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BATTISTERO SAN GIOVANNI

Religious building
3.8/5
11 review

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Piazza dei Miracoli, Pisa , Italy
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2024
Recommended
2024

The grandiose Baptistery of Pisa dedicated to St. John the Baptist, ideal to start the visit to the Square of Miracles

Ideal to start the unavoidable visit of the Place des Miracles, the imposing baptistery of Pisa, dedicated to Saint John the Baptist, is located on the west side of the cathedral. It is the largest baptistery in Italy, with a circumference of 107.25 metres, and a height of nearly 55 metres. Its construction began in 1152 under the impetus of a talented architect named Diotisalvi, 90 years after the cathedral's construction. The work was not completed until more than two centuries later, in 1363. Its solid shape with a perfectly circular plan and its refined marble decoration, combining Romanesque-Pisan and Gothic styles for the upper floors, are impressive. The devil's claw is present there to remind us of the passage from light to darkness.

Covered in red tiles, the dome is curious, and resembles that of the church of the Templars of Pisa. At the time of its construction, the baptistery was not equipped with a roof. Rainwater thus filled the baptismal font. The overflow flowed on the floor, which was designed to be sloped for this purpose. However, for the safety of the newborns who were baptized (there were even drownings...), the architects decided to build a conical dome to correct the situation. The bronze statue, which crowns the dome, represents Saint John the Baptist and is attributed to Turino di Sano (1382-1427).

The surprisingly sober interior has twelve columns and, above all, the beautiful pulpit of Nicola Pisano (1220-1284), an important religious work of art symbolizing the early days of Italian Gothic. Octagonal in shape, it was built in 1260 and surprises by its location. Detached from the walls, it seeks to occupy the space. It must be read from the bottom to the top following the direction of the three lions that rotate together. An evocation of youth, ending in death at the top, dominated by the eagle, which testifies to the close link between religion and the political world. It is also possible to see the altar, sculpted by Guglielmo in the 12th century.

On the second floor, inspired by the Florence Baptistery, the Gothic decoration, consisting of an elegant archway surmounted by gables and pinnacles, decorated with sculptures, is attributed to Nicola and Giovanni Pisano, and dates from the 13th century.

A guardian makes the remarkable acoustics of the building, probably related to the marble that repels sound waves instead of absorbing them, appreciated approximately every quarter of an hour in summer and every half hour in winter. Not to be missed!


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Members' reviews on BATTISTERO SAN GIOVANNI

3.8/5
11 reviews
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sanhoa
Visited in july 2023
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BATTISTERO SAN GIOVANNI
En travaux lors de notre séjour, nous avons visité un baptistère assez épuré mais dont les ornements sont magnifiques.
Il vaut le coup d'être vu et de monter à l'étage pour profiter de la vue sur la Place des Miracles.
bunane
Visited in september 2019
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insolite
Je vous conseille de visiter le baptistère en achetant un billet combiné tour de Pise Cathédrale, Baptistère, cimeterre...
Ne ratez surtout pas le test acoustique du gardien qui est effectué environ toutes les 30 mn c'est très surprenant. Allez également à l'étage et contempler les magnifiques points de vue.
Juuulie59
Visited in may 2019
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à faire avec le billet combiné
Ce baptistère est l'un des plus impressionnants d'Italie par sa grandeur. Il est possible de monter à l'étage afin d'admirer la vue sur la cathédrale.
Le billet combiné qui couté 8 euros par personne permet de visiter le baptistère ainsi que 3 autres batiments situés à proximité.
steph.fe
Visited in september 2018
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Très bonne acoustique un des autres monuments emblématique avec la tour dans ce bel endroit a Pise
A voir absolument
BarbieClo
Visited in august 2018
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Le bâtiment peut se visiter gratuitement en allant chercher un billet à l'office situé juste en face. Jolie architecture intérieure et extérieure, mais nous avons déploré un manque d'explications historiques et architecturales à l'intérieur, qui semblait un peu vide.

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