Things to see and do Route de la soie

A tiny th century palace called the house De.

This imposing mosque, which is so popular to photograph from the Galata Bridge, is the last large ensemble (külliye) in classical style built in the city. Its construction was started in 1597 by one of Master Sinan's pupils, at the request of Sultan Safiye, Murad III's favourite (1574-1595). The task is not an easy one: the obstacle of water infiltration must be overcome, which considerably delays the work. To make matters worse, the architect died in the meantime and the project stopped. Almost in ruins, it was not taken over until 1660, on the initiative of Sultan Hatice Turhan, who then entrusted this mission to Mustafa Ağa. It remained faithful to the original plans and completed the complex in 1663, including imperial apartments, a Koranic reading institute, an elementary school (which has disappeared), a covered market (now the spice market), a public fountain (sebil) and a mausoleum. The resemblance to the Blue Mosque is obvious, but the central dome is much more elevated giving this imposing pyramidal sensation. It rests on a platform to which you can access by a small staircase that leads to the inner courtyard, bordered by a peristyle with domes. The octagonal ablutions fountain in marble is in the middle. Its dome is supported by columns with stalactite capitals. Inside, you can see that the central space is surmounted by a large dome supported by four arches resting on four pillars and four half-domes. Two-level side galleries are located on the east and west sides. The mihrab (niche) is decorated with golden stalactites and the minbar (pulpit) is decorated with interlacing and rosettes; both are in white marble. The earthenware on the walls inside the mosque is 17th century. The dome and arches are decorated with carvings. The pillars and walls, up to two thirds of their height, are covered with earthenware whose dominant tones are dark blue, light blue, white and green. The imperial apartments (Hünkar Kasrı or Valide Kasrı) are a three-storey building built around the arch on the southern corner of the mosque. With its glazed earthenware stoves, ceramic wall coverings, stained-glass windows, doors inlaid with mother-of-pearl and precious wooden fillets, this imperial pavilion is a small palace on its own.

Baroque inspiration and built by architect Mustafa Ağa assisted by Simon the Companion, the complex began in 1748 under Mahmud II and completed in 1756 under Osman III. It is the only sultan to have added a qualifier in the name of a mosque to "baptiser Osman" (Nuruosmaniye). Two large doors on the outside courtyard give access to the Nuruosmaniye district and the Grand Bazaar to which you access a beautiful monumental door. Shops were built from the beginning under the ramp leading to imperial apartments. The mosque, located in the centre of the whole, is built on a platform. The inner courtyard, of absidiale form, bordered by an peristyle surmounted by 14 domes supported by 12 columns, is the only of its kind in Istanbul. The main square of the mosque, of square shape, is covered with a large dome, with over 174 windows of baroque inspiration pouring waves of light inside. The absence of internal pillars, despite the boxes at the colonnade, helps to give a feeling of great decommitment. The classical mederasa is located south of the mosque and adjacent to the popular canteen building. A vestibule covered with a dome gives access to the inner courtyard around which the different rooms and rooms have been distributed. The public fountain is a dome building with wooden cornices supported by four columns of marble. The library is located east of the inner courtyard and has a large polygonal reading room with a dome and supported by four columns. The mausoleum, built on a square plane, is housed in a dome built on a high-placed drum. The calligraphy visible in the complex are the works of the masters of the day, Rasim, Yedikulelizade, Abdülhalim, Müzehhip Ali and Mehmed Refi.

It is near the shores of Salacak, about 180 m from the coast and marks the entrance to the Bosphorus. It is one of the symbols of the city, regularly the target of cameras and cameras. A James Bond movie, The World is not enough (with Pierce Brosnan and Sophie Marceau), was shot here. Several legends exist around this tower, they are illustrated inside by frescos. It is said to have been the home of the sweet and virginal Hero, one of the priestesses of Venus. In order to honor her goddess, Hero goes to a ceremony and meets Léandre. Love at first sight! Madly in love, Léandre throws himself, the same evening, in the waters to join his beautiful, with the light of a torch. The meeting between the two lovers happened more than once, but one day the torch went out. Unable to find his way back and exhausted, Léandre disappeared in the sea. Afflicted, Hero lets herself slip into the sea and disappears. In Turkish, this tower is called Kız kulesi (Tower of the girl). From a historical point of view, a first fortress was built on this islet by the Greek general Alcibiades towards the end of the^5th century BC in order to control the sea flow. The Byzantine chronicler Choniates tells us that the islet is again fortified in the 12th century on the initiative of Manuel I Comnenus in order to make it an anchor point for the great chain which blocked the Bosphorus and the entrance to the Golden Horn. It is then called Arcla, "small fortress". The Turks used it during the conquest of Constantinople. It is only in 1509, after an earthquake, that it becomes a lighthouse. At the same time, a water tank was added to it. In 1719, it was destroyed by a fire and then rebuilt under the control of the vizier Ibrahim Paşa, known as the Son-in-law. In the second half of the 19th century, as the fragile empire was often faced with serious threats, it regained its defensive use. Restored in 1944, it was transferred to the military in 1959. The maritime lines took possession of it in 1982. It was then used as a lighthouse, military hospital and radio station. Ten years later, the phase where we want to open it to the public begins between controversies and consultations. Today it is done, however important restoration work has begun in 2021 and in this new project there will be no café-restaurant. The crossing is regularly provided from Üsküdar.

