Concert halls Paris 18th 75018

It's one of the most flamboyant symbols of Montmartre and Paris, world-famous and in existence since 1889! Formerly known as "Les bals du Moulin Rouge", they quickly became very popular, and were at the origin of the notoriety of the French cancan. Today, the "Féerie" revue is performed by 40 female dancers and 20 male dancers. You can choose to attend the show, or opt for the dinner-and-show package - the one we recommend. A unique evening, memories to last a long time: this is one of the capital's must-sees.

A stone's throw from Place du Tertre, this cabaret restaurant of eighty seats, created in 1928, offers a show preceded by a dinner or a lunch - marinated salmon with mint cream, duck breast with caramel candied pear and snow peas, pineapple carpaccio and coconut ice cream... Singers, illusionists, copycats, ventriloquists and other humorists liven up the evening. The house also offers a guided tour of the old village of Montmartre followed by a lunch show. A must, for which you will book.

The cabaret, perhaps the most famous in the world, is photographed every day by thousands of people, who pose in front of the famous windmill overlooking the district: if the Moulin Rouge is a symbol, it's revues, an absolutely breathtaking show that you must attend at least once in your life. You can of course attend a show with or without a meal, in the morning. The show, dubbed "Féérie", is as impressive as it is finely tuned, a veritable firework display of prowess by the 60 Doriss Girls.

As the Theatre of the City, of which it is the second room since 1996, the Theatre des Abbesses offers a high quality programme. Although eclectic, he is very rich in plays. This elegant Italian theatre, which is resolutely contemporary, has 400 seats on the bottom of a courtyard at the foot of Montmartre. His rehabilitation was entrusted to the architect Charles Vandenhove. The decorations of the avant-stage curtain and side galleries were carried out by the painter Olivier Debré. Part of the interior and courtyard is artist Daniel Buren, the rayures man.

Adorned in his eternal blue outfit and accessorized with his best blue sunglasses, Michou never went unnoticed. This Montmartre icon passed away in 2020, but his cabaret continues as before, perpetuating his memory and his work. Look-alikes of all kinds follow one another with talent, having fun with themselves and with the audience! The transformists, who also perform in the cabaret, are truly characters in their own right. The current revue, "Destination Michettes", is in the purest tradition of the place. Reservations essential.

Listed as a historic monument, with its curious white facade featuring only a few windows, this is one of Paris's musical landmarks, in one of the capital's most vibrant districts. This Italian-style theater, with its 1,400 seats, parterre and balcony, is an eclectic stage for all kinds of artists. Lots of music, of course, but also shows. Note also that the Boule Noire, in the basement, also organizes concerts, albeit on a more intimate scale.

The tumultuous history of this concert hall does not detract from the quality of its programming. It first opened as a ballroom in 1861, before becoming a pornographic cinema in 1901, under the name "Théâtre de la Comédie Mondaine". Presumably, it was its sultry reputation that kept it going. In fact, it was here that striptease was invented! The club's warm, relaxed atmosphere is ideal for rocking till dawn, and all for a reasonable price. Be warned, though, crowds are often high!

Born in 1895, the Trianon-Concert is one of the first Parisian music halls. Destroyed alongside its neighbour Elysée Montmartre in 1900, it was rebuilt two years later and was successively named Trianon-Theatre, Theatre Victor Hugo and finally Trianon. It presented to the public as artists such as transformist Fregoli and the young Mistinguett. Transformed into a cinema in 1939, it returned to live performances in 1992. It was given a theater room, classical concerts, but it is its programming dominated by tracks - Bénabar, Jacques Higelin ... Carla Bruni - the only one on stage, and the musical comedy presented by Trianon is now renowned. In 2010, the room was completely restored in order to preserve the heritage. It is open to international artists and can receive up to 1500 people and 1080 people on seated configuration. In our opinion, the Trianon is one of the most beautiful establishments in the capital.

A long-standing address for artists'magazines, the Ten Hour Theatre today presents some man shows and loud comedies. At the location of this 1890 th place hall, there was first a cabaret of arts inaugurated in. He took his current name in 1925 under the direction of Roger Ferréol. He borrowed him from a Tirade tirade - in Les Linottes - referring to the fortune enjoyed by a theatre if he presented gay shows at 10 a. m. With artists such as Martini, Noël-Noël, Dalio, Saint-Granier, Jean Rigaux, Marguerite Moreno, Jeanne Fusier-Irm, he succeeded in creating a loyal audience. From the 1950 s, new talents are emerging: Oleo, Jean Breton, Jean Poiret, Michel Serrault, Anne-Marie Carrière, Thierry Le Luron… In the early 1980 s, the Ten Hour Theatre was directed towards theatre, notably under the direction of Michel Galabru and his son. You can see it by Mom or give me your linen, I make a machine, Didier Bénureau and Muriel Robin. He was the sponsor of the place when Michel Joyeau and Michel Miletti took their head in 1990 - in partnership with Just for Laughs since 2007. Laughter and song are in the spotlight. In the first category come to work Elie and Dieudonné, Franck Dubosc, Patrick Bosso, Stéphane Guillon, the Jamel Comedy Club… And in the second: Juliette, Marie-Paule Belle, Guy Montagné, Hervé Vilard, Nicole Croisille…

