SUMMER PALAIS
Read moreSummer as well as winter, it is nice to spend the day in the beautiful surroundings of Summer Palace and its immense park. The latter is on a surface of about 280 hectares, delimited by a wall wall with few doors; with a huge lake, Kunming Lake, which covers three quarters of the surface and, in the north, a hill called "the hill of Longevity", on the flanks of which palaces and temples stretch up to the top.
History
Successively called "Garden of Golden Waters" under the Jin during the construction of the original palace, then "Garden of Wonderful Hills" while Ming had added the Temple of the Perfect Tranquility, other pavilions and enlarged the lake, it was to Emperor Qian Long (1711-1799) of the Qing the park owes its most important transformations. He was inspired by Hangzhou's architecture, which his mother emulated, Nihulu, had loved, and that is why Qian Long offered him as a gift for his sixtieth birthday the new ensemble renamed «the hill of the Millennial Longevity», standing in the «garden of clear Waves».
At the time, the court took refuge in its secondary residences outside the capital, from the arrival of the summer and its torrid chalks until 1860, where many palaces were destroyed, including the palace of summer. It was to Empress Cixi (1835-1908), the untreatable, but who took the whole thing, that it was a luxury restoration (it diverted money to bail out the imperial navy coffers) and its new name "garden where l l l… the concord is grown. The palace was once again destroyed in 1900 at the time of the Boxer revolt, and Cixi, who was very attached to it, rested it again.
Visit
In order to enter the courtyard, we first come under a large pai, a wooden porch sculpted and painted. In the middle of this double courtyard, you will see a beautiful bronze unicorn, and at the bottom is the room of Benveillance and Longevity, before which you will note four burning bronze incenses representing animals. It is said that the Empress gave its hearings in this Chamber.
Then, by heading to the lake, we arrive at the palace of the jade waves, poetic name for what was for ten years the prison in which Empress Cixi returned the emperor Guangxu trapped in the most complete isolation (he couldn't even see his wife or his concubines) after the failure.' a hundred days of reforms'. You can still see what was the furniture of Guangxu's bedroom.
We then headed to the Garden of Virtue and Harmony, where Cixi had offered, on the occasion of his sixtieth birthday, a superb theater, with all the modern mechanisms of the time - traps, water games effects… His true passion for theater sometimes pushed her on the boards during performances, under the tasting. It's Guanyin's isment.
Then you will go along the lake for a moment to arrive at the residence of Cixi, the palace of Joy and Longevity. This is where the empress took its summer quarters from June, and it was in this context that it used to be used daily for festins, said, of more than one hundred and twenty dishes and, as it only touched those closest to it, the cook thus had the ones that were the closest to her, she preferred in close proximity knowing that, for the smallest detail she was unpleasant, she was whipping servants and eunuchs, showing boundless cruelty. Notice the furniture in the throne room and some of the old ones.
The shores of the lake are lined with a long covered gallery with four pavilions running on 728 m at the foot of the millennium Longevity hill. We can also go along the shores of the lake, but the main interest of the gallery lies in the 14,000 small paintings that follow it and carefully reproduce historical or mythological scenes, landscapes or floral motifs… real masterpieces that deserve a little time to be admired, even though some have lost their colors and are damaged.
The gallery is cut in its middle by the orderly Cloud Palace, where Cixi used to celebrate his birthdays. There is still a great portrait in the empress's oil. This palace is also the starting point for ascension to the millennium of Longevity (Wanshoushan). A series of doors and stairs that end fairly steep lead through several pagoda of Buddhist worship: Bright Virtue Room, Buddhist Fragrances Pavilion, from which you can enjoy a wonderful panoramic view of the lake. Then a trail climbing through the trees completes this ascent on the Temple of the Perfect Wisdom, a brick building decorated with yellow and green ceramics and housed in Buddha's effigy statuettes.
Returning to the lake, the gallery continues to the famous marble boat, which seems strangely floody, docked on the lake and where, according to history, Cixi liked to organize banquets. There are small pontons from which you can rent canoes and cross the waters of the lake from one bridge to the next. It is the water community that has the most beautiful view of the Wanshoushan as a whole. In winter, you can cross the frozen lake on foot and even indulge in the joys of the ice chair or the skating rink with the many Chinese who walk through the family weekend.
