Concert halls Paris 10th 75010

In its Cachette, a 180-seat room specially designed for children, the Compagnie des 3 Chardons presents its theatrical shows, which also regularly tour in primary schools. The place is truly magical, with nearly 18 shows created by Jean-Pierre Idatte. The stories are original, popular and encourage children to read. They can also buy, at the bookstore or on the company's Internet shop, the books and CDs from this Cachette, which looks like a treasure cave.

An old corner bar with unpromising decor near the canal: at first glance, that is what this institution of quai de Jemmapes looks like. But once you sit down at the table, you quickly forget the pine cone hanging from the ceiling and the statuettes of bucolic nymphs scattered throughout the bar. This is the kingdom of Adel, who run his small café with good humour and sympathy, a tradition that is lost in the other neighbourhood bars. If we come here, it is not so much for the contents of the glass or the plate (some Syrian specialities are proposed), but for the people with whom we taste them. Here, you will find a few merry regulars, some quite drunk students and idle artists. Every evening or almost, musicians give small concerts, without any fuss. The prices are reasonable, the evenings are always pleasant, especially in summer when the terrace is full of customers enjoying the beautiful days… and beautiful nights!

Marie-Antoinette was responsible for this hall. Built in 1781, it hosted lyrical performances until 1794. After a few years of neglect, it was reborn as the Théâtre de la Porte-Saint-Martin. Romantic dramas, notably by Dumas and Hugo, were performed here. The theatre burned down during the Paris Commune and was rebuilt in 1873. Cyrano de Bergerac and Chanteclerc were created here. The alternation between classical and contemporary music keeps the place beating.

For a long time, the Parisians had this theatre of nine hundred and ninety places under the name of Eldorado. It is also known as a first room built here in 1858. It is a luxury coffee shop where you can sing, dance and drink, as well as just, but where you can also watch small pieces and pantomime or dance numbers. This was created in 1868 a poem by Jean-Baptiste Clément entitled Le Temps des Des. After being put in music by Antoine Renard, we know what fate he will know. Many artists go to Eldorado as a beginner before they go back to their features: Paulus, Yvette Guilbert, Mistinguett, Mayol, Polar, Dranem, Maurice Chevalier. In 1918, establishments of the Maori'conc'type went out of fashion, so Eldorado went to Music Hall. There are magazines, as well as vaudevilles and operettas. A Yiddish theatre will then implement it before the room is demolished, then rebuilt in 1933 to become a cinema of two thousand places. The room will keep its aesthetics 1930. In 1971, Eldorado returned to the Live Show. In 1994, Maurice Molina, the new boss of the sites, began a renovation of the site. It was the Rebaptisera theatre in 2000. The program is eclectic from Goldoni to Knight and Laspales. Note: Classic mornings are offered in this room by L'Ecla Theatre.

The theater's name refers to a former venue located nearby, at 50 rue de Malte. Opened in 1866, it disappeared in 1967 after having been one of Paris's leading music-hall venues. It hosts concerts of chanson, rock, world music and jazz, as well as musicals, magic shows and comedy. It can accommodate 500 to 800 people and is housed in a building dating from 1911. At the time of writing, several shows are on offer, including the musical "Holidays", a tribute to Madonna.

There are two auditoriums, one seating 102, the other 64. The program is varied: theater, musicals and many shows for young audiences. We're located in the cellars of a former coaching inn. The venue was originally opened to contemporary theater by a troupe of five actors led by Régis Santon in the 1970s. José Valverde succeeded him until 1987, then Alida Latessa in 1995. It was she who created the second venue, dedicated to song. The ensemble offers a rich program.

Since November 2013, the Mouffetard Theatre is home to the puppet theatre in Paris, thus becoming the first room exclusively dedicated to this discipline in Paris. Led by Isabelle Bertola, this 236-seat theatre defends and promotes contemporary forms of puppet theatre with a wide audience. A place of commitment for a resolutely innovative theatre!

It is a mythical place that host performances of great jazz artists, starting with Art Blakey on the evening of its inauguration in 1981, followed by Chet Baker, Stan Getz, McCoy Tyner, Dexter Gordon, Dizzy Gillespie and many others. In the beginning was New Morning ... from Geneva. With a lot of success in Switzerland, the founders of this club decided to open a new one in Paris in old print shops. It maintained its loft style decoration. New Morning has contributed to the revival of lively jazz music in the capital. Its great advantage is its direct link between musicians and its audience. Over time, it became open to blues, rock, song, world music and many orchestral of modern African or Latin American music. There were unforgettable moments here like when Prince took the habit of coming to play in front of a handful of fans who were amazed during his performance in Paris. It is also here that from the five hundred places in the club or leaning in the bar, we could - and still can - find strong personalities that are known or unknown.  In New Morning, Dee Dee Bridgewater or Cesaria Evora, to name a few, found a headquarter to conquer the European public.

