Things to see and do South Coast

A World Heritage Site, Ħaġar Qim stands on a hill overlooking the sea and the islet of Fifla, less than 2 km southwest of Qrendi. It is reached by a pleasant road, lined with oleanders, prickly pears, acacias and Pittosporum tobira, which passes over the cliff. There is a large parking lot which can be used by park visitors. A visitor center houses a small interpretation area, with information on these sites. The Ħaġar Qim site consists of a group of megalithic structures built around 5,000 years ago. It was excavated in 1839. Today, these buildings are generally referred to as temples. However, we know very little about what went on inside them. Its main building is unusual in that it has several doors facing in different directions. Archaeologists believe that the building originally had a roof. It was here that the figurine known as the Venus of Malta was discovered: a small statue measuring around twenty centimetres, with a heavy chest and narrow hips. You can admire it at the National Museum of Archaeology in Valletta. Ħaġar Qim was recently covered by a protective shelter and the contrast with the ancient stones is quite surprising... But don't be fooled by the artistic effect: the tent serves only to protect the site from the elements, helping to preserve it for future generations.

You begin your visit with the monumental façade of the complex. Concave in shape, it's made up of imposing monolithic blocks and features a monumental entrance in the middle, common to many of the island's Neolithic megalithic buildings. Once through the entrance, you'll find yourself in an inner courtyard. Note that the courtyard floor is made of megalithic flagstones. To the left of the walkway are a finely carved sculpture resembling a tree and a slab with spiral motifs. You can see the original slab with spirals at the Visitor Centre, while the other is on display at Valletta's National Museum of Archaeology.

On either side of the courtyard is a screen with a door carved from a single megalith. These doors lead into circular rooms or apses. Note how the doors are positioned so that, if you're in one room, you can't see across the corridor into the opposite room. Continuing along the path, on the right is a room that marks the solstice (first day of summer) in June. At sunrise, rays of light pass through a hole that opens onto this room and project a disk of light onto a stone slab at the entrance to the apse. Over time, the disc becomes a crescent, then elongates into an ellipse until it finally sinks out of sight as if into the ground. To the left, a space opens onto several other chambers. A group of seated stone figures was found here behind the modern steps nearby. You can see one of these statues at the Visitor Centre.
Perched atop the cliff, Ħaġar Qim offers a very pretty view of the sea. As you walk down the Mnajdra path, on your left, you'll see a commemorative plaque that recalls the memory of an English governor who was buried in the sea between this point and the islet of Filfla, as he wished.

Before visiting the cave, you can go down the cliff-flower stairs, which leave the road in the signposts and allow you to admire the views and entrance of the caves. Just above the cave, a large parking lot, some restaurants and more and more beach bazaars are waiting for the tourist. A beautiful stone terrace with carved balcony (the th century) offers an ideal point of observation on the sea. Walk down on the rocks below, where you can sunbathe. In winter, the descent is less advisable, first because of the cold, but above all because of possible tempête that can prove dangerous.

The first of the caves is The Cat's Cave (the Chat Cave). Its water, transparent and shallow (5 m), leaves the rock bottom and the algae.

The second cave, the Reflection Cave, is named because water reflects phosphorus, as shown by the following small experiment: plunge your hand into the water near Reflection Cave and watch it immediately after removing it; It will have taken a very unusual blue tint (unless you are a Smurf!). The entrance of the Blue Grotto evokes an elephant with its shaded trompe and opens up another cliff. At the bottom of the water, the red corals contrast beautifully with the blue of the sea.

The next cave is La Rotunda (the Rotunda), because its rounded ceiling resembles the dome of the famous church of Mosta. Here, unlike other caves, the bottom of the water is sandy. Later, the rock, in height, evokes a horse hoof. In the past, the guides enjoyed visiting this site to the French, because one of the rocks looked, from a certain angle, to De Gaulle's nose. Today, however, "De Gaulle's nose" is less known to the new generations, and the rock itself eventually eroded. Later, the smooth and gilded walls of another cave evoke those of the recorded.

