The most beautiful churches cathedrals basilicas and chapels Switzerland

This remarkable building in the Radiant Gothic style was built from the 13th century onwards and completed in 1490. The late Gothic tower is 74 m high and contains thirteen bells, among the oldest in Switzerland. The main portal is adorned with beautiful sculptures (copies of the 15th-century originals) and a 17th-century wooden statue of St Nicholas of Myra. The Sunday Gate was originally the main portal. Statues framed by arches overhang an oak door in the Louis XVI style with a Virgin and Child in the centre, a statue of St Nicholas and the three young girls he saved on the left, and the Three Wise Men on the right. Inside, the choir, which is higher than the nave, and the old sacristy, which dates from the 17th century, can be seen. Above the 15th century stalls, beautiful frames by Jean-François Reyff surround two paintings by Nicolas de Hoey, painter to the court of Henri IV. The high altar, from the 19th century, is in the neo-Gothic style. The side chapels are illuminated by double lancet windows and open towards the nave through semi-circular arches. In the chapel of the Holy Sepulchre, the group of figures that make up the Entombment is the most important group of monumental sculpture of the late Middle Ages and the most important medieval funerary group in Switzerland. Beautiful stained glass windows by Manessier. The top of the tower, accessible in summer, offers a beautiful view of the city. It is also a place of pilgrimage linked to Santiago de Compostela.

Former fortifications from the 17th century which housed a powder magazine and which exploded. Since then, they have been rebuilt and provide a beautiful viewpoint over Freiburg with a view of its old quarters, the white university and part of the Henri Tower. The chapel of Loreto dating from 1646 is a small replica of the Santa Casa de Loreto in Italy. The small and very pretty Loreto path invites you to walk or drive down to the Upper Plank.

Built under Ulrich, Lord of Neuchâtel, from 1185 and completed in 1276, the collegiate church, which adjoins the castle, is of late Romanesque style. In 1530, the Reformation arrived in Neuchâtel; the collegiate church was emptied of its altars and its decoration and was assigned to a new cult. It was restored at the end of the 19th century. Inside, a rather dark Romanesque choir, the nave lighter, a beautiful funerary monument of the counts dating from the 14th and 15th centuries, restored in 1840. In front of the main entrance is a statue of the reformer Guillaume Farel. Nice cloister.

Like the abbey, St. Gallen Cathedral is one of the city's highlights. It is a fine example of late Baroque in the Bodensee Baroque style. The first part is particularly beautiful, with its two towers, but the second part had to undergo a restoration (1961-1967) which made it lose the charm of the old. Built in 1755 to a design by Peter Thumb, the cathedral is richly decorated with figures, frescoes, sculptures and altarpieces illustrating the history of the abbey, particularly through the figures of Gallus and Otmar. The most remarkable elements are certainly the confessionals, the rococo pulpit and the rood screen. The artists who worked on the decorations include the painter Joseph Wannenmacher, the stucco artists Johann Georg and Mathias Gil from Wessobrunn and the woodcarvers Fidel Sporer and Gabriel Loser. The high altar (1808-1810) is also noteworthy, but in a different style from the rest of the building. Note the many roses carved in the wood of the confessionals, the rose being the flower of secrets. Another interesting detail for the French: the small size of the cathedral's entrance door would have been intended to prevent Napoleon from entering with his horse!

Lapidarium: it is located at the west entrance and contains a precious collection of building stones, covering a period from the 8th to the 17th century (open every day from 2 to 4 pm).

The Cathedral of St. Bear and St. Victor is named after two martyrs: Bear of Solothurn, a Roman Christian saint, and Victor of Solothurn. Despite its size and decoration, this neo-classical cathedral dating from 1773 impresses with its harmony, the correctness of its proportions and the care taken in its construction during the Baroque period by master builders and craftsmen from Ticino - true goldsmiths. It is one of the most beautiful in the country.

Berne Cathedral towers 100 metres above the city. With its bell tower, the tallest in Switzerland, it is the country's most important Gothic building. Admire the portal with its depiction of the Last Judgement, as well as its ^18th-century organ, partly rebuilt in 1999. A fantastic panorama awaits you from the bell tower, which houses Switzerland's most imposing bell ensemble. The large drone, cast in 1611, alone weighs 9,940 kg!

Situated high up (above the Russian church), this site may have been a Roman necropolis (tombs from this period have been discovered there). In 1497, a tower and four turrets were added to the first church. An architecture that greatly pleased Victor Hugo, who came several times to Vevey. So much so that he would have made a sketch of it to make a replica in the Pays de la Loire region. At the back of the church, a stained glass window represents Saint Martin dividing his coat in two.

