Things to see and do Casar De Caceres

By bus, you don't expect to discover an architectural price: Well, this will be the case in Casar de Cacéres. Created in 2004 by Justo García Rubio, a estrémègne architect, the station earned its author to be a finalist in the Spanish National Award of Architecture and awarded by the Estrémègne prize of creation, with numerous photos in the newspapers. The building is a white concrete ribbon painted on itself to do two loops, similar curves, one small and the other big, wrap over. The largest loop welcomes buses and serves as a shelter for travellers by protecting them from rain or wind. The second is a very chic and stylish bar area. If the ensemble of the ensemble does not reflect Oscar Niemeyer's architecture, aesthetics have not been the only bias of this project since, for the sake of functionality, its curve is also studied so that the exhaust gas of buses is diverted from nearby schools. A board, go to see it and enjoy a drink in the bar: The cellar is good and you will be used, among other things, for tentempiés (small snacks destined literally to keep you on foot).

Set up in an old home house, the casa de los pinotes, it presents everything related to the major transhumance routes, including the circuit of the Cañada Real Soriano West, from Soria to Badajoz, crossing the provinces of Segovie, Avila, Salamanca and Cárque. Áceres. This center is run by the Tagus Association, which organizes a road of transhumance on the occasion of the Torta del Casar festival at the end of October, with tasting of migas from the shepherd and route accompanied by a herd of sheep.

Located in a typical house of the city, recently rehabilitated, it presents the history and processes of the great référent of the village: the torta del Casar, but it also shows the daily life of families (houses, kitchen objects, ovens…) and the shepherds, with their work tools (fers to mark the beasts or hooks to catch them). Several videos reflect this visit by contextualisant objects presented and reconstructed spaces.

Gothic work of the sixteenth century, it was probably built on a previous construction of the xiiith century. The Maestro Pedro de Ybarra, one of the most famous architects of the Renaissance, has worked on this book. Inside, you will notice a retable of the late sixteenth century, declared well of cultural interest, the star vault of the abside, and the sacristy, on the plateresque grounds. On the outside, you will notice its square balloon tower and its roofs with close to forty stork nests.