The two rooms in this archipelago located in the heart of the 10 ^th arrondissement have beautiful hours in front of them. Since 2001, the establishment has been offering programming very related to music, live shows and animation cinema. All the arts are represented. And say that in 1893, this place was called "The Concert of the Japanese City" and was a popular coffee-concert, where Maurice Chevalier or Maxime Lisbon took Place in their early stages. It was only in 1911 that the room turned into cinema. The "Paris-Cinéma" was born and kept this name until 2001… From silent to speaking, through today's shows: this is a territory not to be missed…

Established for over 20 years in the 11th arrondissement of Paris, the Comédie des 3 Bornes is a favorite venue for lovers of comic theater. Taken over in 2017 by Anne Auffret, Florent Aumaître and Arnaud Schmitt, the venue has been completely renovated to offer optimum comfort for artists and audiences alike. From classic plays to one-man shows, the eclectic programming has made this venue a Parisian reference. With its conviviality and warm atmosphere, the Comédie des 3 Bornes remains the most charming of the capital's small venues.

Located in the 11th arrondissement of Paris, Auguste Théâtre is a former rehearsal space that became a theater in 2011. Its intimate setting makes it an ideal springboard for young artists and a place of discovery for audiences. In addition to its charm, its facilities are on a par with those of larger venues. Taken over in 2015 by actress and director Marie Hasse and under the direction of Gianni Corvi since January 2022, L'Auguste Théâtre has all the ingredients of a dynamic stage for tomorrow's talent.

Here's another ^7th Art cult venue to discover for its atypical aspect. Since 1925, it has been the first venue to screen avant-garde films for an audience of connoisseurs, marking the birth of avant-garde cinema in France. Surrealist and cubist friends André Breton, René Clair and Fernand Léger attended the ^1st screening in 1926. Two years later, the Studio was marked by scandal when a screening of Antonin Artaud's La Coquille et le Clergyman led to a brawl with Breton and Aragon as instigators. Since then, the Studio des Ursulines has calmed down and welcomes young audiences and film buffs to discover avant-garde works, as well as animated films and ciné-club sessions.

Created in 1978, this 192-seat municipal theater has been run since 2020 by Edouard Chapot and Mathieu Touzé. Focused on contemporary creation, with a dozen shows a year and two festivals, the theater also offers a program of meetings, symposia, workshops and masterclasses throughout the year as part of its Université Populaire. In 2022, a professional training school, LAB14, was also created. Many great names in the world of theater have passed through this very special place.

The theatre, built in 1876, has 530 seats divided into a parterre, a row of boxes and a gallery. It specialized in historical frescoes and melodramas before being closed in 1952. Peter Brook and Micheline Rozan moved here in 1974, leaving the theatre its bare appearance. In addition to Brook's always surprising shows, jazz and chanson have also found their place here: a vast and beautiful program.

The White Queen is a theater, but also a cultural place in the broadest sense. Since its takeover by Elisabeth Bouchaud in 2015, the site has become an art and science scene. Physicist, author, director and actor, Elisabeth Bouchaud has his desire to decompartmentalize disciplines to create expressive and artistic forms in order to take the scientific word to make it sensitive and intelligible to all audiences.

The former international school of Mimodrame de Paris-Marcel-Marceau, closed in 2006, became the theatre of Petit-Saint-Martin, where theatre, dance, entertainment for the young public and song recitals are displayed. The seating room consists of one hundred and seventy chairs. Theatre and dance courses are delivered here. Bernard Destors is now leading the theatre and offering quality programming, like the recent success La Promise de l'aube de Romain Gary.

From theatre, poetry, humor, song, shows for children. The Laurette Theatre focuses on young talents. He took his name in tribute to Laurette Fugain. Opened in 1981, he also named La Mainate and Cabaret des Fous. A large proportion of the funds collected from the plays are donated to the Laurette Fugain association, whose primary aim is to raise awareness of the donation of blood platelets, mainly to save patients with leukemia.

L'Atelier de la Bonne Graine is a friendly theater located in the 11th arrondissement of Paris. Mainly aimed at young audiences, it offers a varied program of theater, storytelling and puppetry. Shows in the 2022-2023 season include "L'Esquisseuse", a miniature puppet play for ages 8 and up, "La Petite Mythologie", a puppet tale for children aged 3 to 6, and "Blanche Rose et Rose Rouge", an adaptation of the Brothers Grimm for children aged 4 to 8. L'Atelier de la Bonne Graine is easily accessible by metro (Ledru Rollin or Bastille stations) or bus (lines 61, 76 or 86).

In Paris, theater and comedy fans can't miss IMPROROCK DE L'IMPRO, DE L'HUMOUR ET DU ROCK! This café-théâtre offers theatrical improv shows derived from the improv match, duets, one-man shows and special events. Directed by Jean-Marie Daubenton, IMPROROCK has enjoyed great success at the COMEDIA, the ALHAMBRA and the EUROPEEN. IMPROROCK shows are a concentrate of wacky humor, with absurd situations and a sharp sense of repartee. The comedians dare to go all out with their talent and enthusiasm, delivering one spicy, over-the-top scene after another. The audience participates by contributing themes, making each show unique.