A council, plan a good day to have the time to stroll and drink a cup of tea in a small house in the gardens, to canoe on the lake and admire the diverse plant species that make up the gardens harmoniously along the promenade. The ensemble has been classified as UNESCO's World Heritage Site since 1998.
PROHIBITED CITY
Read moreThe Forbidden City is one of the great architectural legacies of ancient China and one of the only imperial palaces still standing in China today!
History
She served the emperors of the last two dynasties, Ming (1368-1644) and Qing (1644-1911), and was built in only fourteen years between 1406 and 1420, when the second Emperor of Ming, Yongle (1360-1420) 24) moved the capital from Nankin to Beijing. The speed of building this 74-hectare set surrounded by a wide water gap of 50 meters, and a wall of 10 meters high, is quite surprising! More than 200,000 craftsmen participated in the construction and supreme sophistication of construction techniques, combining modernity (prefabrication and standardization) and tradition (aesthetic and symbolic), entered into the design of this masterpiece. The City was completely cut off from the outside world until 1924, when Puyi (1906-1967), the last of the twenty-four emperors who succeeded it, was expelled.
The palace is now one of the world's largest museums, astonishing witness to imperial golden age. It is a perfect example of Chinese classical architectural and urban aesthetic theories. This gigantic City adopts traditional rectangular form (N-S: 960 m; E-O: 750 m), preserved during multiple enlargements.
The current buildings date almost all of the eighteenth century: In 1664, the Mandchous burned the existing set to rebuild the palace of the new Qing dynasty on the ruins of the old. High quality materials from Fangshan quarries in the suburbs of Beijing for stone blocks, Sichuan, Hunan and Guizhou for wood were used in construction.
Visit
The ensemble consists of three distinct parts symmetrically taking place on a north-south axis: public buildings in front, private quarters in the center, and imperial garden in the rear. 9,999 rooms in total (not one more: According to legend, Jade emperor has a palace of 10,000 pieces in the sky, his son, the land emperor should not have that privilege).
The main entrance of the City. Wumen (not to be confused with Tian 'anmen gate, entrance of the ancient Ming City) consists of five openings, that of the center reserved for the Emperor, both of the east to the military and civilian, both from the west to the members of the imperial family.
The three palaces of the Front. On the front, a row of five marble bridges, representing the five confucian virtues (kindness, intelligence, fidelity, righteousness, respect for rites…) jammed the river to Golden Waters, and then came the gate of Supreme Harmony (Taihe Men) which leads to the great courtyard: the central esplanade, which can accommodate up to 90,000 people, where official ceremonies were held.
All around the world there are galleries with books and treasures, dishes, silks, stones and other objects… which the emperor could offer as a reward. In the middle of this esplanade is a terrace with 3 floors of white marble. Each level is surrounded by a balustrade with gurgles. On the large access stairs, the imperial emblem will be noticed in the dragons winding down.
Your steps will then lead you to the Supreme Harmony Hall (Taihe Dian) held by the two symbols of justice and imperial correctness: a solar dial on the right and a grain measure on the left.
In front of the Supreme Harmony Hall and the palace of Celestial Purity, you will see magnificent bronze turtles, symbols of peace. Within the Supreme Harmony Hall, on a seven-step stage, stands a throne; history tells us that the emperor was receiving visits by foreign envoys and presided over various ceremonies.
Just above the throne, by raising your eyes, you will see in the middle of a superb upper ceiling two golden dragons playing with a giant pearl, a motif often found in decoration on the Chinese ceramics of the time. For the anecdote, some say that the dragon represents the man constantly trying to catch the pearl, which would symbolize the woman, and play with it!
Don't forget to admire the roofs of each palace! That of the Supreme Harmony Hall is the most spectacular; its double roof covered with glazed yellow tiles is richly decorated. In order to remove evil spirits, ten fabulous creatures, including a lion, a phoenix, a dragon, a winged horse, a unicorn and an immortal, are aligned with the ends of the roofs of the roof. You will find some of these creatures, but in smaller numbers on the different roofs of the palaces of the Forbidden City.
Then you will enter the room of the Harmony of the Middle (Zhonghe Dian), where the emperor came to prepare before sitting in the room of Supreme Harmony… some sort of boudoir of the time in some way!
