Concert halls Paris 8th 75008

The most famous Parisian cabaret was originally a wine cellar. Today, the glitter and glam of the troupe have even allowed it to offer its own champagne. It is to say that the pretty dancers knew how to attract the smiles of a conquered public! Recently, the cabaret presented the show Totally Crazy! a retrospective of the most emblematic paintings of the Crazy Horse since its 65 years of existence. Discover the most mythical creations of the cabaret, from 1951 to today. Launched by the no less mythical Alain Bernardin, the place hosts irregularly personalities, who lend themselves to the game. Bluffing - sometimes!

After an extensive renovation, the Salle Pleyel has been restored to its former glory. Its unique Art Deco style alone is worth the detour. A benchmark for classical music until the 2010s, the Salle Pleyel no longer programs classical music, as the Philharmonie de Paris has taken over. This may come as a surprise at first, but a quick look at the program should whet your appetite: Pleyel hosts other musical concerts, plays and numerous other creations.

Barely 100 years old and already this theatre has a rich and abundant history! From 1913, it was a real little bomb. First of all, its appearance: nothing traditional, Art Nouveau inside, outside, everywhere. Concrete structure and Art Nouveau architecture are the result of a meeting between Auguste Perret, architect, magnate and concrete theorist, and Henry Van de Velde, innovative architect. Antoine Bourdelle is the author of the travertine facade. Then, the Nabis are exhibited inside: Maurice Denis, Ker-Xavier Roussel, Jacqueline Marval and Edouard Vuillard made interior design an avant-garde piece of early 20th century art. It was inaugurated in April 1913 with Claude Debussy, Paul Dukas and Vincent d'Indy. But it was in May that he caused a scandal by presenting Igor Stravinsky's Le Sacre du Printemps. Since then, the theatre has remained faithful to its avant-garde personality in the creative field of dance. Since then, the theatre has offered a wide programme of events throughout the year in its three rooms, where the decoration, which has remained intact, is in itself a show.

With a history spanning several centuries, over 20 years ago the theatre underwent major renovations, after which Jean-Michel Ribes became its director. His aim is to reconcile pleasure and culture by performing texts by living authors. He multiplies quality shows by mixing genres and styles in the rooms of this dynamic establishment: Renaud-Barrault - seven hundred and sixty seats -, Jean-Tardieu - one hundred and seventy seats - and Roland-Topor - eighty-six seats -, in tiers.

Curtain lift for Michel Theater! Or rather "reopening" since this place, founded in 1906 by Michel Mortier, already has more than one story to tell its audience. Bought by Francis Nani, CEO of the Palais du Palais Royal, he began his new life, ready to make discovery, surprise and seduce, particularly with the boulevard comedy that made the reputation of the place. For more than 100 years, laughter has been resounding in this theater of 350 seats! During its existence, Théâtre Michel has never deviated from its original vocation: Entertain the public and highlight new talent. A challenge he is always prepared to face!

It's a superb Italian-style theatre with 730 seats. The Théâtre de la Madeleine has a remarkable elegance. It was built in 1924 on the site of a horse riding arena. Sacha Guitry staged many plays here in the 1930s and 1940s, including "N'écoutez pas, Mesdames", as did André Roussin in later decades. Acting couple Simone Valère and Jean Desailly have directed the company. In recent years, Audrey Tautou, Eddy Mitchell and Roschdy Zem have enjoyed great success.

This is the kind of memory that your child will still say in thirty years. The day it was mounted in the big wheel! It is more than 60 metres high and offers a spectacular view of the Champs Elysées, the Tuileries, the Louvre. At Christmas it's the fully lit city that your child can admire from the top of this giant armoury. You can only recommend that you don't take a child who is already worried about a two-metre plunge, otherwise the show may soon turn into a nightmare!

As the only independent art house cinema in the neighborhood, Le Balzac realized that programming for children would make all the difference. For the past six years, the cinema has been offering silent films, Buster Keaton films and little-known cartoons. A treat for cinephiles in short pants who have just started nursery school, whether you're interested in the Wednesday screening or the "Pochette-surprise" on Sunday matinees.