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A "band of pals" in this former hotel of the early century, ideally placed between the Abbesses and the Sacré-Coeur. Exposed beams and patina on the walls give the two rooms - a large bar and wooden tables in the first, quiet sofas and low tables in the second - a warm and intimate atmosphere. The music prevails: songs, rock, hip-hop, funk, soul, electro… And for nothing to spoil, the place offers happy hours very interesting. On the summer evenings, you will be prompted to discuss with all the clients who take the steps of this convivial meeting…

First, there was a conservatory founded in 1850 by Renée Maubel, which included studios of rehearsals and a hall where Raimu, Frehel and Pierre Fresnay were included. Unfortunately, it was seriously deteriorated in the 1970 s. In 1984, Michel Galabru bought her, retyping her and confided it to his daughter Emma, who named the theater place Maubel-Galabru, then Montmartre-Galabru. Here you will find a hundred spectators of comedy, musical shows, one man shows and children's shows.

Over the last few years, Madame Arthur, initially known for her incredible transvestite shows, has gradually expanded her range of possibilities, to the point of becoming a must-see on Parisian nights. In keeping with the spirit of the place - now associated with the Divan du Monde - we offer you unique evenings: a colorful (and above all, talented) show, followed by a blind-test (Fridays and Saturdays), a singing tour (Thursdays to Saturdays) and finally a clubbing evening with all the French references of yesterday and today.

Open since 1875, it's Montmartre's oldest cabaret, long frequented by the greats: Picasso, Braque, Modigliani, Derain, Utrillo, Apollinaire... In the evenings, in a place steeped in history, it's the wake of artists bursting with talent and generosity, perpetuating the tradition. The air here has become rare in the city, even on the Butte, so dear to the hearts of the old-timers. The place, which claims to be the "living conservatory of French song", has a point. A timeless evening guaranteed!

L'Olympic attracts a joyful and youthful clientele. For some years now, it has animated this multicultural Goutte d'Or neighbourhood as a dynamic square open to everyone. We will happily gather around a drink so as to enjoy ourselves in a very simple setting, former ballroom of the early century. Concerts take place almost every night in the basement, based on a programming which is cosmopolitan and really punchy. It's contemporary, unique, fresh and conducive to exceptional discovery. A true place of cultural mixing far away from the stuffy atmosphere of some bars in the capital, here we dance, live, laugh, and make the heart of the Olympic beat with smile and casualness!

L'Etoile du Nord offers theater and dance performances, as well as a program of music, dance and theater for young audiences. It is resolutely oriented towards contemporary creation, but also towards young audiences. Formerly the Théâtre Paris-Nord, the venue opened for a time in the 1970s and was taken over a decade later under the name Dix-Huit Théâtre. Finally, in 1997, the venue was renamed L'Etoile du Nord. It seats two hundred. Contemporary dance and theater workshops are held here.

The top in which we can attend shows since 2005 is a former ballroom, which once turned from village to village in eastern France. It is made of wood skated over time and is covered with windows. The programming of the Grand parquet makes the most of the forms of theatre, music, tales and dances from all over the world. The young public is particularly well served. This place is supported by the town hall of the 18 th and the Ile-de-France region.

The Manufacture des Abbesses was created in 2006. It is a-square room where contemporary theatre writers are defended, both comical and dramatic. The main criterion for selecting shows is that the story they tell is strong and original. Moreover, the Manufacture undertakes to multiply the creations. Presenting for the first time a story to its audience is its first desire, its raison d'être. It is a place we love, which perfectly reflects the soul of Montmartre. True more than this room: its comfort!

A former warehouse for the costumes and equipment of the Workshop Theatre, this sixty-basement hall has been host to innovative shows since 1984 and readings. Led by Alain-Alexis Barsacq, it lies at the end of the small impasse at the end of Charles-Dullin Square. Workshops and internships are proposed. This place is extraordinary, because it seems to belong to another era. Paul Golub says of him: " It is a place of resistance, creativity, transmission, sharing, and like Atalante in Greek mythology always ahead of its contenders! " Well said!

A mecca for French-language chanson, created in 1947 by Jacques Canetti, the venue offers two hundred and fifty seats on two levels, as well as work areas, a restaurant, a bar and a foyer. To ensure perfect soundproofing, the hall is "enclosed" in a caisson set on stilts. As for the programming, it returns to the origins of Les Trois Baudets. The spotlight is on song, with emerging talents from the French-speaking scene, those who find themselves in the middle of the road, between making do and a real career.

The Tremplin Theatre, inaugurated on 20 October 1990 at the initiative of the duo Pinok and Matho, is a friendly, independent place open to creators who wish to offer an original work before a public. Authors, directors, actors: the young talents are here to discover this tremplin scene. Theatre, mime, poetry, dance, music and French song… Artists work in all areas of the show. An indispensable address for discovering future great talents!