Catholic worship, abolished in 1536 by the Bernese, resumed in private homes in 1798 and, from 1812, in the new Mercerie temple. In 1832, the church of Notre-Dame du Valentin was built, the first Catholic church built in Lausanne after the Reformation. In 1992, it was elevated to the rank of basilica by Pope John Paul II. The church features a magnificent fresco by Italian Futurist Cubist painter Gino Severini (1883-1966).

Built in the 13th century on the ruins of an old church dating from the year 1000, Saint-Laurent is the first Protestant temple founded by the Bernese. Having survived with difficulty through the ages, notably because of the fire in Lausanne and certain acts of vandalism, a new temple was built between 1716 and 1719, and the main façade was renewed again in 1762. Today, the Reformed Church of St. Lawrence offers visitors the opportunity to observe its beautiful baroque façade with a clock tower.

Archaeologists have found an apse dating from the^5th century on its site, which attests to a religious life. It was built between 1151 and 1272 in the late Romanesque style. It is nevertheless the only Episcopal church in Switzerland. Inside, the cathedral contains architectural and decorative treasures with two large, richly decorated and gilded triptychs, as well as a Roman well, which is over 800 years old. Among the treasures, you will appreciate the altars, the frescoes and the organs. The church has the privilege of having been preserved like all the buildings of the bishopric.

The church is believed to have been built in the ^15th century on the ruins of a monasteriolum, a small church possibly dating back to the ^11th century. It features a square tower topped by an eight-sided curved spire measuring 7.5 m on each side. After the arrival of the Bernese in 1536, the church became a Protestant temple, which it still is today. Old Montreusiens call Saint-Vincent le temple des Planches. The modern stained-glass windows are the work of Vaud artist Jean Prahin. From the terrace, there's a fine view of the greater Montreus area.

It is the second largest Russian church in Switzerland, alongside the one in Geneva. In the ^19th century, many families of the Russian aristocracy came to spend the winter in Vevey. The Shouvalov family had two daughters, including Barbara, who died in childbirth in Vevey in 1872. Her family made a donation to the town to build a church in her memory. Typical of Slavic architecture, it was designed by Ippolito Antonovitch Monighetti between 1875 and 1878 and completed by the town's architect Samuel Késer. The church was listed as a historic monument in 1979.

This construction of the end of the th century is topped by a baroque steeple (th) which does not harm its elegant sobriety. Inside, we admire the modern windows, especially by Hoffmann, and a baroque allegory of justice whose original is located in the museum of the City.

This basilica was founded in the th century by Queen Berthe de Bourgogne. Through its plan on the ground, this sanctuary would be the most important specimen of the Lombard Romanesque style in Switzerland. In baroque times, the original façade, with two towers, was transformed and a single central steeple was erected in the nave axis. 1571 stained glass windows preserved at Bally-Prior Museum.

This small chapel is located between the church of Santa Maria del Sasso and the village of Morcote. This small building dating back to the late Middle Ages is worth visiting for the surprising paintings on its south wall: about twenty souls, represented as completely naked men, are trapped in a net (the Purgatory) and try to get out; those who manage to free themselves are saved by angels. Those who manage to free themselves are saved by the angels, while the others are dragged along by the demons.

This church dates back to the end of the th century. This was mentioned for the first time in 1480. The interior shared by a large lateral wall, according to the Franciscan usage, is an exquisite inspiration. It is painted entirely by a fresco where it can be noted that Renaissance refinement leaves free reign to an ornamental sincerity invaded by grace. In its centre is the Crucifixion, and around fifteen paintings expressing the life of Christ.

During the celebration of the centenary of Napoleon's Act of Mediation, which established the autonomy of the canton, this square took its current name. The square coincides with the southern access to the medieval city and echoes the Piazza del Sole, which gave access to the city to those arriving from the north. Nowadays, Piazza del Sole has been completely restored by the architect Livio Vacchini. A little further on is another important square: the Piazza della Collegiata called Piazza Grande.

This basilica is the main sanctuary of the city's Roman Catholic Church. It was built between 1852 and 1857 on the bastion of Cornavin. It is inspired by the great Gothic cathedrals of the 13th century, such as those of Beauvais or Amiens. It is however built in molasse. Inside, you can admire, in the central chapel of the ambulatory, a statue of the Virgin, offered to the Catholics of the city in 1860 by Pope Pius IX. It is a stage of the pilgrimage to Santiago de Compostela.