Finally, the Blue-Window Cave (cave of the Blue Window) allows you to see the azure through its opening.

They offer a magnificent landscape, perhaps the most beautiful of the island, because the wild. You can contemplate them and appreciate the height from the Madliena chapel, the apex of the island (250 m). From Dingli, the pleasant and panoramic road, after climbing the hills above Buskett, allows to discover Zebbug, but also Mdina and Siggiewi to the south, in a landscape of full countryside.

Despite the cruel absence of a signs, the maze of roads is not too worrying, because the slightest prominence allows us to take stock of the plains villages; a simple card is enough to find you.

Renovated old mill (1724) well worth a visit. It's the only one still in operation on the island.

Construction of the church, begun in the ^mid-17th century, lasted long enough for several architects to mark it with various styles, predominantly Baroque. Here you'll find a number of paintings by the famous Mattia Preti(St. Catherine, St. Andrew), given by the painter to the parish of Zurrieq to thank it for giving him refuge during the plague epidemic. His studio can still be seen at 4 Flowers Street. In the main square, a statue is dedicated to Saint Catherine. On one side of the church, you'll notice the monument to the dead of the last war, the work of sculptor C. Cauchi.

Audiovisual exploration through 20 million years of Maltese history! Above all, it provides an insight into the history, importance and use of the local stone that is so much a part of Malta's charm. The visit is accompanied by an audioguide. You can watch the cutting and working of the famous globigerine and create your own souvenir in the stone you work yourself. Limestone Heritage has recently been renovated and extended as part of a project co-financed by the European Regional Development Fund. It also organizes Maltese folklore evenings, which are very popular with tourists. Traditional music and a group of dancers enjoy a buffet dinner at a very reasonable price, including transfer.

Sculpture workshops. This museum organizes very interesting cultural-artistic stays for sculpture enthusiasts or professionals wishing to try their hand at sculpting globigerine, the stone found all over the island and used for centuries as the building material for Valletta's palaces, among others. Whether you're here for a short or long stay, you can carve this stone in the company of professional carvers. All in the magnificent setting of a former quarry transformed into a museum. Cafeteria, parking lot. Access for people with reduced mobility.

Situated on a rugged stretch of Malta's south coast, it's around 500 m from Ħaġar Qim, two World Heritage sites. It has three structures built around an open space. The oldest is the small three-lobed structure on the right, while the southern and central structures were built later.

In the southern structure, you can see how each row of blocks projects slightly inwards, shortening the room's span and facilitating roofing. This structure also features a particular alignment with the rising sun during the spring and autumn equinoxes. On these days, the rays of the rising sun pass through the main door and into the central axis, illuminating the innermost central apse. On the solstices of June and December, the first rays of the sun illuminate the edge of two decorated megaliths to the left (June) and right (December) of the central door linking the first pair of chambers to the inner ones.

The central structure is built on a platform and has a simpler layout than the one below. At the opposite end of the entrance is a covered niche, and along the left wall, close to it, is the entrance to another room. Part of the site's charm lies in the fact that no modern developments are visible, so it can still be appreciated in its original setting. The type of stone available on the surface in this part of the landscape has directly influenced the materials used in the construction of the sites. Here, both globigerite and the more resistant coralline limestone are readily available, and both are used in the structure. The exterior of the site is built in coralline limestone, which is more resistant to the elements. For the interior walls, softer globigerine limestone was used. This enabled the builders to carve smooth, evenly-shaped megaliths that fit together perfectly.

Like nearbyĦaġar Qim, Mnajdra was recently covered with a shelter to protect it from the elements and help preserve it for future generations. A number of artefacts, including fragments of pottery vessels and flint utensils, have been discovered at these sites. These provide additional information about the people who created these monuments and are on display at the National Museum of Archaeology in Valletta.

Dating from the 3rd and 4th centuries, these catacombs have still not been fully excavated. However, excavations carried out in the 1990s indicate that they were used as a cemetery for a group of Christians living in the first centuries of the Christian era. In the Xarolla complex, the window tomb is the most common format. It is estimated that most of the tombs date from the Late Roman or Byzantine period.