies are received in residence and present their creations to the general public, and the programming is very rich.

Espaces Pluriels is a unique creative center, offering dance and theater programs each season and organizing the Plurielles dance festival. Espaces Pluriels is active in a number of venues in Pau and the surrounding area: Le Zénith, Théâtre Saragosse, Théâtre Saint-Louis, Maison de l'étudiant, etc. To support contemporary creation and encourage encounters between audiences, it presents national and international dance and theater companies, provides creative support through creative residencies, and trains audiences through conferences, courses, school classes, etc

From the pocket theater created in 1998 by director Thierry Luz and Alice Gheorghiu to today's 80-person Tam Tam Théâtre, there has been a great deal of evolution. "Crossing iron with dance, interweaving body and image, combining song, music, mask and clown are all acts we are proud to defend..." proclaims the 8-strong TTT team, who work year-round and employ other artists on their creative projects. TTT's aim is to mix artists, encourage encounters and original creations... It is also open to other structures, by hosting more and more professional shows.

The CDDB (Centre Dramatique de Bretagne) is a place of creation led by the director Eric Vigner. The creations made in Lorient go on tour in France and abroad. Programming integrates other forms of live entertainment. From September to June, awareness-raising, training and free visits to the theatre for all cluster applications.

The Scénith offers performances all year round, as well as dramatic expression workshops, and welcomes artists in residence as part of projects conducted in collaboration with schools and Maison de Quartier.

Established on the location of the castle of the castle of the Dukes of Nevers and designed by the Swiss departmental engineer Lebrun, this Italian theatre, also known as "Petit Théâtre", presents a stone facade of the surroundings of Nevers, rubble walls, a brick hall, a brick frame, an oak blanket, a slate blanket and a iron lock. Renovated throughout the th century, it offers a wonderful décor for spectators attending the various shows offered by the city's cultural service.

Discovered in 1971, this Gallo-Roman theatre is 45 m long and 40 m wide. Built at the end of the 2nd century AD, it must have been abandoned in the 4th century. The cavea is 6 m deep and is dominated by six terraces forming earthen steps in a circular arc. A small orchestra, with a radius of more than 9 m and an arc surrounding two entrances, completes the ensemble. Close to the village of Arleuf, this rural theatre could accommodate 500 to 800 people. This building with multiple roles testifies to the strong settlement of the region at the time.

At the beginning of the adventure there is a university theatre troupe organised in the Superior Ecole Normale since 1964 as Theatre 45. Some of them, Jacques Nichet, Jean-Louis Benoît and Didier Bezace, took the Theatre of the Aquarium and settled at La Factory in 1973. The ambition of these artists is to discover texts and new theatrical forms. In 1986, Jacques Nichet took the direction of the dramatic centre of Montpellier and, in 1998, that of the current national theatre of Toulouse. In 1997 Didier Bezace was named Head of the Commune Theatre of Aubervilliers. Jean-Louis Benoît was called to lead the theatre at La Auction in Marseille in 2002. Julie Brochen continued the history of the Aquarium theatre, which has about five hundred places, and then François Rancillac took his succession in 2009, the latter invited Antoine Caubet to be the artist associated with this place for three years.

Do you like the little known places of the general public, those who have a very Parisian charm? Welcome to Pandora Theatre! Almost secret, this tiny place with about places is worth opening its door in the courtyard of the building. Given its small size, the report to the actor (x) and to the texts is necessarily most sensitive. Obviously, the «only stage» form is dominant, be it comedy or drama. A place that combines charm and privacy!

This old theatre should have gone away like many others, without a drum or trumpet. But thanks to actress Marthe Michel, he was saved from destruction and reopened in 1988. With one hundred and thirty armchairs, he is the heir to the Concert du Commerce, a small room created in 1850 for the nearby Trade Brewery. Enlarged in 1897, she welcomed artists like the young Maurice Chevalier. The decor, painted by the painter Cup, dates back to 1910. After the First World War, the theatre is a time transformed into cinema, followed by the live show with Berthe Sylva, among others. But he closes in 1924, before he regained his first destiny much later. The current programming is turned to the theatre, with openings towards song and lyric art.

Formerly Théâtre de la Roquette, then Théâtre Oblique. Earlier, it was a neighborhood music hall that was converted into a movie theater. Here, we've discovered the texts and stagings of Valère Novarina, François Tanguy, Michel Deutsch, Jean Jourdheuil, Joël Jouanneau, Jean-Marie Patte, Olivier Py, Bruno Bayen, Jean-Michel Rabeux, Youri Pogrebnitchko, and the innovative choreography of Jan Leuwers, Jan Fabre and Alain Platel. It is now a public theater, with a rich program that deserves our attention.