This hall was also used to receive ministers or other ambassadors in private, but this was mainly where the messages needed to be read in imperial temples, and that is also where the state of the seed was checked annually.
Then comes the Imperial Examinations Room or Hall of the Preserved Harmony (Baohe Dian) where exams to become "doctor" (jin shi) were held after long serving as a banquet hall.
As a general rule, no women were admitted to these halls of the outside court, where the emperor had primarily a representation role.
The three palace palaces; the interior courtyard and the imperial garden. Behind the gate of Celestial Purity (Qianqing Men), guarded by four golden bronze lions, are residential districts composed of a multitude of small halls, today showrooms of imperial treasures: to the west, the "Culture of the Spirit" (Yangxin Dian), where the emperor lived and worked (this is where the last emperor Puyi signed his declaration of abdication and recognition of the Republic in 1912); in the center, the emperor held a hearing in the Palace of Heavenly Peace (Qianqing Gong), followed by the Union of the Union and Peace (Jiaotai Dian), where the imperial unions were celebrated, and the dwelling of the empress (the Palace of Earth Peace; the Kunning Gong).
Then, to access the "Palace of Celestial Purity (Qianqing Gong), we cross a large terrace lined with cranes and turtles in bronze, symbols of immortality and longevity, and we will notice the presence of burning incenses, which are also found in the palace of summer and others." Some say that odors at the time were nauseous and were masked by burning perfumes in quantity!
This palace is the largest of the three and it was the one that hosted the nights of Emperors Ming and the first Qing. He then had a function of courtroom and banqueting (it was said that Emperor Qianlong presided over the «banquet of the ten thousand old» in 1785, which numbered more than 3,000 men aged 60 and over from all corners of the Empire). The last ceremony held there was the wedding of the last emperor Puyi in 1922.
Then comes the hall of the Union (Jiaotai Dian) or also the hall of the Powerful Fertility, conceived on a square plane which was first the hall of the Empress's throne. Then, from the reign of Qianlong, the imperial seals were preserved in this room. You can still admire them in windows. Burned in different stones, 25, they had the signature role, or rather administrative pills.
The Palace of Earth Tranquility (Kunning Gong) was the residence of the Empress under the Ming and was divided into two under the Qing; a large room serving as a sanctuary dedicated to Manchuric divinities, which demanded the offerings of flesh, and a smaller room painted in red, the Eastern Soft Pavilion, which became the bridal chamber of the Qing emperors.
The "Porte de la Paix" opens on the Imperial Garden (Yuhuayuan) in the xve century. Planted with pine and cypress, with its basins, pavilions and rocks, this garden, faithful to the philosophy of all Chinese gardens, tends to give an idealized view of nature in all its aspects: " centenary trees, rocks with tormented forms, Ten Thousand Spring stands and Thousand Autumns with round roofs like on the sky, which rest on a square basis like the Earth and reflect the harmony of the universe ". A small artificial hill stands in a corner of the garden, and it is the only place where the eyes can escape beyond the walls of the Forbidden City. At the top of this hill, a booth from where the emperor watched the moon, the 9 th day of the 9 th lunar month (day of the traditional moon festival).
At the bottom of the garden is the door of the obedient virtue (Shunzenmen), which allows access to the five kitchens of the north and the "door of the military engineer" from where we can reach the hill of coal.
On both sides of the Palais de Behind is a boondoggle of buildings intended for the hosting of the emperor, its wives and the many servants. You can visit the palace of the Lord Spring where the Empress Cixi and the Palace of the Elegances accumulated with a small theater, the Spirit Food Palace and the six palaces of the west, the Palace of Abstinence and the six palaces of the east, the palace of Tranquility and Longevity.…
Walking along the corridors and courses, you will visit temporary exhibitions in some rooms, you will undoubtedly admire the collections of paintings, ancient calligraphy, jades, bronzes, ceramics (mainly exposed in the palaces of the eastern wing). You will have to wander through this magnificent «city in the City» for a long time, to try to absorb you from its splendors… And yet, it holds so many treasures that we must return to it again and again to discover them!
The ensemble has been classified as UNESCO's human heritage since 1987.