This four-hundred-seat venue has been in existence since 1911. Originally named the Théâtre ^Albert-Ier, its current name derives from the fact that the venue was directed by playwright Tristan Bernard in the 1930s. It adopted the patronymic of actor Charles de Rochefort when, on the eve of the Second World War, he took over the direction of the theater, presenting plays with detective mysteries. Over the past twenty years, the Théâtre Tristan-Bernard has enjoyed great success, and its current productions are no exception.

This centenary room has undergone countless transformations. In 1893 is open here a large living room that is quickly transformed into theatre. It really was born in 1898, but only took its current name in 1912. Work is ongoing. Sacha Guitry made her debut at the Mathurins theatre in 1905 with Nono. He remains faithful to this room for fifteen years. Georges and Ludmilla Pitoëff then printed their mark in the history of the Mathurins where they climbed pieces of George-Bernard Shaw, Luigi Pirandello, Jean Anouilh, among others. In 1953 the theatre is run by Rika Radifé alias Radifé Behar. Pirandello, John Osborne, Marguerite Duras, Camus, Sartre, Anouilh are some of the authors here until 1981. The directions that follow continue the path mapped out by their predecessors. Some names that then appeared on the theatre posters: Milan Kundera, Vaclav Havel, Jean-Claude Brisville, Jean-Pierre Bacri - authors - Georges Wilson, Stefan Meldegg - directors-in-stage - Daniel Gélin, Patrick Chesnais - actors… Two memorable shows among so many: The Woman sitting, from Copi with Marilu Marini, staged by Alfredo Arias, and Les Palmes by Jean-Noël Fenwick, Jean-Noël Fenwick. Then director of the Mathurins, Gérard Caillaux aménager a new-seat room with a fireplace. Today, this theatre is led by the trio Engelberg, Colla and Setbon.

Opened in 1907, the Salle Gaveau takes its name from the pianos of the same name. A host of artists soon made the venue a must-see. Bought by Chantal and Jean-Marie Fournier in 1976. The Salle Gaveau was listed as a historic monument in 1992 and subsequently renovated. After renovation, it reopened its doors in 2001. The interior has been restored to its former glory, and the warm golden hue of the decor is very similar to that of its origins. As for the program, it has been restored to its former glory, with a strong emphasis on classical music.

Le Petit Palais offers over 22 000 square metres a rich collection of works of great diversity: antique bronzes, icons, Flemish and Dutch paintings, tapestries, furniture, porcelain… You will also find a charming small garden surrounded by colonnades, with mosaic basins, and a café where you can spend a relaxing moment. The concerts given here at midday connect classic musicians with other artists from jazz or song. The concept proposed by Arièle Butaux, in perfect conformity with the project, could not stop so much as it met with the visitors. The dialogue between artists from different musical backgrounds and the strong emotion that emerges from each of these meetings on the stage of the auditorium is the living response to the principle of confrontation in the galleries of the museum. Paintings, sculptures and objects of art are highlighted in permanent collections and, in the auditorium, the other arts are at the honour of revealing in a lively and dynamic manner the multiple influences of artistic currents.

In this beautiful villa of Este, there is a dinner or a drink following the magazine - in the gentle name "Les Venus de Paris" - during which French cancan dancers, magician, comedian, mimic, singer, chippenboy… Just after midnight, place the dance with a DJ. Before that, you may have lunch by tasting one of the various menus. There are, for example: salmon bowl and its grout, roast roast goat sauce, sole meunière…

The location is well known: situated in the lower part of the Champs-Elysées, it was the Espace Cardin from 1970 to 2016, then home to the Théâtre de la Ville until 2023, while the latter underwent renovation work. It is now the Théâtre de la Concorde. The aim of this new venue is to be a space for artistic creation, reflection and debate, to question the world today. To achieve this, the infrastructure is not lacking in scope: in addition to the 650-seat auditorium, the venue boasts a 150-seat studio, as well as a film club.