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MUSEUM OF FINE ARTS (KONSTMUSEUM)

Museum
5/5
2 review

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6, Götaplatsen, Gothenburg, Sweden
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+46 31 368 35 00
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2024
Recommended
2024

The Museum of Fine Arts has one of the first collections of international art in the country. It exhibits mainly Swedish and Nordic painters from the 16th century to the present (Carl Larsson, Ernst Josephson, Ivar Arosenius, Karl Isaksson, Anders Zorn, Edvard Munch...), but also Dutch and Flemish painters from the 17th century. The museum houses private collections, such as that of Fürstenberg, much admired for its Nordic light and fin de siècle melancholy. On thefirst floor, an exhibition is devoted to art after 1945. On the2nd and3rd floors, sculptures (Rodin, Per Hasselberg, Johan Tobias Sergel, Henry Moore, Carl Milles...), graphics and drawings. The real masterpieces are exhibited on the4th and5th floors. Nordic art of the 18th and 19th centuries and the beginning of the 20th century exhibits, among others, cheerful and rural oil paintings by the Dane Peder Severin Sekoyer (1851-1909), such as The Artists' Festival in Skagen, and funereal ones such as The Death of Charles XII, by Gustaf Cederström (1845-1933), the Double Portrait by Alexander Roslin (1718-1793), and many beautiful oil paintings by Anders Zorn (1860-1920) that show the soft light of the Nordic summers. Of particular note is Nils Forsberg's (1842-1934) terrifying and realistic Family of Acrobats in Front of the Circus Director. Among the more recent works, one should particularly note an oil painting by Odd Nerdrum (born 1944), the enfant terrible of contemporary Nordic art.


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Members' reviews on MUSEUM OF FINE ARTS (KONSTMUSEUM)

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Jenny0622
Visited in february 2022
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À faire
Halte obligé au Musée des Beaux Arts de Göteborg lors de votre visite du sud de la Suède ! Collection super complète.
seccotine
Visited in august 2018
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C'est un petit Orsay et un petit centre Pompidou réuni . La peinture scandinave est bien sûr à l'honneur avec de très belles séries signées Bruno Liljefors et Carl Larrson et des œuvres très abouties de Hugo Birger et de Anders Zorn. En ce qui concerne la France, on appréciera, à côté de Daumier et du douanier Rousseau, la présence des grands seconds couteaux du Salon des artistes français du XIXe : Édouard Dantan, Raphaël Colin, Jean-François Raffaëli, Albert Lebourg et Léon Lhermitte. Un ensemble cohérent bien présenté, pas trop accessible en voitures, avec malheureusement un parking visiteur (payant) de dimensions ridicules

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