The Côté Cour theatre has been installed in an old electricity company since 2002 and has about seats. Performances - exhibits and one man show - are given by the members of the Laboratory of Hélène Bertolucci-Chéruy's actor. It is a discreet place that has the merit of offering parts that have the opportunity to export to the festival of Avignon. Proof with the recent success of the comedy How to raise a teen of apartment that was endorsed by the general public.

The story of this comedy began in 1985 in a former carpentry workshop located at the back of a courtyard at 51, boulevard Richard-Lenoir. At the time, it was a workplace for young comedians. Created by Andréas Voutzinas and fifty or so of his friends, it was called the Théâtre des Cinquante. It wasn't until 2001 that it became the Comédie Bastille. Dedicated to entertainment, this 190-seat theater offers a wide range of comedies, as well as a number of shows for younger audiences. It's been an undeniable success over the years.

Created in 1978, this 192-seat municipal theatre has been run since 2020 by Edouard Chapot and Mathieu Touzé. Focused on contemporary creation, with a dozen shows a year and two festivals, the theatre also offers a programme of meetings, symposia, workshops and masterclasses throughout the year as part of its Université Populaire. In 2022, a professional training school, LAB14, was also created. Many great names in the world of theatre have passed through this very special place.

Created in 1972, the place - one hundred and sixty-five places - was first named a Atelier workshop. As a theatre of the Chaudron two decades later, it hosts various projects, including performances from circus arts. The objective of this place of creation is to allow the public to go to meet works and artists, and to companies to have a space of reflection.

The Aktéon Théâtre is specialized in Young Audiences. The plays are renewed every two and a half months, thus ensuring a rich and varied program. The Aktéon encourages creative theater, mixing theater, storytelling, puppetry, magic or musical shows, working with companies and the public to create a place of cultural exchange. Shows for children are performed on Wednesdays, Saturdays and Sundays at convenient times (and every day during the vacations). L'Aktéon also offers theater classes for children from 5 years old.

The International Visual Theatre brings together deaf actors for training and professional performances. He was born in 1976 and has long housed in the castle of Vincennes Castle before settling here, in a former chapel converted into Theatre-Salon in 1895. Until 1963, the Grand-Guignol theatre presented its Gore shows. Since 2007, the IVT has shown signs of sign language throughout the year. Under the leadership of actress Emmanuelle Laborit, he is open to the voices of both artists and the public.

This four-hundred-seat venue has been in existence since 1911. Originally named the Théâtre ^Albert-Ier, its current name derives from the fact that the venue was directed by playwright Tristan Bernard in the 1930s. It adopted the patronymic of actor Charles de Rochefort when, on the eve of the Second World War, he took over the direction of the theatre, presenting plays with detective mysteries. Over the past twenty years, the Théâtre Tristan-Bernard has enjoyed great success, and its current productions are no exception.

This centenary room has undergone countless transformations. In 1893 is open here a large living room that is quickly transformed into theatre. It really was born in 1898, but only took its current name in 1912. Work is ongoing. Sacha Guitry made her debut at the Mathurins theatre in 1905 with Nono. He remains faithful to this room for fifteen years. Georges and Ludmilla Pitoëff then printed their mark in the history of the Mathurins where they climbed pieces of George-Bernard Shaw, Luigi Pirandello, Jean Anouilh, among others. In 1953 the theatre is run by Rika Radifé alias Radifé Behar. Pirandello, John Osborne, Marguerite Duras, Camus, Sartre, Anouilh are some of the authors here until 1981. The directions that follow continue the path mapped out by their predecessors. Some names that then appeared on the theatre posters: Milan Kundera, Vaclav Havel, Jean-Claude Brisville, Jean-Pierre Bacri - authors - Georges Wilson, Stefan Meldegg - directors-in-stage - Daniel Gélin, Patrick Chesnais - actors… Two memorable shows among so many: The Woman sitting, from Copi with Marilu Marini, staged by Alfredo Arias, and Les Palmes by Jean-Noël Fenwick, Jean-Noël Fenwick. Then director of the Mathurins, Gérard Caillaux aménager a new-seat room with a fireplace. Today, this theatre is led by the trio Engelberg, Colla and Setbon.