This small palace, which was built between 1861 and 1865 under Sultan Abdülaziz (1861-1876), will certainly surprise by its relatively controlled elegance. Admittedly, a guided tour in a small group is required but, due to its small size (65 m long), its approach remains more personal. The site had already attracted the attention of the sultans, who did not fail to have pavilions built there where they would withdraw from time to time. We find the Balyan family at the origin of its architecture. It was conceived as a kind of understudy to Dolmabahçe, in a way a second home. It has also become above all the residence of statesmen. Many crowned heads, such as Tsar Nicholas II or King Edward VIII, have tasted the pleasures of the waters of the Bosphorus, but above all we like to mention a famous beauty, Empress Eugenie, daughter of the Count of Teba and wife of Napoleon III. In the company of the orientalist painter Charles-Theodore Frère, who was appreciated by the Court and the aristocrats in his time, the Empress visited Istanbul (1869) before travelling to Egypt as a guest of the Khedive Ismail Paşa for the inauguration of the canal. The aubergine purée owes its name to it: hünkar beğendi means "Her Majesty has appreciated". The internal decoration combines the Western and Eastern styles. The carpets in the six lounges and 24 rooms are admirable. The garden and the two pavilions, Mermer Köşk and Sarı Köşk, are the perfect complement to the whole.

An unforgettable exit, provided that it is done in clear time. Half an hour before dark, take pull and vent, call a taxi and indicate the direction of jebel Qassioun (200 LS one way). After crossing the bare hill and overcoming the futuristic buildings of the presidential palace and the palace of hosts, then the monument to the dead, the car stops on the road in a balcony overlooking Damascus. The difference is such that you feel like flying around the city. Minarets and modern buildings go beyond a compact, compact housing. In the distance, a green belt loop the city and seems to protect it. While the day is brutally seated at night, a hundred muezzins stand in the air to invite the faithful to prayer. The city lights up with a thousand lights, while the cold that wins the mountain reminds us that Damascus is a desert girl.

The vision that is offered to contemplative at the beginning of the st century does not, however, have much to do with the inflamed stories of writers, a century ago.

" The city appears from there, all graceful and white, with its roof roofs and its fine minarets, in the midst of the abundant foliage tablecloth surrounding it like a small sea, or a large lake, with a slightly bluish green. The last rays of sunshine gently empourprent her; It does not seem very large, but deliciously cool and beautiful in its woods and orchards. The mountains and the plains that are crushed by the autumn, which surround the oasis, give the impression of desert; it is a splendid and splendid framework, especially at this hour of the day when a pink mist voile the summits of anti-Lebanon and Hermon. (Vega, Travel to Syria and Galilee, 1912.)

Dozens of small cafés hanging on the hill offer drinks, chicha and sometimes some dishes. Beware, prices are very high for lower quality. Moreover, scams are frequent, a tea can quickly return to 200 LS, here the pack of handkerchief on the table is paid! A board, therefore, admire the view away from these stalls and return to quench your thirst in the streets of the old town.

Numerous buildings dating from the XI th and th centuries across the city. Agios-Elefthérios: near the cathedral, rue Mitropoléos. :: in the middle of Ermou Street down to Syntagma Square. Agii-Apostoli: to the south of the Portique portique. Agii-Theodori: Dragastaniou street, near Klafhmonos Square on Stadiou Avenue. Agia-Triada (Russian Orthodox Church): near Syntagma, on Filellinon and Psylla streets.

The CDTE publishes every year a map listing all the department's relais and equestrian establishments. This document is available on request.

It traces the history of local crafts, but its interest is very limited since the craftsmen are still active and enough to walk in the streets of the village to watch them work. Chaudronniers are best represented in Lahij today, and all are happy to have their workshop visited (hoping, of course, selling some parts in the passage). Some old women have installed small stands on the street where they sell copper objects and scarves whose motives are made by hand.

