Abbeys monasteries and convents Peru

From its foundation in 1579 until its opening to the public in 1970, the monastery lived jealously closed in on itself; even today, it houses a few nuns who have taken their vows of total isolation. Wealthy families sent their daughters there, along with a solid dowry that would add to the monastery's coffers. The first nun was Doña María de Guzmán. Widow of Diego Hernández de Mendoza, young, rich, beautiful and childless, she gave up all her possessions to live as a recluse. On September 10, 1579, the deed of foundation of the Monastery was signed on four plots of land belonging to the city and Doña María de Guzmán was named "first inhabitant and prioress". On October 2, 1580, during a solemn mass, Doña María was recognized as the founder and formally took the habit. The women who entered were Creoles, mestizos or even daughters of Inca dignitaries. In 1964 the monastery received its first Spanish nuns. In 1582 the monastery was seriously damaged by an earthquake and the nuns themselves repaired their cells. There is even an aspirant to sainthood, Sister Ana de Los Angeles, whose canonization never came to fruition. Born in 1604, she entered the monastery at the age of 3 to complete her education and was taken out of it at the age of 10 or 11 to be married. But a vision made her return to the Monastery of her own free will. She was prioress for a period of 3 years during which austerity was de rigueur. She is credited with 68 predictions, most of them about the imminent death of one of the other sisters or the unexpected healing of another. When she died in 1686, she was not embalmed because her body had a pleasant smell and ten years later when she was dug up, her body had not suffered any damage. Miracle healings are attributed to her post-mortem.

A visit to the place gives an idea of what this monastic life could have been like: tiny rooms-cells, a private kitchen and a room for the maid (also cloistered), painted in ochre, brown and red tones. The Zocodober plaza with its fountain, the blue and orange hues of the cloisters surrounded by arcades with innocent frescoes, however, add a note of cheerfulness. With its 20,000 square metres, this religious fortress is absolutely unique.

The vaults house an archaeological museum with pieces from the Chimú and Nazca cultures.

A guided tour in French is recommended. In the morning, the light falls wonderfully.

The convent was built above the Qoricancha, the gold district in Quechua, whose temple of the Sun occupied, in the feline configuration of the city, the sex. Embellished by Pachacútec, the temple, from the top of its promontory, dominated a series of terraced gardens whose upper platform served as a foundation for the various temples dedicated to the deities: Sun, Stars, Moon, Rainbow... In the middle stands, mute, a ceremonial fountain made of massive stone. The whole, embedded in the convent, is the most beautiful example of the building skills of the Incas. It is a pity that the church built above it by the conquistadores has somewhat dulled the Inca work. But one cannot but be transported by the sober beauty of the temples of the Sun (Inti), of the Moon (Qilla) and of Venus (Chaska), daughter of the previous ones. The interior of all the temples was covered with gold leaf - silver for that of the Moon - and contained, it is assumed, the mummies of the wives and concubines of the sons of the Sun. The gardens were decorated with gold figurines that the conquistadores hastened to melt into ingots. Built immediately after the conquest, Santo Domingo was destroyed by the earthquakes of 1650 and 1950. It was during the latter earthquake that the fragments of the ancient temples were discovered. Of the church, the baroque bell tower from the 17th century is worth mentioning and, in the cloister, the pinacoteca with its colonial paintings.

This museum is nestled in the Carmelite Monastery (still in operation, even if you don't see the sisters). Very beautiful sunny interior patio. Numerous works of art from the colonial period: sculptures, gold and silverware, murals, furniture, decorative objects. We also discover the church, which is still a place of worship (sometimes you can hear the angelus). An interesting place to know better a period often forgotten by Peruvian museums.

It is the most imposing cloister-church complex in the region. Among its many treasures are the church furnishings, more than 150 paintings from the 17th and 18th centuries, including those of the Quito school, and magnificent altarpieces, one of which was sculpted by the artist Fernando Collado and is considered to be his major work. The church furniture and altarpieces date from 1759. Unfortunately, the complex has been closed to visitors for some years. Beautiful illumination at nightfall. Normally open on Sunday mornings.