This cultural area, consisting of a theatre and a gallery, has been installed since 1977 in a residence dating back to 1602. It was a place of habitation, commerce and deposit. A printer was finally established there. The team of L'Raging, a satirical newspaper in May 1968, worked there. The site then underwent a restoration in the 1970 s. Activities are shared on three levels, which are rented for all kinds of events. Situated in vaulted cellars, the Théâtre theatre welcomes its public in two rooms with a capacity of and seats. He features theatrical shows and one man shows.

There was a skating rink where since 1891 this hall has been named New theatre. The actor and director Lugné-Poë, the future founder of the theatre of the Works, is the founder. He defends Scandinavian authors like Ibsen and Strindberg, as well as Jarry, including Ubu King and here created with San Gémier in the title role in 1896. The actress Réjane bought the room in 1906 and gave her his name. She creates here Mrs. Sans-Gêne, from Victorian Sardou. It is when Léon Volterra resumes the place in 1918 that the current name is assigned to him. Marius and Fanny, by Marcel Pagnol, with Raimu, Orane Demazis and Pierre Fresnay, were triumphs in 1929 and 1931, respectively. Another success: Tovaritch, from Jacques Deval with Elvire Popesco. In 1955, this famous actress will take over from Marcel Karssenty and Pierre Dux who have been running the hall since 1948. Some memorable pieces: Tea and sympathy, with Ingrid Bergman, Pity it is a p…, with Romy Schneider and Alain Delon… During this period, a costume shop is transformed into a modern theatre, which finally takes the name of Petit théâtre in Paris. Alain Leseleuc in 1965 and Robert Hossein in 1975 are new directors. From 1990, the stars are almost on the scene of this place: Jean-Paul Belmondo, Michel Sardou, Valérie Lemercier, Guy Bedos, Alain Delon, Robert Hossein, Gérard Depardieu, Bernard Tapie, Michel Leeb, Jean Piat…

The theatre, built in 1876, has 530 seats divided into a parterre, a row of boxes, and a gallery. It specialised in historical frescoes and melodramas before being closed in 1952. Peter Brook and Micheline Rozan moved here in 1974, leaving the theatre with its bare appearance. In addition to Brook's always surprising shows, jazz and chanson have also found their place here: a vast and beautiful programme.

The theatre of three hundred and sixty squares was created in 1943 by two actors, Georges Herbert and Paquita Claude. It's launched when in 1948, Robert Dhéry set up Les Branquignols, a crazy show mixing the insane humour of the Marx Brothers with a typically French drolatique spirit. Coming from the théâtre de la Death, Georges Vitaly took the direction of the room in 1954. Until 1982 he defended his contemporary authors, Jacques Audiberti in the lead. Stephan Meldegg then continues to serve the creators of his time in this theatre. Two notable pieces among others: What Fox, James Saunders, sees as being staged by Laurent Terzieff and Kitchen and Dependencies, Agnès Jaoui and Jean-Pierre Bacri. Have played here in recent years: Rufus, Francis Perrin, Niels Arestrup, Philippe Clay, Philippe Laudenbach, Jean-Jacques Vanier… In 2007, Marguerite Gourgue succeeded Stephan Meldegg.

The company of Elan, led by Jean-Luc Jeener, created this theatre in 1997, where it defends young authors and presents thematic cycles: Shakespeare, Molière, Don Juan… Before, the room had already had a rich destiny. In the 1930 s, it's a cabaret. At the Liberation, it takes the name Club des Five. The five in question are elders of the second armoured division of which Lucien Roup, the coach of boxer Marcel Cerdan, one of the lovers of Edith Piaf. She sang regularly in this place, as well as Yves Montand, a protected future of the great lady. Among the regulars are Gabin, Meat or Prévert. In 1954, the place was transformed into cinema. The return to music took place in 1991. The room then qualifies as Northwest Passage. It walks many artists, all styles, including many innovators. This time left very beautiful memories, although it was brief. The company of Elan has set up two rooms to which the names of the troupe of the company have been assigned prematurely. The big is called Laborey, the little Economides.

Until we have its own place, the talented team of this National dramatic centre takes its neighbourhoods in three sites of Ivry. She lives in parts of the repertoire and creates works by contemporary authors. In addition, it organizes workshops to raise awareness of the young and adult public.

The installation of the Théâtre des Quartier d'Ivry at Carnations manufacture is scheduled for the end of 2016.