St. Petersburg the pompous one with its palaces in spades and its fallen dreams of triumphant aristocracy has made its moult. This is what the Loft-Project Etazhi artistic and commercial space tends to prove. Within the walls of a former bread factory, five storeys of exhibition halls, shops, restaurants, terraces, bookshops, bars have been set up under the beams and rivets. It is one of the first experiments and large-scale project of reinterpretation of a disused industrial site in the city and it is doing well. More than a centre, Loft-Project Etazhi is a ship, a wreck that has been stranded, found and rebuilt by volunteers dreaming of a new way of life combining pleasure, creation and conviviality. Then this trendy Kon-Tiki is put back in the water and seems to sail above the tumult of the Ligovsky prospekt and the Moscow train station. Loft opens the doors of its roof to visitors every day. Beautifully furnished and 100% secure, this space with spectacular views is perfect for photo shoots and dates. Life seems to generate itself in this beehive with a youthful atmosphere that never sleeps and where you hurtle down the stairs in search of new sensations.

In the cemetery, the Modari Khan Mausoleum, built in 1825, houses the remains of Omar Khan's mother, who died only seven years after her son and always remained very close to power, while successfully and popularly indulging in poetry. The monument is surmounted by a blue dome and its portal imitates, in miniature, that of the Bibi Khanum Mosque in Samarkand. It is therefore mainly women who go on pilgrimage to this tomb and, as elsewhere, go around the grave three times to obtain health, happiness or fertility.

The Dakhma-i-Chakhan Mausoleum (or Tomb of the Kings) is more imposing and colourful than the other funerary monuments in the cemetery. Built in the 1820s, it houses the tombs of Omar Khan, his sons and brother. Restored in 1970, it combines styles that illustrate the talents of the three khanates of Uzbekistan: the woodwork of Khiva, the paintings of the Ferghana and the ornaments of Bukhara. An old tree at the entrance, planted at the time of its construction, provides shade for passing pilgrims who come to collect themselves.

On the official website of the Provence-Alpes-Côte d'Azur Regional Tourism Committee, you can anticipate and prepare in advance your stay in the region by the Mediterranean, inland or in the mountains. The committee lists numerous activities for holidays of well-being, camping, sport (cycling, motorcycling, horse riding...), culture or idleness. Turnkey programs are organized: nature, heritage, but also gastronomic tours.

These massive constructions with unusual bulbs, dating from the 16th century, have a very functional architecture. Located at the crossroads of the streets, they have high ogival entrances that allowed traders and camels loaded with goods to move freely. The covered galleries in which the stalls are set up intersect in a central hall surmounted by a high dome. It is cooler here than outside, and the visitor, overwhelmed by the warmth, appreciates the qualities of a commercially oriented architecture when a shrewd merchant invites him to sit in the semi-darkness of his antique shop.

Today, only three of these merchant domes called tâk, which date back to the Chaybanid era, remain, along with the tim Abdullah Khan. In the past, the shopping streets leading to these domes were also lined with shops and protected from the sun by reed mats. Drowning in eternal dust, the traffic was exotic as far as possible, mixing quadrupeds of all sizes and bipeds from all walks of life. Armin Vambery, who in the 19th century was one of the few foreigners to be able to wander freely around the city, says that without having the brilliance and magnificence of the markets of Tehran or Esfahan, the markets of Bukhara were striking for the diversity of races and costumes that one met there.

Tak-i-sarrafan, the dome of the Money Changers. By following westward the canal that borders the southern flank of the Liab-i-Khaouz, one arrives at the Tak-i-Sarrafan dome, known as the "dome of the changers". It was built in 1538 and housed the Jewish money-changers, who were the only ones allowed to engage in this trade, the Uzbeks considering it to be bad luck. If mosques and madrasas are the heart of Bukhara, the merchant domes are its nervous system. It is, in fact, thanks to trade and the resulting taxes that the city was able to experience such a boom.

Tak-i-Telpak Furushan, the dome of the hatters. North of the Magok-i-Attari Mosque, Taq-i-Telpak Furushan, or Dome of the Hatters, was located in the raba, or outer city, just at the southern gate of Shahristan. They sold all kinds of hats, embroidered tioubetek or fur hats, but also books. The tomb of the holy man, Khodja Ahmed-i-Paran, is a reminder to the merchants that there is more than material wealth. Despite its name, the hatters' dome now houses carpet sellers.