It's the perfect cultural venue in the heart of Gentilly. This small, 50-seat theater welcomes troupes in residence, giving it a convivial feel. In the 2023 program, for example, there was a theater workshop, a writing workshop (from age 8) and a number of original creations for all audiences from age 4 upwards. Finally, the venue also offers theater workshops and cultural discovery courses for children, teenagers and adults, to allow talent - whether precocious or not - to blossom.

A whole complex called Apollo is located on this street, famous for its nightlife. Here you'll find no fewer than 4 venues, all of which offer stand-up and comedy club programming. The largest venue, with 360 seats, has seen some of the biggest names in comedy come and go, and the artists here are generally of an excellent standard. Every night, each venue offers its own show: a veritable anthill. Now you know what you have to do if you want to discover the talents of tomorrow!

Opened in 2006, Grande Comedie was quickly pointed out at the Le Clan room of divorced and the show Omar and Fred. Since it can do so that you can not withdraw the right to bears its name! There are two rooms - four hundred seats and hundred seats - in this theatre related to the palace and Comédie République. Musicals are also honoured, to the delight of children. Aladdin, Blanche-Neige and the great figures of our childhood regularly come to offer a recital for 4-12 years. A programme!

It is the Mecca of culture in the Seine-Saint-Denis prefecture. Opened in 1980, the site was completely renovated in 2016, and now boasts a proud contemporary silhouette. The place is that of all artistic expressions, starting with dance, but also theatre, music, we lose our heads so vast is the programming, intense, and will not be able to disappoint you. The place, which has a restaurant and a bookshop, is also a "factory of experiences": understand by this a provider of various emotions, of course, but also a place of learning and discovery. Training and other meetings with the artists - some of whom are in residence here - are offered. A very nice place.

L'Étoile du Nord offers theatre and dance performances, as well as a programme of music, dance and theatre for young audiences. It is resolutely oriented towards contemporary creation, but also towards young audiences. Formerly the Théâtre Paris-Nord, the venue opened for a time in the 1970s and was taken over a decade later under the name Dix-Huit Théâtre. Finally, in 1997, the venue was renamed L'Étoile du Nord. It seats two hundred. Contemporary dance and theatre workshops are held here.

The top in which we can attend shows since 2005 is a former ballroom, which once turned from village to village in eastern France. It is made of wood skated over time and is covered with windows. The programming of the Grand parquet makes the most of the forms of theatre, music, tales and dances from all over the world. The young public is particularly well served. This place is supported by the town hall of the 18 th and the Ile-de-France region.

The Manufacture des Abbesses was created in 2006. It is a-square room where contemporary theatre writers are defended, both comical and dramatic. The main criterion for selecting shows is that the story they tell is strong and original. Moreover, the Manufacture undertakes to multiply the creations. Presenting for the first time a story to its audience is its first desire, its raison d'être. It is a place we love, which perfectly reflects the soul of Montmartre. True more than this room: its comfort!

A four-hundred-and-a-half-room hall, Ateliers Berthier hosted the Odéon shows for three years, the time to work in the venerable 6 th arrondissement hall. Since 2005, they have formed the second area of creation of the latter. His loft aesthetics have nothing to do with the majesty of father's theatre, but it is precisely that. The construction of these workshops made of brick, stone stone and metal is the responsibility of architect Charles Garnier. They were put into service in 1898, for a century, for the benefit of the Paris Opera - built by the same Garnier - and included design stores.

It is at the bottom of an impasse that this establishment has a room with seats - plus another, named Plumbing! - which offers theatre courses and shows for small and large. Since 1991 the La Strada company is here in residence. The programming of this theatre open to all audiences is wide: pieces of boulevard to the one man show through shows for children. Please note that all the proposed theatre courses are offered all year round, even 4-5 years can express their talent!

A former warehouse for the costumes and equipment of the Workshop Theatre, this sixty-basement hall has been host to innovative shows since 1984 and readings. Led by Alain-Alexis Barsacq, it lies at the end of the small impasse at the end of Charles-Dullin Square. Workshops and internships are proposed. This place is extraordinary, because it seems to belong to another era. Paul Golub says of him: " It is a place of resistance, creativity, transmission, sharing, and like Atalante in Greek mythology always ahead of its contenders! " Well said!

The space in which the theatre is located was built in 1934. This is the Fêtes ballroom. The director, Bernard Sobel, settled there in 1963. He founded the Ensemble Theatre of Gennevilliers, who, as an amateur, became little professional. In 1983, it became a National Drama Centre, and three years later the theatre was completely renovated. Today there is the Maria Casarès Hall - 350 seats - and the Salle Philippe Clévenot - 180 seats. The master has revealed many authors of France and elsewhere. Adventurous reviews of classics were legion and particularly explored the work of Bertolt Brecht. Pascal Rambert succeeded him in 2007.

Note: When you arrive here by the metro, these are arrows, with scratches, designed by the artist Daniel Buren, which leads you to a good port. So chic!

Public rehearsals, meetings with the authors, writing workshops are proposed: find out.

This room, built in 1994 - two hundred and forty-five places - is a district that is subsidized by the City of Paris. It is managed by the New Theatre in November and offers theatre pieces and shows for the young public. Its programming is rich and varied: on the two slots of the day, many creations are proposed. At the end of June, "surprises from off Avignon" are in Honor. Finally, "Thursday mornings", pieces intended for the school audience.

The Tarmac was named International French-language theatre - Tilf - between its creation in 1985 and 2005, when it changed its name as executive. Valérie Baran succeeded Gabriel Garran. The latter's founding idea remains in force: present all forms of Francophone theatrical scriptures regardless of their geographical origins. Initially, the Tilf is nomadic. It occurs in various places - Pompidou Centre, National Chaillot Theatre, MC 93, storm theatre, Bouffes du Nord - and in national and international festivals. In 1993, it was recognised as a national interest and settled in the park of La Villette at the Pavillon du Charolais, a former bar of the cattle market in the theatre of one hundred and sixty squares. The Tarmac program is rich in surprises. This is where Maïmouna Gueye discovered in Bambi, she is black, but she is beautiful, provided a great success, as well as A Love Supreme, show jazz-theatre of Luc Clémentin according to the new of Emmanuel Dongala. Since the summer of 2011, the Tarmac has set sail and left La Villette. Direction Gambetta Avenue where the building then occupied by the Théâtre de l'Est Paris becomes its new house. More spacious, the room welcomes all French-speaking talents with passion.

For 50 years, Théâtre Ouvert in Paris has been a bastion for new stage talent, carrying the flame of an innovative and committed vision. Founded in 1971 by Lucien and Micheline Attoun, this nomadic venue moved behind the Moulin Rouge in 1981, becoming a place where generations of artists have come and gone. Today, on avenue Gambetta, the renovated theater, subsidized by the Ministry of Culture and the City of Paris, offers spaces conducive to the development of a contemporary repertoire, encouraging the works to flourish and their encounter with the public.

A top place in the history of the Parisian theatre, this room has depended on the Comédie-Française since the 1990 s. In 1913, the theatre of the Old Colombier opened its doors in the old Athenaeum Saint-Germain under Jacques Copeau's leadership. A theorist, director and actor, he leads a troupe that is resolutely determined to renovate drama, in an ascetic spirit - no spaces - opposed to the «cowardice of mercantile theatre». To be part of Louis Jouvet, Charles Dullin, Valentine Tessier… The classics and contemporary authors - Claudel, Gide… - are here. The company Pitoëff and Jean Tedesco took the lead in 1924. The Pitoëff create many memorable shows. In 1944, the camera was mounted in camera by Jean-Paul Sartre in a staged by Raymond Rouleau. As you can see, the Old Colombier is one of the places of cultural renewal that cristallise after the war in Saint-Germain-des-Prés. And that continues! Classified Historic monument in 1978, it was bought by the State in 1986. After staying closed for many years, Old Colombier flies Again in 1993. It became the second theatre of the Comédie-Française, which plays works mainly from the contemporary repertoire. The room was renovated by the architect Bernard Kohn. With three hundred places, it gives the spectators the impression that they are under the hull of a vessel overthrown by the shape of its wooden structure.

In its two small halls, this venue offers classical and contemporary theatre, comedy, café-theatre, musicals, concerts and children's shows. From children's shows to contemporary repertoire, there's no shortage here. There's plenty to discover, try out and marvel at, but there's always something to learn, especially for the very young in the numerous workshops. Please note: to find the theatre, and if you're coming for the first time, the allée Darius-Milhaud is not always well signposted.

The White Queen is a theater, but also a cultural place in the broadest sense. Since its takeover by Elisabeth Bouchaud in 2015, the site has become an art and science scene. Physicist, author, director and actor, Elisabeth Bouchaud has his desire to decompartmentalize disciplines to create expressive and artistic forms in order to take the scientific word to make it sensitive and intelligible to all audiences.