The Tim Abdullah Khan. Going north up Hakikat Street, the Tim Abdullah Khan is on the right after the bazaar of hatters. This covered market dates from the end of the 16th century. Today you can find the most beautiful hand woven ikatee silks and a wide selection of carpets from all over the world. The looms are shown at the bottom of the timer.

Tak-i-Zargaran, the dome of the jewelers. Unlike the dome of the hatters, that of the jewellers was located in Shahristan, the inner city of the Middle Ages, between the Mir-i-Arab madrasa and the Ulugh Begh and Abdul Aziz Khan madrasas. Even today, the jewellery merchants are not far away. There is indeed a small gold market in Khodja Nurabad Street, next to the large carpet market. There is some jewelry in the dome of the jewelers, but of poor quality; most shops sell handcrafted souvenirs.

The house of the former President of the People's Republic of Turkestan dates from the end of the 19th century and was built by the father of Fayzulloh, a wealthy Bukharian merchant. An admirable job has been done to reproduce the interior of this house as it was until 1925, when it was transformed into a school by the Bolsheviks. Many murals and period furniture can be admired in the rooms surrounding the three inner courtyards of the house. The rooms of the ichkari, the part of the house reserved for the family, have beautiful period beams and walls with small niches in the style of the old houses of Bukhara. These niches, before finding a decorative vocation, were used as storage spaces and allowed to do without furniture. The iwan, extraordinarily decorated with warm colours and geometric patterns, is made of elm wood that had to be restored many years before it was completed. To get the full measure of this exceptional house, it is best to make an appointment and subscribe to a guided tour (usually in English). You certainly won't regret paying the extra charge for taking pictures either. In the courtyard, note the bust of Fayzulloh Khodjaev. It used to sit in the southwest corner of Liab-i-Khaouz and was cut in three so that it could be reintegrated into the house of its model.

With its traboules, architectural curiosities and mythical Théâtre de Guignol, Vieux-Lyon is one of the most entertaining historic sites to visit with family. Accompanied by a certified guide lecturer assigned by the tourist office of the city, venture with your children in this play-based and informative walk. Watch the signs, the street names or the details of a few monuments, and head gradually towards the Astronomical Clock of the Cathédrale Saint-Jean… After an hour and a half walking, children and adults will have learned much more about the history of this neighbourhood.

Rate: €12 per adult, €7 at reduced rate (children from 8 to 18 years old and students).

Duration: 1h30.

Difficulty: easy.

Other practical information: schedule of visits available on the www.visiterlyon.com website. Mandatory reservation. Be there 10 minutes before the departure of the visit. Visit accessible from 6 years and limited to 20 people. Compulsory presence of an adult companion for each child.

Soviet nostalgia... After leaving St. Petersburg for nearly 3 years of renovation, the cruiser Aurora returned with great pomp and circumstance on July 19, 2016. Moored at the confluence of the Neva and the Great Neva, this battleship more than a century old (built between 1897 and 1900 on the orders of Nicholas II) of impeccable metallic grey is to Saint Petersburg what the mausoleum of Lenin is to Moscow in terms of revolutionary symbolism. It was indeed from the cruiser Aurora that the signal for the revolution of October 1917 was given, marking the dawn of a new era for the country and the world. It was indeed his cannon shot fired with blanks that announced to the revolutionary soldiers and sailors the moment of the assault on the Winter Palace. Before that, he had fought in the Pacific waters against the Japanese in 1904 and then crossed swords with the German navy in the Baltic. Since 1948, when it was permanently anchored at Petrogradskaya Quay, east of the Peter and Paul Fortress, its long grey hull topped by three chimneys has been an integral part of the urban landscape of Leningrad and is likely to be part of the urban landscape of St Petersburg for a long time to come. There has been talk of moving it, scrapping it, not to mention more or less far-fetched projects such as turning it into a discotheque. The USSR is no more, but its legacy lives on. Although it is not the most interesting museum in the city, the visit is nevertheless very popular with children.

The old cemetery of Kokand is a magical place, especially when you get lost in the finissante day. The screams of the swifts are then the only ones to disturb the absolute calm there. The graves, for most simple whitewashed monuments, appear to be arranged randomly. We walk here quietly, asking from time to time under a tree. The tombs with pastel colours, sometimes blue or pink, indicate early death. It is in this cemetery that you will see the magnificent tombs listed below.

The Jewish quarter of Bukhara is located in the south of the Liab-i-Khaouz basin. It is a picturesque tangle of alleys where the city's large Jewish community used to gather. Synagogues, Jewish schools and houses of all social classes were there. The history of the Jews of Bukhara goes back to the Persian emperor Cyrus who, during his conquest of Babylon, is said to have freed the Jews of the East and encouraged them to settle in his lands in Central Asia. The Jews of Bukhara (a name that actually refers to a larger community than just the Jews living in Bukhara to include all the Jews of Central Asia) are believed to be descendants of those Babylonian Jews who arrived in the ^fifth century B.C., making it one of the oldest known Jewish communities.

Over time, other Eastern Jewish communities (from Yemen, Morocco or Iran) have grown the original Persian-speaking community. The Jews of Bukhara spoke Bukhariot, a dialect with Persian roots which they wrote in Hebrew letters, especially for poetic texts. Even today, very few of them speak Uzbek, but they do speak Russian and Tajik.

The first synagogue was built in 1620; before that, Jews officiated in mosques. The community grew in trade and specialized in fabric dyeing, but was extremely isolated from the rest of the Eastern Jews and widely persecuted. She is obliged to live in a certain neighbourhood, is not allowed to ride horses, cannot wear silk. Like the Marannes, converted to Catholicism but practising Judaism in secret to escape the Spanish and Portuguese Inquisition of the 15th century, some Jews converted to Islam. They are called the Chala here. In 1793, a Sephardic rabbi, Joseph Maimon, arrived in Bukhara and discovered a local cult mixed with Persian influences and Zoroastrianism. He decided to change all this and converted the Jews of Bukhara to the Sephardic liturgy practiced today.

The arrival of the Russians in the 19th century paradoxically appears to be good news for the community. Paradoxically because the Russian Empire and its pogroms are not a priori great supporters of Judaism. However, at the time, the Russians appeared to be less virulent towards the community and the Chalas could return to their original religion without fear of persecution. Unfortunately for them, the Jews of Bukhara are not at the end of their sentence and the arrival of the Bolsheviks sounds the death knell of the community. The 13 synagogues of Bukhara are closed, rich merchants sent to camps, religious practice forbidden. Tired of all these successive persecutions, the Jews of Bukhara migrated en masse to Israel and the United States upon independence. Today, there are about 50,000 in the New York area of Queens alone and 100,000 in Israel. There are less than 300 of them in Bukhara. The few remaining families take care of the two synagogues that have reopened, the school and the cemetery. The beautiful houses in the area have been bought and often transformed into charming guest houses. Today it is very pleasant to stroll through this maze of narrow streets to taste the atmosphere and the beautiful architecture. Most Jewish houses have been converted into guesthouses, so it is often possible to visit the interior.

In the heart of the city, between the Golestan Palace and the National Museum, this vast park is very popular with the Teheranais. The terrace of the tea house, on the divans of which we are lying, is taken from the arrival of the beautiful days when the small lake, in winter, metamorphoses into a patina for the greatest happiness of the children. We recommend you take a tour in summer, to enjoy the freshness of the fountains and shade of trees when the city is overheated by the sun. Children will also enjoy the mini zoo, with its many birds having found a welcoming green space since its inauguration in 1960.

Krestovskiy Island (just north of Petrogradskiy Island, to which it is connected by two bridges) is home to the most modern stadium in Russia. A new arena for Russia's most powerful club, Zenit St. Petersburg, owned by the giant Gazprom, this ultra-modern sports arena was one of the flagship stadiums for the 2018 Football World Cup (including the France-Belgium semi-final on 10 July). 69,500 seats facing the Gulf of Finland and a spaceship design fantasized by Japanese architect Kisho Kurokawa.

Ministry of Defence of the Republic of Armenia, Hakhtanak Park tel (10) 25 14 00

It is here that you will see the main pieces unearthed throughout the many excavation campaigns that have marked the life of the site since the Russian conquest. In particular, you will find many period photos and the history of the excavations that have brought to light the life on Afrosyab Hill at the time of the first installations and foundations of the city. The centerpiece of the museum is a 7th century fresco known as "The Ambassadors". It is a unique work, and one of the few available to archaeologists and historians to study Sogdian painting and art. On the four walls of a house discovered by chance in 1965, while the municipality was drilling a new road, this major fresco depicts the Sogdian king Vakhourman receiving ambassadors from neighboring countries. Thus, it is China which is represented on the north wall. It shows the emperor hunting and the empress on a boat. The south wall depicts Samarkand celebrating Navrouz and the east wall depicts India, its pygmies and astrologers. Archaeologists and specialists disagree on the western wall at the moment. The hypotheses of each one are still debated. This major fresco was greatly deteriorated in places. In 2014, France has decided to finance major restoration work. These should last 8 years, under the direction of a French team. In the meantime, a copy can be seen at the Museum of the Peoples of Uzbekistan in Tashkent.